‘TOP GUN’ CRUISES TO NO. 1

It’s official: Summer officially has begun, with all the right elements: a stellar story, hypnotic air flights and fights, and the key ingredient named Tom Cruise.

The fact that “Top Gun: Maverick” is a sequel of a film from 30 years ago, when Cruise first took on Pete “Maverick” Mitchell … somewhat astonishing. And then the pandemic stalled the release of “Maverick” for nearly three years … something frustrating.

But the delay heightened anticipation and expanded expectation and the Memorial Day weekend turned out to be the perfect moment to welcome “Top Gun,” which raked in a $100 million three-day gross, which, if international box office is added, meant a $248 million global tally. With today’s Memorial Day (May 30) holiday, another $50 million could be added to the explosive total.

Tom Cruise in “Top Gun: Maverick”

The alignment of the delay, the performance of Cruise as the cocky but dependable fighter pilot-turned-mentor, and the public’s eagerness to see the aerial dynamics in movie theaters (which has struggled to fill seats till now) meant the stars were aligned in filmland.

Wow.
The plot was somewhat predictable, but there are surprises: generals make mistakes, mavericks take chances, a few original characters return, old wounds are resolved, a romantic bond is sealed, and Lady Gaga seals the deal with her end-titles ballad, “Hold My Hand,”
uplifting the soundtrack as folks exit the theaters. Gage’s composing collaborators are  Harold Faltermeyer and Hans Zimmer. Clearly, it’s headed to No. 1 and will be an Oscar song contender next year.

It’s fun to know and hear the “handles” of the military mights: Maverick, Iceman, Rooster, Cyclone, Fanboy, Hangman, Coyote, etc.

And here’s a rarity just might increase: Cruise welcomes fans prior to the film, in a tack-on video akin to a handshake (Benedict Cumberbatch did a similar clip prior to his “Dr. Strange in the Multiverse of Madness “sequel earlier). Could more actors and films adopt this policy? …

Elton John doc due on Disney+

A documentary on superstar Elton John is due from Disney Original Documentary and Disney+.

Deadline reports that the doc, entitled “Goodbye Yellow Brick Road: The Final Elton John Performances and the Years. That Made His Legend.”

Elton John will be featured in a new documentary with a mouthful of a title.

Yes, it’s a mouthful. But John has been a musical figure not wholly represented in films. The thrust of the doc will be John’s “Farewell Yellow Brick Road Tour,” when he spent months on tour, culminating in a November gig at Dodger Stadium that will cap his final North American show.

Unseen footage of his 50-year global success will provide essential videos of John earlier in his career, when his shows included lavish costumes and spectacles that reflected his charismatic flamboyancy.

“Rocketman,” the 2019 biography with Taron Egerton as John, explored his life but lacked theatrical vigor since the performance factor fell short; there was no soaring climactic fervor like the “We Will Rock You” finale with Rami Malek as Freddy Mercury in the Queen biopic, “Bohemian Rhapsody.” …

And that’s Show Biz. …

ACADEMIC CADENCE FOR SHIROMA

Jesse Shiroma, accordionist for Streetlight Cadence, is on leave from the group for academic reasons.

Shiroma is focusing on a master’s degree, so his latest status is that of a student at the University of Hawaii. Which means no more regular SLC gigs for a while.

“I have definitely returned to being a student and my long-term plans are to pursue a music librarianship with a focus on indigenous preservation and advocacy,” Shiroma said in an email. “Ideally, I can find some balance in that and return to a more regular live musical performance schedule as well. A man can dream, ha-ha!”

Jesse Shiroma

Shiroma’s absence was clearly, or perhaps dimly, visible in Streetlight Cadence’s recent “A Lightbulb Concerto” posting on YouTube. His colleagues Jonathan Franklin performed on violin, Brian Webb on cello, and Ben Chai on banjo, with friend Clara Stegall guesting on guitar, as mentioned in this column here.

So Shiroma shed light on his latest journey, but admitted that he intends to hang with his buddies when they’re in town. Should be later this year, when Streetlight Cadence performs in the Waikiki Aquarium’s “Ke Kani O Ke Kai Series,” in August.

Surely, Shiroma will bring his newfangled accordion with him, not the classic of yesteryear. …

Kevin McCollum

No doubt, it’s sad

“Mrs. Doubtfire,” the new musical based on the popular film starring Robin Williams, will close on Broadway May 29 at the Stephen Sondheim Theatre. A bit of Hawaii will also be shuttering.

It was a record-breaker, with hot box office sales, when it premiered at Seattle’s 5th Avenue Theatre during the 2019 holiday season, prompting a move to Broadway.

The island element is that “Mrs. Doubtfire” was produced by Hawaii’s Kevin McCollum, whose earlier hits on the Great White Way included “Rent,” “Avenue Q” and “Something Rotten.”

Something rotten called COVID happened, impacting the Broadway marketplace, when “Doubtfire” began previews in March 2020, and had to be shut down due to the pandemic, resuming performances in Oct.21, only to be shuttered again in January 2022. The show reopened again on April 14 but will lower its curtains for good on May 29.

McCollum has said in Broadway media, “Even though New York City is getting stronger every day and ticket sales are slowly improving, theater-going tourists and, especially for our show, family audiences have not returned as soon as we anticipated.”

Much like some theatrical films, adult and family audiences have shown some reluctance in returning to the theater, unless it’s a Marvel adventure.

