Film tax bill will fuel industry

The Hawaiʻi Film Alliance announced today (May 8) that the state’s landmark film tax incentive legislation has passed the legislature and awaits the Governor’s signature.

SB 2580 is the measure that the film and television communities have been awaiting, since the latest legislation – a tax incentive infrastructure which will enable movie and TV creators to once again aim their cameras to end the drought here – so actors, directors, cinematographers and all the allied craft industries, can soon start shooting again after a decade without prominent filmic action throughout the state.

Gov. Josh Green is expected to sign the legislation, which will green-light future projects and once again stabilize a new generation of  feature films and episodic television fare to fuel the island’s  entertainment industry.

“This bill positions Hawaiʻi to become the premier Pacific hub for global film and streaming production,” said Irish Barber, president of the Hawaiʻi Film Alliance. “More importantly, it creates sustainable local careers so Hawaiʻi’s creative workforce no longer has to leave home to build a future in this industry. This is about investing in our people, our stories, and the long-term future of Hawaiʻi’s creative economy.

The bill passed the full floor vote in both chambers of the Hawaiʻi State Legislature .

The legislation strengthens Hawaiʻi’s ability to compete for major film, television, and streaming productions while prioritizing local workforce development, expanding opportunities for Hawaiʻi businesses, and creating long-term stability for the state’s creative economy.

“This bill positions Hawaiʻi to become the premier Pacific hub for global film and streaming production,” said Irish Barber, President of the Hawaiʻi Film Alliance. “More importantly, it creates sustainable local careers so Hawaiʻi’s creative workforce no longer has to leave home to build a future in this industry. This is about investing in our people, our stories, and the long-term future of Hawaiʻi’s creative economy.”

Among the major provisions included in SB 2580:

  • Base tax credit rates of 22 per cent on Oʻahu and 27 per cent on Neighbor Islands.
  • A 5 per cent local hire uplift for productions meeting the 80 per cent of local hire threshold, bringing effective rates to 27 per cent on Oʻahu and 32 per cent on Neighbor Islands.
  • Inclusion of streaming productions under the incentive program.
  • An increase in the per-production cap to $20 million, with exemptions for productions exceeding $60 million in qualified spending.
  • Expansion of the overall annual program cap to $60 million.
  • Extension of the program sunset to January 1, 2038.
  • Retroactive implementation effective December 31, 2025
  • Reinstatement of third-party CPA audits for accountability and transparency
  • Updates to General Excise Tax treatment for film industry payroll companies to better align with comparable payroll service structures

The inclusion of local hire language in statute represents a milestone achievement for Hawaiʻi’s production workforce and reflects years of advocacy from local crew members, producers, and industry professionals seeking to build a more sustainable in-state industry.

“For years, Hawaiʻi has watched productions come here to begin projects and then leave for other jurisdictions because our incentive structure could not compete with the realities of modern production — especially in the streaming era,” Barber said. “That meant lost jobs, lost opportunities, and local workers being forced to leave Hawaiʻi to continue their careers. SB 2580 changes that trajectory.”

Jason Momoa

Among the recent projects filmed here: Jason Momoa’s “Wrecking Crew,” Disney’s  live-action “Moana,” and Momoa’s “Chief of War” limited shooting here. In the heyday of a tax benefits, episodic CBS procedurals like “Hawaii Five-0” and “Magnum P.I.” were anchored in Hawai‘i” and another CBS legacy series, “NCIS: Hawai‘i,” was launched but could not sustain life in Pearl Harbor and Honolulu, before being pink-slipped.

Jurassic Park

Hawai’i also hosted such major movie blockbusters, for limited shooting but grand reaction upon release. Remember the likes of “Indiana Jones” and “Jurassic Park”?  Perhaps a new generation of these mammoth attractions will beginning shooting here, with the latest tax incentive legislation.

Brian Keaulana

“When audiences around the world see Hawaiʻi on screen, they want to experience these islands for themselves,” said Brian Keaulana, founding member of HFA and the International Cultural Arts Network. “Film and television showcase Hawaiʻi’s beauty, culture, and aloha spirit to a global audience, inspiring visitors to travel here and supporting hotels, restaurants, transportation companies, small businesses, and local communities throughout the state. The impact of this industry reaches far beyond the set.”

