Postcards? I make and send ’em

Nobody sends postcards anymore.

Yes, post carding used to be a trip-related thing. Back in the day, you’d secure a bunch of postcards whenever you visited a city. You’d buy a few cards and  bring some postcard stamps with you when you hit the road.

That’s a tradition that’s mostly extinct now. Before, if you visited Europe, your hotel concierge in Italy or France would have the appropriate foreign stamps to affix to your postcard.

Nations like the U.K., New Zealand, Mexico, Croatia, etc. possibly would have  exotic stamps, including some treasures. In reality, however, you’d beat your card home because out-of-country mail is understandably slow-mo.

In days of old, you could even use generic postcards showing your hotel. Or gratis cards from your airline. Boring, but doable.

My home-made postcards/notecards, for a week-long New York visit. The tradition lives!

I’m so old-school and believe the postcard industry – and perhaps even the  post office – have killed this element of travel communication. Bright new postcards at a curio shop cost a few dollars now, if you can find ‘em at all. The standard cheapo cards were 10 for $1, and they were OK if you don’t mind cards depicting  outdated Statue of Liberty or Empire State Building images.  Equally out of date: a post card flashing  Times Square neon signs depicting “Phantom of the Opera” or “A Chorus Line” billboards, a pair of singular sensations long gone.

E-mail has changed the world. And I changed, too. I make my own, decorating cards pr paper sheets depicting my destination. It’s almost always a New York theme, and this year, I’m doing a Broadway jaunt.

But postal costs are also a factor. The present price to mail a first-class envelope is 78 cents, but will rise to 82 cents beginning July 12. A domestic postcard stamp currently costs 61 cent, and it rises to  65 cents  starting July 12.

I’m utilizing my Forever stamps, bought earlier at  discounted for eternal use.

E-mails erased the necessity of sending postcards; a quick “arrived 10 a.m.; off to a boat tour,” via your iPhone would suffice, along with a companion image of you on a tour going ‘neath the bridges in Chicago, New York, or San Francisco.

But I’m a crafter, and a crafter crafts. And notecards -to the Big Apple- with appropriate stickers or rubber stamps –are especially easy to create.  It’s very basic crafting, but I enjoy sharing ‘em.

A confession: I’m bound for New York this week, to catch a clutch of Broadway shows, including “Lost Boyd” and “Schrigadoon,” both Tony winners this year.

FYI,  I’m done making my N.Y. postcards/notecards, 2026 edition,  and  have assembled envelopes, too, in anticipation of the keeping the postcard ritual alive.

 I affixed an apple with glitter inside, and chose a signature NY attraction or nameplate to complete the NY theme.

In the past, I used subway maps, adorned with tiny yellow cabs; Lady Liberty has been a favorite motif and years ago, I purchased a great rubber stamp. Two years ago, I was ambitious created a mini-newspaper filled with data of shows I was seeing and it was so easy to make, using one sheet of 8 ½ x 11 paper, folded like a book with only two  scissor cuts. Grade school teachers know this trick for their youngsters— a mini book with a few actual pages to turn. I filled the wee pages with text messages.

With my homemade cards, I’ll write notes and mail ‘em in-between Broadway shows or while breakfasting or lunching. Hmmmm, not certain if I made enough notecards or will have enough time to scribble a note and affix the stamp and find a mailbox…

And that’s Show Biz…

Ben Wood, columnist, dies

Ben Wood, who sold the Star-Bulletin in the streets
of downtown Honolulu during World War II, writes of people,
places and things every Saturday.

That was the familiar tagline of  entertainment columnist Wood, 94, who died Friday (June 19), at a Kaneohe senior care facility, following a long illness.

Ben Wood

According to friends, he vacated his downtown condominium years ago and spent a year at a Kaneohe care facility before moving to St. Francis Medical Center for faith-based senior care.

Wood, whose last column was on Oct. 14, 2017 in the merged Honolulu Star-Advertiser, was a legendary reporter-columnist who wrote about island culture, people, and the performing arts. He covered the Golden Years of Waikiki at the height of the visitor industry’s growth..

He hawked the Star-Bulletin in the streets of downtown Honolulu during WWII, which symbolically was when he started working for the then-evening paper. That was his claim to fame.

