Earth, Wind & Fire sets June gig

Earth, Wind & Fire, the legendary pop, soul, blues and rock band, will return to Hawaii for a concert at 8 p.m. June 13 at the Blaisdell Arena.

Because Hawaii residents are still struggling in the aftermath of the recent Kona low rains that flooded numerous sectors across the state, “Rick  Bartalini Presents,” the concert’s presenter, is generously donating a portion of the proceeds to the relief efforts for the storm that left many citizens homeless.

Earth, Wind & Fire: Coming for a concert June 13

Hawaii residents will get first dibs for tickets, which go on sale online at 10 a.m. Friday (April 3) at www.tickertmaster.com  and continue till 9 a.m. April 10. Prices have not yet been announced and there is an eight-ticket limit to buy early. Mainland sales will begin at 10 a.m. April 10. The Blaisdell box office opens at 10 a.m. April 10.

The group has a special history with Hawaii, where it has staged numerous concerts dating back to 1975. One of the memorable performances has been inside Diamond Head Crater. Over the decades, the band has performed in numerous concerts at Blaisdell, the last time on Dec.10, 2022, when its sold-out tally was 7,200 fans.

Earth, Wind & Fire has been a prolific group, with numerous chartbusters including “September,” “Reasons” and “Let’s Groove.”

Hula laurels for Robert

Kudos for Robert Cazimero

Following his two concerts at Paliku Theatre, singer-kumu hula Robert Cazimero flew to Okinawa to stage a show for a teacher he met many years ago. It was a quickie in-and-out event, and he was off to Tokyo for a belated birthday party “because we couldn’t celebrate last year”…

And Cazimero must be doing something right. The Office of Hawaiian Affairs honored him for his lifetime service and enduring legacy, citing his devotion and support for sharing hula and mele on the global stage. “His work has elevated hula and grounded us in place, memory and identity,” the office said in a resolution…

Shows around town…

Sandy Tsukiyama: Brazil calls.

Multi-talented singer Sandy Tsukiyama will be featured in “Brasileiro: The Music of Sergio Mendes,” in two shows hosted by DeShannon Higa, at 5 and 8 p.m. April 18 at Kapono’s at The Lounge in Hawaii Kai. The mood will be Brazilian soul, with its infectious rhythms and grooves incorporating jazz and pop. Tickets: http:kaponosatthelounge.com/…

You can spend Easter Sunday on the waterfront, when the trio Maunalua, led by Bobby Moderow Jr., presents two shows at Kapono’s at the Lounge at 10 a.m. and 1 p.m. on Sunday April 5. The group is known for its traditional Hawaiian music with rich vocal harmonies and cherished slack key guitar vibes. It should be told that Maunalua owes its name to the bay in East Oahu fronting the club and other merchants and residents in Hawaii Kai and the Portlock area…

Gail Mack, Lance Luke, Keith Hiraoka and Bobby Nishida will concertize in an Easter concert from 5 to  8 p.m. Easter Sunday (April 5) at Mango Street Grill in Wahiawa. For reservations, call Daryl at (808) 627-5451. And if you so desire, pre-order a prime rib meal at the same time…

And that’s Show Biz…

LUMINOUS OUTING FOR CAZIMERO, HALAU

Robert Cazimero’s “A Ko‘olau Au,” his two-show spectacle Sunday (March 22) at Paliku Theatre at the Windward Community College, was a luminous, ambitious endeavor saluting the Ko‘olaus and the Windward side.

On a rainy, wet day, this was a sunny diversion, jam-packed with Hawaiian artistry and mele.

Robert Cazimero, at the keyboard, in Paliku Theatre show.

Cazimero, kumu hula of hālau Nā Kamalei O Lililehua, assembled his dancing and singing gents performing hula kahiko and  ‘auana.  The afternoon resembled his pair of shows last October at the Leeward Community College Theatre, when Cazimero performed a matinee and evening concerts in a fund-raiser that celebrated the hula hālau’s victory in last year’s Merrie Monarch Festival.