‘Thriller’ defines ‘Michael’ biopic

In “Michael,” the biopic with Michael  Jackson’s real-life nephew, Jaafar Jackson as the centerpiece, there’s authentic movie magic. Jermaine Jackson’s son is launching a film career, and yep, it’s a stunning mix of emotional acting and enticing impersonation. By end of the flick, you may feel Jaafar isn’t a copycat here; after all, he’s got that DNA to vocalize and dance.

Here are 10 take-aways:

1—“Thriller,” MJ’s iconic Halloween-y vocal/dance, is the No. 1 in the roster rock from the King of Pop’s catalogue. So the precision and enactment of the famous MTV video depended on the dancers learning and reimagining the moves and grooves for the big screen. So yes, “Thriller” is a killer!

Jaafar Jackson, as Michael Jackson: : “Thriller” defines his moves and grooves.

2—“Billie Jean” is a super  duper second-placer. Again, the recreation chills because of the energy and power delivered.

3 – The single-glove lives and shines. Supposedly worn, to shield scars of a developing skin condition. What happened is that the glove became an iconic element of his presence.

Jaafar Jackson, Michael’s cousin as MJ: A star is born.

4 – The moonwalks are plentiful and Jaafar didn’t  create them, but he perfected the glides and bouncing to and fro, and his uncle must be proud that the crown has been sort of unofficially turned over.

Colman Domingo, as Joe Jackson

5—Colman Domingo— as Joseph “Joe” Jackson, MJ’s real-life father — is perfection as the meanie patriarch who belt-whipped the kid in his mentorship of Michael and the Jackson 5. It’s the film’s toughest and most challenging and complex character  – a bad dad – with personal greed in his veins with demonic demands. However, he could earn an Oscar nomination next year.

6 –MJ’s link to Peter Pan and Neverland was real; it explains a lot why he wanted to be forever young.

7 – His at-home zoo was strangely real; peacocks, a giraffe, a snake, a llama and the adorable chimp named Bubbles were among his animal pals depicted. And toys – MJ was a boy-man who loved stuffed figures including Mickey Mouse. And ‘twas cute, when he taught Bubbles how to navigate the Twister gameboard.

8 – As painful it must’ve been in real life, that horrid accident of MJ’s misfortune – his hair caught on fire during the filming of a Pepsi commercial – was a moment of terrifying winching. Yet he persevered, and this misfortune changed  him into a humanitarian supporting hospital burn units.

8 – Missing in action: Janet Jackson. Pourquoi? Marvelous in action: child actor Juliano Valdi(aka Juliano Krue Valdi) as Young Michael at 12: he fibs, saying he’s 8, at one point of the film. Mystiful.

 9—Gasping, screaming, fainting girls are part of the shrieking and adoring fan ship.  Happens quite often in rock shows, dating back to Elvis Presley,  but the hysteria was vital, providing raw energy.

10 –This is Part One of the MJ story; Part Two is coming  — unnecessary, since No. 1 showed and glowed with the MF the world cherished. The sequel will downplay the magic of his music and deal with  MJ’s dark side as a pedophile, with a tangle of accusations and court issues, for sure. This is not “Wicked.” …

One is a Lonely Number

And there was only one again, in the challenging and elistis $2 Million Club. And that’s
“Harry Potter,” again and again and again.

The Top 10:

1—”Harry Potter and the Cursed Child,”$2.31 million

2—“Hamilton,” $1.94 million

3—“The Lion King,” $1.89 million

4–Every Brilliant Thing,” $1.65 million

5—“Death of a Salesman,”$1.47  million

6—“Chicago,” $1.59 million

7—“MJ the Musical,” $1.35 million

8—“Moulin Rouge,” $2.64 million

9—“Ragtime,” $1.17 million

10—“Stranger Things: The First Shadow,” $1.00 million

The entire list, courtesy of the Broadway League:

JACKSON STARS WITH DIAMOND HITS

For Neil Diamond fans, a film chock full of his hits is coming to the big screen on Christmas Day.

It’s entitled “Song Sung Blue,” but it’s not a bio pic nor is it the musical dubbed “A Beautiful Noise,” which previously played on Broadway and features a keg full of shimmering Diamond ditties.

“Song Sung Blue” is somewhat of a peculiarity; yet it could be highly popular, with Diamond’s cluster of hit music the attraction.

Kate Hudson and Hugh Jackman star as Neil Diamond tribute band singers.

The premise of “Song Sung Blue” is that the principal characters are musicians in a tribute band named Lightning & Thunder, whose members include Mike and Claire Sardina, portrayed by Hugh Jackman and Kate Hudson, respectively.