He attended Roosevelt High School, graduating in 1949.

He joined the Army in 1955, serving in the infantry for a year and was assigned to the European edition of the Stars & Stripe, serving for eight years as a civilian journalist following his military discharge

He adored wine and fine dining, commonly winding up at hot spots like Michel’s and Ruth’s Chris Steak House for celebratory events, like his fabled, annual all-wahine birthday luncheons.

Wood got married in 1974 to his wife, Brita (nicknamed “the Frau,” to his friends and readers) but she preceded him in death in 1996 .

Services are pending.

Cravalho is banking on color green

 Auliʻi Cravalho, who voiced Moana in the 2016 animated film of the same name, has joined the cast of  “My Adventures with Superman.” Cravalho will voice Jessica Cruz in teenage mode, who  eventually will become DC Comics’ first human female Green Lantern.

Auli’i Cravalho

In “Superman,” Cruz will be  a teenager.

Jake Wyatt, showrunner on “My Adventures with Superman” and the upcoming “My Adventures with Green Lantern,”  stated the following regarding Cravalho’s casting:

“Casting brought us a lot of fantastic reads for Jessica. But when I heard Auli’i, there was this complexity of emotion to her read — a natural, almost oblivious charm that she brought to Jess — and I knew she was the one.

“But I hadn’t even looked at the name, I just ran out of my office like, ‘Have ya’ll heard this take??’ Then Stephanie [Gonzaga] and Karen [Graci] told me that it was Auli’i, that she was already a princess, how she’d done brilliant work with Karen on a previous show, and that was that.”

Cravalho rose to prominence with her vocal performance as Moana in the hit Disney film. She reprised her role for the sequel, “Moana 2,” as well as a cameo in “Ralph Breaks the Internet.” She previously played Janis in 2024’s “Mean Girls.”.Known for her strong singing voice, Cravalho has also embraced an impress theater resume, having starred in “Sunset Boulevard,” “Evita,” “Children of Eden,” and “Cabaret.”

“We’d already planned for the second episode to showcase how Supergirl [Kiana Madeira], in particular, was changing their world. We wanted to look at how different people had very different reactions to the same Kryptonian. So when word came down from the brass that Green Lantern was greenlit, we wanted our pre-Lantern Jessica Cruz to give us the girl-on-the-street view of Supergirl. How would a shy, relatively powerless teenager see this powerful, young super-woman out there changing the world? And what would it be like for Supergirl to see herself through Jess’s eyes?”.

.And that’s Show Biz…

DHT announces ‘Les Miz’ cast

Do you hear the people sing?

You will, when Diamond Head Theatre unveils its cast for the upcoming “Les Miserables” production, opening July 24. 

Anthony Fedorov will portray Jean Valjean, the protagonist unjustly imprisoned for 19 years who breaks parole to seek  a rich life, but Jose Ver, cast as the antagonist Inspector Javert, is forever in pursuit of Valjean.

This beloved musical based is based on Victor Hugo’s novel and showcases  musical theater’s grand, rich score, which most theater fans can sing, since every number has become part of the folklore of musical theater. 

Its uplifting characters perform songs of hope, heartbreak, struggle and redemption, laced with romance, honor and heroism in wartime 19th century France.

The Cameron Macintosh production is the world’s longest running musical, and boasts a grand score featuring music by Claude-Michel Schonberg, lyrics by Herbert Kretzmer and book by Alain Boublil, based on the classic wartime Hugo story.

Other leads in the company: Mehana Stone (Fantine), Lainey Hicks (Cosette), Ainsley Schearer (Eponine), Kimo Kaona (Marius), Buffy kahalepuna Wong (MadameThenardier), Presley Wheeler (Thernardier), Kime Braud (Enjolras), Mali Na’auao (Gavroche), Philex Kepa (Gavroche), Elle Silver (Little Cosette/Young Eponine), Mazzy Meers (Little Cosette/Young Eponine), Madison Abe-Revera (Little Cosette/Young Eponine).