Because I didn’t request a playlist of performance numbers at Paliku, this reflection won’t provide specific titles of oli or mele in the impressive and innovative program with a cache of superb guest artists.

The m.o. (modus operandi) seemed to be, if kumu asks, you come without hesitation. How else could he assemble such first-class guests with repertoire to share?

Kumu hula Vicky Holt Takamine

Then again, Cazimero’s degree of excellence is well known and his peers share that kind of allure, so they participate as honorable guests. Take the four guest kumu hula: Vicky Holt Takamine of  Hālau Pua Ali‘i (aka Pa‘i Foundation), Mapuna di Silva of Hālau Mohala ‘Ilima, Kuana Torres Kahele of Hālau Māluakiʻiwailehua (and allied with four other groups), and Michael Lanakila Casupang of Mid Pacific Institute’s student hālau Pupukahi I Ke Alo Na Pua.

Mid-Pacific Institute dancers, in modern hula moment.,

Casupang’s MPI dancers are unique, comprised of students in grades 9 through 12, and rendering a stunning style, combining kahiko with modern style often  with balletic moves.

Jerry Santos with papale.

The show’s most popular guest had to be Jerry Santos of Olomana, performing with his usual ally, Kamuela Kimokeo. And the most popular tune clearly had to be Santos’s “E Kuu Home O Kahalu‘u,” with its taunting, prolong slack key guitar intro. The twosome also shared another Olomana classic, “E Kuu Sweet Lei Po‘ina Ole” with finesse. Note to Uncle Jerry, who’s been donning a papale in shows:  Better to take off, bro, ‘cuz  cannot see your face ‘neath the shadow.

As a hana hou or sorts, veteran hula soloist  Kanoe Kaumeheiwa Miller – who performed in Cazimero’s October Leeward shows – returned for a quick dance. And this factoid will follow her through life: she is the only wahine who is officially one of the “boys” of Nā Kamalei, because of a long-time friendship with kumu. Besides, she’s great – she used to be the solo hula artist at the Halekulani Hotel, after all.

Na Kamalei gents, in hula ‘auana,.

And the Royal Hawaiian Dancers, hula soloists back in the day when the Brothers Cazimero made appearances at the hotel, so they’re part of the Cazimero history, and Sky Perkins Gora still hulas regularly with RC at his Chef Chai’s performances. And if you’re a Chai’s patron, you’d recognize Keola “Bully” Makaiau, too, in all the ensemble numbers. And if you’ve noticed, a few new, young lads are in the Nā Kamalei line-up  and the elder dancer participation are fewer and fewer in these rigorous outings.

Na Kamalei gents, in hula kahiko..

Nā Kamalei troupers continue to impress, with stunning group hula, and always clad in terrific costumes, from aloha shirts to malos. For a kahiko dance, the gents had unique all-black shirts and pants, with black (or very dark brown) kukui nut lei.  And some of the guys also performed on ipu, which they mastered while studying hula. Kudos for the fashion show, gents.

The house  band was Bob’s Boys, hand-picked musician allies of Cazimero, featuring his Kamehameha Schools best-buddy, Kaipo Hale, plus Richard and Keola. Sorry guys, I still don’t know your last names. But all provide solid support and it’s likely you’re gonna be Cazimero’s regular band.

The Wāhea Foundation sponsored these shows, as they did for the Leeward outings…

And that’s Show Biz…

ONCE MORE FOR KEVIN’S ‘ONE’

OK, the cat’s out of the bag. So to speak.

Singer Kevin I. released today – Valentine’s Day, his birthday – a new studio version of his early, early yesteryear hit, “One in Love.”

The timing is essential here. Kevin earlier updated his beloved catalogue of music which had been on the shelf for four decades, and his “My Continuum” EP was released last February. It found a receptive audience that adored his romantic sound.

I wondered out loud to him: “Too bad you couldn’t release it on Valentine’s Day, to celebrate your birthday.”

Kevin I.