Yep, it’s an intriguing vehicle for Jackman, interpreting the Diamond jukebox of hits, as a group member mimicking the singer with songs like “America,” Sweet Caroline,” and “I Am…I Said.”  But early media data fail to offer a playlist.

“Song Sung Blue” was written and directed by Craig Brewer, based on a 2008 documentary by Greg Koha.  

Jackman can sell a song, sung blue or not, since he’s been a musical actor for decades. His first big stage musical was “Oklahoma,” in which he starred as Curly, and his last was “The Music Man,” in which he played Prof. Harold Hill who could toot “Seventy-Six Trombones” and conquer the tongue-twisting “Trouble.”

Of course, Jackson won a Tony for his enactment of Peter Allen in  “The Boy From Oz” on Broadway, and though his vocals were properly expressiveas Jean Valjean in “Les Misérables” on the big screen, the flick wasn’t the kind of musical powerhouse as his key film hit, “The Greatest Showman,” in which his P.T. Barnum enactment justly defined his performance in that blockbuster film.

If you wonder if Hudson can handle a tune, she’s proven she’s got chops by releasing her first album, “Glorious,” last year.

“A Beautiful Noise” still is on a national tour, and audiences are applauding and singing along. The book was written by Anthony McCarten and the show was produced by Ken Davenport and Bob Gaudio.

Arena tour of ‘Les Mis’ due in New York

“Les Mis” spectacle will land at Radio City Music Hall next summer.

The world tour of the fabled “Les Misérables” international spectacle—dubbed “The Arena Concert Spectacular” – will land at Radio City Music Hall next summer.

The show, gathering key acting and singing leads over the decades, will be in Manhattan July 23 through Aug. 2, but already has been extended through Aug. 9. It will be the North America premiere, according to producer Cameron Mackintosh.

An American Express pre-sale for the extra week will launch sales Nov. 13, with sales to the general public starting Nov. 14 via Ticketmaster.com

Previously announced new engagements will be at the 3Arena in Dublin May 29 through June 6, 2026, the Utilita Arena in Birmingham June 11 through 14, 2026), and at London’s Royal Albert Hall June 18 through 21, 2026.

The tour opened with  a two-year run in Belfast beginning in September, 2024; the new dates will mark the end of the official 40th anniversary celebrations of “Les Miz”,The musical last played Broadway in 2016, and the London production has just entered its 41st year at the Sondheim Theatre

Full casting for the new tour dates will be announced at a later tim

“I am thrilled that we will be bringing home this iconic event to New York’s legendary Radio City Music Hall in July 2026,” said Mackintosh. “Les Misérables” has not been seen in New York for almost a decade”…

Broadway grosses, simple as 1, 2, 3

Not surprisingly, the ranking of the top shows, for the week ending Nov. 2, was a replay of 1-2-3 of recent weeks.

“Hamilton” topped the charts, again as the lone show grossing over $3.4 million. “Wicked” was No. 2, with $2.0 million, “The Lion King” was No. 3, with $1.7 million.

The Top 10:

1—”Hamilton,” $3.434 million

1—”Hamilton,” $3.434 million

2—”Wicked,” $2.001 million

3—”The Lion King,” $1.728 million

4—”Chess,” $1.715 million

5—”Waiting for Godot,” $1.581 million

6—”ART,” $1.421 million

7—”Mamma Mia!,” $1.403 million

8—”Just in Time,” $1.290 million

9—”Ragtime,” $1.265 million

10—”MJ the Musical,” $$1.179 million

The full countdown, courtesy the Broadway Guild:

And that’s Show Biz…

‘Lilo & Stitch” streaming on Disney+

Summertime is over for this year. For many, the temps were uncomfortably high and stormy waters created havoc in parts of the U.S., even taking lives.

For movie buffs, notably in Hawaii, the box office champ was  “Lilo & Stitch,” a charming Disney live-action film shot here and reintroduced the world to the concept of ‘ohana.

And beginning today (Sept. 3), “Lilo & Stitch” starts streaming on

“Lilo & Stitch,” the summer’s hottest film,, now is streaming on Disney+.

Disney+, if you have signed on to this service. It surely will attract the stay-at-homers who bypass the theater experience to  discover belated joy via home viewing. Whether weather made an impact, keeping movie fans away from the cinema, is anyone’s guess.

But it’s time to reflect on this year’s summer films.