Also in the Ensemble: Mike Abdo, Kim Anderson, Landon Ballesteros, Becca Brake, Drew Bright, Ioane Camacho, Mary Chesnut Hicks, Kalani Hick, Sage Hirasuna, Casey Lauti, Lee Nebe, Shane Nishimura,Cayden Park, Larry Paxton, Pualaela Slover, Marie Staples, David Weaver, Karsyn Wentzell, Brian Willis, Trent Yamagata, Rain Young, Anna Young.

Doug Kreefer will direct this spectacle, and Jenny Shiroma is musical director. “Les Miz” enables the artistic team to take advantage of the revolving stage installed on the DHT floor.

Willie Sabel is set designer, and it’s a no-brainer that he’ll build the show’s iconic barricade.

Jericho Sombrio is sound designer, Kyle Conner is props designer,Chris Gouveia is lighting designer, Emily Lane is costume designer, Aiko Schick is hair and make-up designer, Trudi Melohn is production stage manager.

Though opening July 24, the formal opening night will be on July 31; and even before the show opens, extension dates have been announced for 3 p.m. July 26, 7 p.m.. Aug. 5,   7 p.m. Aug. 20 and 7:30 p.m. Aug. 21.

Tickets: $70 and $54 at (808) 733-0374 or diamondheadtheatre.com

And that’s Show Biz…

‘Island moments’ in the Tonycast

There were “island moments” — two — in last night’s (June 7)Tony Awards televised on CBS.

No one mentioned it, so I will: Darren Criss and Nicole Scherzinger were key award presenters since they both won Tonys last year… Criss, as Best Actor in a Musical (“Maybe Happy Ending”) and Sherzinger, as Best Actress in a Musical (“Sunset Boulevard”). Their presence was part of the ritual of passing down the crowns to this year’s victors in the same categories.

Darren Criss and Nicole Scherzinger, key Tony presenters.

Lest you forget, Criss spent his early childhood in Hawaii; Scherzinger still has family here and has had a notable musical career as the centerpiece of  The Pussycat Dolls.

I haven’t seen any of this year’s winning shows and performers, but I’ve been researching the slate of attractions, since I’m heading to The Big Apple in July to see some of the shows, and already have secured tickets to many titles with toe-tapping energy, including “Schmigadoon,” the parody of “Brigadoon,” which snagged four trophies including Best Musical.

Ann Harada, in the ensemble of “Schimagadoon.”

And drum roll, please; another island tr!ouper —Ann Harada (no relation), a Punahou grad –is in the “Schimagadoon” ensemble. Yippee!

Other new musicals I’ll catch: “The Lost Boys”  (four Tonys) and “Cats: the Jellicle Ball” (three Tonys). Will experience “Titanique”  (the Celine Dion-“Titanic” parody) — nominated for Best Musical.

Will see “Oh, Mary” for the first time, but will revisit “Moulin Rouge” and “Harry Potter and the Cursed Child,” the latter a pared-down version (“Harry” originally was a two-show attraction).

Was curious about the  “Beaches” musical, based on the film featuring Bette Midler and her signature hit, “Wind Beneath My Wings,” but without a star wattage, the Broadway version was shuttered when it wasn’t nominated for a Tony.  The cancellation enabled me to buy tickets to “Titanique,” completing my show list.

The Tonys spectacle is truly a wonderment and a revelation: How can producers and backstagers move one show’s sets and sundry performers off the stage, and get another cast and sets placed in an incredibly short time, with the cadence and confidence of a marching band.

This year’s Tony cast also staged several remarkable hits again with on-and-off tempos – “Chicago,” “The Book of Mormon” (back in action in real time, following a theater fire two weeks ago) and “A Chorus Line.” The latter was a singular sensation—a Cassie singing the show biz anthem, “What I Did for Love,” but it would have been a bonanza to have the “One, Singular Sensation” showstopper, but it would have been a miracle chore to assemble singers-dancers dressed in glittery duds and topped with hats. Just a thought…

It’s summertime, and the going’s not easy

Summertime theater-going  dropped in overall grosses for the week ending June 31. An indication: “Wicked,” normally in the top five, took a dive to No.6.

The 2026 Best Play production, however, soared to No. 3 before the Tony Awards this past Sunday (June 7), and likely will inch-up toward the top of the horse race. So will “Schmigadoon,” the just-crowned Best Musical, find its way to the Top 10?