Some good news: “Mrs. Doubtfire” is set to premiere in London this fall, with a national U.S. tour scheduled for 2023. Unless the economic crisis in the U.K. and in the U.S. improves, box office response could become an issue, too. …

Musical notes

Ho‘okena, featuring Horace Dudoit III, Chris Kamaka and Glenn Smith, will showcase its award-winning Hawaiian music, at 6:30 p.m. today (May 25) at the Plumeria Beachhouse at the Kahala Hotel.  Seating starts at 5:30 p.m.; reservations may be made via Open Table. …

Stephen Inglis

The Stephen Inglis Project, with guest artist David Gans, will be featured at 7 p.m. Saturday (May 28) at Slack Key Lounge, at Hawaiian Brian’s on Kapiolani Boulevard.  Doors open at 6:30 p.m.; a $15 cover is in place.

Inglis will share some originals, with his pendulum swinging from Dylan to the Grateful Dead. Gans is expected to showcase his finger-picking style, on ballads, some rock, fueled with improv and surprises. …

And that’s Show Biz. …

LARRIN HAS A RARE WAIKIKI GIG

Note: this column has been updated; Jay Larrin’s show times were incorrect in earlier postings.

Jay Larrin, tapped as a Lifetime Achievement Award inductee by the Hawaii Academy of Recording Arts earlier this year, will make a rare concert appearance at Na Kupuna Nights May 28 at the Hawaii Convention Center in Waikiki.

Larrin, a singer, pianist, composer and poet, will be the featured entertainer, in an event produced by the Hawaiian Music Perpetuation Society, celebrating Na Kupuna of Mele Hawaii. He also is a seasoned Na Hoku Hanohano Award winner, known for a body of work that includes “The Snows of Maunakea,” “The Ko’olaus Are Sleeping,” “Molokai Lullaby”  and “Little Lei Lady.”

Jay Larrin

The event also will feature Halehaku Seabury and Bryan Tolentino, singers and ukulele artists, who also are previous Na Hoku Hanohano Award winners.

There are daytime and nighttime components for the event, celebrating island music, food and arts and crafts.

The schedule:

  • 3 to 8 p.m. – E Ku’ai Kakou, “We Shop,” with Hawaiian inspired vendors.
  • 4:30 to 5:15 p.m. – Kani Ka Pila, with Kuuipo Kumukahi, at the rooftop breeze way.
  • 5:30 p.m. – Doors open for dinner, with a 6 p.m. opening protocol.
Halehaku Seabury, Bryan Tolentino
  • 6:15 p.m. – Dinner service, featuring Hawaiian food.
  • 6:15 p.m. – Performance by Halehaku Seabury and Bryan Tolentino.
  • 7 to 7:30 p.m. – Raffle drawing and a silent auction.
  • 7:30 to 8:30 p.m. —  Jay Larrin performance on piano.

Tickets: $79, includes concert, dinner and parking; visit www.hawaiianmusicperpetuationsociety.com  …

‘Sunshine’ postponed again

For the third time in as many years, “The Sunshine Boys,” featuring Joe Moore and Pat Sajak, has been postponed again until June 2023, due to the enduring pandemic crisis that will elevate some protocols, like face masking and crowd controls, in the weeks ahead.

The show has been on the summer slate at the Hawaii Theatre throughout the prevailing health concerns; it was to run from June 16 through June 26 this year. Clearly, the development of another rescheduling is a whirl of misfortune, yet again.

“With COVID cases rising for eight consecutive weeks and the Health Department predicting the numbers will continue to rise for an undermined amount of time before they go down, we felt the only responsible and sensible thing to do in the interest of public safety was to postpone,” said Moore, veteran KHON-2 news anchor, who has regularly staged theatrical productions co-starring his one-time Army buddy, Sajak, the longtime host of “Wheel of Fortune.”

Joe Moore, Pat Sajak

“Big disappoint for all of us,” said Moore about pushing back the Neil Simon comedy for another year. “Three strikes and we’re out,” he shared in an email, and Moore was to announce the postponement in the 6 p.m. newcast on Channel 2 today (May 19).

“We’ll try to get out from under the cloud of COVID or whatever new virus might emerge,” he said. The uncertainty of restrictions of attendance numbers of large groups also was factor in the postponement.

Moore also revealed that the Hawaii Theatre had $50,000 worth of tickets sold a month before the “Sunshine” launching, when the decision was made earlier this morning to wait another year. “It wasn’t ticket sales I was worried about, it was the safety of theater-goers with so much COVID in the community,” said Moore.

Thus, it was the right call to postpone now, to enable ticket holders to plan ahead and also avoid possible COVID infections when huge numbers are in the same space amid the uncertainty of the virus.

Those with tickets for the scheduled June playdates may hold onto their tickets for next year’s performance, or accept a Hawaii Theatre gift card to enjoy another show.

“It’s been a tough time for the non-profit theater and folks’ support now is more important than ever,” said Moore.

The rescheduling for 2023 means another year of long-distance phone rehearsals and Zoom sessions for Moore and Sajak, which has become a routine for the two buddies in the past, and another delay is, indeed, frustrating.

The theater’s website, www.hawaiitheatre.com, should provide other specifics, though had not been updated to reflect the postponement yet when we checked midday. …

And that’s Show Biz. …