At last count,  “Lilo & Stitch,” grossed more than $3.53 billion world-wide,  short of the anticipated $4 billion mark, according to Comscore.

Surely, this was a rather lukewarm summer at the box office, compared to earlier seasons like 2023’s “Barbenheimer” match, when “Barbie” and “Oppenheimer” dominated the grosses. “Lilo & Stitch” was a curiosity, but fans rallied … making it No. 1 in overall summertime grosses.

Here is a list of the top 10 summer movies in 2025, by domestic box office tallies: 

1—“Lilo & Stitch,” $423,318,538

2—“Superman,” $351,748,613

3—”Jurassic World: Rebirth,” $338,265, 613

4—“The Fantastic Four: First Step,” $265,826,18

5—“How to Train Your Dragon,” $262,774,245

6—“Mission: Impossible –The Final Reckoning,” $197,413,515

7—“Thunderbolts,” $190,274,328

8—“F1: The Movie,” $188,071,545

9—”Final Destinations: Bloodlines,” $138,130,814

10—“Weapons,” $134,602,687

Interestingly, the tale of a little Hawaiian girl, Lilo (played by Maia Kealoha) who befriends Experiment 626, aka Stitch (voiced by Chris Sanders) has warmed the hearts of viewers. The two have an unexpected relationship with highs and lows, laughter and heartache, and the journey provides shared mutual joy.

Christopher Bright

The film was directed by Dean Fleischer Camp, from a screenplay written by local boy Christopher Kekaniokalani Bright and Mike Van Waes.

Lilo and Stitch beat Superman, Tom Cruise, a flying dragon and seawater dinosaurs to steal the summer flick competition.

You can also watch the original animated feature, on the Disney channel,  and lest you forget, a live-action sequel is anticipated to be in the movie theaters in two years…

‘Hamilton’ retains No. 1 spot

As summer season ends, and vacationers exit Broadway, “Hamilton” remains atop the weekly gross list, for the week ending Aug. 31.

The Top 10:

1—“Hamilton,” $2.264 million

2—“Wicked,” $2.005 million

3—“The Lion King,” $1.875 million

4—“Mamma Mia,” $1.787 million

5—“Maybe Happy Ending,” $1.567 million

6—“Death Becomes Here,” $1.373 million

7—“MJ the Musical,” $1.333 million

8—“Oh, Mary!,” $1.234 million

9—“Just in Time,” $1,277 million

10—“The Outsiders,” “$1.198 million

FYI, the complete list of Broadway grosses, provided by the Broadway Guild, was not available at the time this column was filed…

And that’s Show Biz…

BELATED ‘GRIDLOCK’ FROM DELIMA

So Frank DeLima is  now ensconced in a Las Vegas senior facility.

But being away and afar doesn’t mean that comedian is idle and silent.

He just shared his latest parody, “Gridlock,” about the jammed highways and byways during the tsunami alert in Hawaii.

Frank D

He heard about the gridlock on our roads. He smartly sorted out the possible melodies and selected The Drifters’ “Under the Boardwalk” to shape his parody with the recurring lyric, “Stuck in the gridlock.”

And proceeded to describe the situation, where roadways became a parking stall, like all the way to Kahala Mall. And working in the human humor element, “I have to go the bathroom…”

OK, he was a few weeks tardy in delivering the tune. Never mind; it’s still a comedic flashback to the few hours of agony while Hawaii waited for the waves that never came.

And happily, DeLima’s video savior is David Kauahikaua, former Na Kolohe backup musician. “ I record (his video) on my phone and email to him.  He does the magic.”

To view the video, go to my Facebook page at https://www.facebook.com/wayne.harada.5

So how is DeLima faring, as a Las Vegan? Some notes::.

  • He’s doing well. “Since I been here, I have been trying to fix my body; six  different doctors are working to make me better;   I go on the average once a week to doctor appointments; ”
  • His regimen is working. “I am walking 40 minutes a day, up and down the long hallways of this senior housing; there’s climate control.  Perfect all year round.; I got a shot in my lower back and it worked. Now I get up in the morning and no sore. Yeh!!!!!”
  • He’s open to part-time work. “Now that I’m living in Vegas, I can perform for class reunions;  anyone interested should email me (frankdelima@hotmail.com)  and I can take it from there.” He’s contemplating possible banquet shows bookings for islanders at the California Hotel Ohana Room…
  • And that’s Show Biz…