 “Hamilton” managed to be the lone show topping the $2 million level.

As summer vacationers head for Broadway, there should be more see-sawing attendance figures.

The Top 10:

1—”Hamilton,” $2.028 million

2–“The Lion King,”$1.979  million

3—“Death of a Salesman,” $1.35 million

4—“MJ the Musical,” $1.582 million

5—“Oh, Mary,”  $`.534 million

6—“Wicked,” $1.464 million

7—“Ragtime,” $1.300 million

8—“The Lost Boys,” $1.290 million

9—“Aladdin,” $1.196 million

10—“Giant,”  $1.178 million

The complete list, courtesy the Broadway League:




And that’s Show Biz…

Brice is right in ‘Funny Girl’

In her Diamond Head Theatre debut as Fanny Brice in “Funny Girl,” Becca Brake turns in a star-making performance, hitting all the right notes and delivering all her solo vocals with powerful confidence.

Not an easy task, considering she is working in the shadows of Barbra Streisand, who originated Fanny Brice on Broadway and later in the film.

Hello, gorgeous!

Brake starts off slowly, then going full-throttle-furiously, chewing her lines in rat-tat-tat swiftness, and conquering every one of her solo vocals with stunning flair and finesse.

Not surprisingly, audiences are cheering and applauding.

The show, about a hungry-for-fame singer from New York’s Lower East Side, features a musical score by Jule Styne (music) and Bob Merrill (lyrics), based on a book by Isobel Lennart.  It’s a made-for-the-stage story of talent and eagerness overtaking the odds and challenges of the uncertainties of stardom, in the era of vaudeville and  the Ziegfeld’s Follies.

John Rampage, DHT’s seasoned director-choreographer, is the perfect choice to helm and mount “Funny Girl,”  which is the fourth revival  of the classic over the past six decades,  Rampage knows the road map to this one, steering  his cast of 29 –  tap dancing has been his specialty – with the spirit of the era. And yep, he  knows how to party hearty with a corps of dancers who also sing…a strength of DHT musicals.

Shari Lynn is Mrs. Brice, Becca Brake is Fanny Brice, in “Funny Girl.”

The show is well cast, with Mark Sanders (debonair, smooth talker) as gambler Nick Arnstein, who marries Brice; Shari Lynn (a stalwart Jewish mother, with a firm perspective of life), as Mrs. Brice;  Joe Martyak  (profound business man, and a star-maker), as Florenz Ziegfeld Jr.; and David Weaver (loyal, supportive best buddy of Fanny) as Eddie Ryan, the  talented dancer-choreographer.

Brake carries the burden of singing and delivering the show’s familiar hit songs – “I’m the Greatest Star,” “Don’t Rain on My Parade” and “People”  –all in Act 1, with a couple of duets with Nick. Brake still dominates the song count in Act 2, with such novelties as “Sadie, Sadie” and “Rat-Tat-Tat-Tat”  rendered with the company.

Jenny Shiroma efficiently conducts the orchestra of seven; the opening overture here is not exactly the best (not the fault of the musicians).

The techies deliver where it counts: Dawn Oshima’s lighting design and Michael Minor’s sound design work hand in hand; Miya Yoshimoto’s hair and make-up design project the look and style of an earlier time.

Kyle Conner’s and Dawn Oshima’s set design – depicting backstage of the New Amsterdam Theatre in New York, circa 1924 —  is a curiosity, with a pair of moveable stairways as the centerpiece. There’s a lot of old-time roll-on/roll of set pieces, like Fanny’s dressing room, lots of furniture (sofas, chairs, tables) and a couple of recurring “drops” (a faux brick wall, a reflecting and glittering curtain). It’s all effective, considering the time, and a reminder of old times before the new DHT launched, when set pieces were on wagons and relied on cast and stagehands to push and pull.

Playdates originally were through June 7, with performances at 7:30 p.m. Fridays and Saturdays, 7 p.m. Thursdays, 3 p.m. Saturdays and 3 pm. Sundays. Extension dates have been announced for Saturday June 13 and Sunday June 14.

Tickets are $43 to $70, at www.diamondheadtheatre.com or 808-733-0274…

And that’s Show Biz…