Interestingly, his recordings intersect with his life. No other singer I know jump-starts a career 40 years after turning off the mike; however, Kevin’s journey has had a marvelous turnaround. His vintage melodies caught the ears and hearts of Spotify fans, who discovered this retired vocalist who still had limited love songs in stock. Kevin always focused on romantic tunes, since he’s got the voice to deliver ‘em, and that’s what connects with his audience.

His newest update is “One in Love,” is a melody he performed at the Tokyo Music Festival years ago, earning the Grand Prize laurels. So something old is new again.

He’s chatted about this tune, I’ve written about it, so his fan base is no stranger to his work.

“This song has always been deeply special to me. It validated me professionally, solidified my reputation as a vocalist, and honestly changed the course of my life. Fast forward to today, and Lance Jyo stepped way outside his comfort zone by producing a song he didn’t compose.”

Kevin’s big on yesteryear tunes; his collection of ‘80s songs triggered a new life and fueled a base of loyalists who want more.

“One in Love” is the ideal Valentine’s Day tune, so its release today globally is timely marketing. It has a past, but certainly will enjoy a new future, too.

I commend Kevin’s decision to finally open up his well-oiled pipes – his voice, silly – and go into the studio to update “One in Love,” which has uncharted magic and potential to connect with those who’ve been streaming his music. To his current fan base, this is a new, fresh  commodity.

Kevin knows his way around a love song; he enhances lyrics, adding his own warmth and vibes. In this particular case, he’s caressing and embracing an old friend from the past. He’s wanted to give “One in Life” new life, so yep, he can finally check this one  off his bucket list.

He’s had a grand career in the business community, and is not likely to return to live singing. (I could be wrong! But he’s not likely to go live)…

And that’s Show Biz…

‘HI’IAKA’ LOOMS BIG; TRYOUTS SET

The legendary tale of Hi‘iaka, historically part of the Hawaiian oral tradition and notably passed on from generation to generation through song and dance, has been honed and developed as an eventual spectacle on Broadway. It’s been on the burner since 2019, and final auditions are ahead to cast the production.

The spectacle is due to debut on Broadway this October, with details still forthcoming.

 The Hawaiian story has all the epic elements of high drama, based on the goddess Hi‘iaka – full name, Hi‘iakaikapoliopele – whose quest is to find her sister Pele’s dream lover, restore him to life, and deliver him safely to Pele, the volcano goddess at her crater home on the Big Island. With Pele among the characters, there should be some explosive eruptions of sorts.

Of course, it is not a simple journey filled with ordeals and dangers, but one very much alive with a  very human retelling of love and lust, with challenges of jealousy and justice,  with deities and chiefs, commoners and demons, and  a potential fall out of the two sisters.

Michael Jackowitz

Essentially, the story is about two goddesses, who happen to be sisters, and thus boasts grandeur as well as grace. It is storytelling with cultural impact, with collaborative input by the legendary stage and film visionary Stephen Schwartz (“Wicked,” “Godspell,” “Pippin,” “Children of Eden,” “The Prince of Egypt”), Broadway guidance by stage producer Michael Jackowitz {“How To Succeed in Business Without ReallyTrying,” “tick, tick, Booml”) and stalwart Hawaiians Roslyn Catracchio (music and lyrics) and Patrick Makuakane (choregraphy, music and lyrics). Keali’i Reichel (multi Na Hoku Hanahano Award winner, recording artist and kumu hula) was an advisor in preliminary development of the show, along with Schwartz).

The production, earlier utilzing the title “Hi’iaka,” now boasts a formal new name, “The Epic Tale of Hi‘iaka: A New Hawaiian Musical.” The operative word is “Hawaiian.” The story will be told – with a roster of vivid and atmospheric Hawaiian songs, dances, and chants – and performed by a cast of Hawaiian artists on both sides of the limelight.

Roslyn Catracchia

Once cast. “Hi’iaka” will loom as a mammoth cultural spectacle with pulsating and harmonizing vocals rendered in traditional Hawaiian, with choreography and costuming unlike anything ever seen and heard on the Great White Way.

Applicants should designate voice range and roles sought; audition documents and head shots must be submitted by Feb. 15, with call backs to follow. Email applications to  castinghiiaka@gmail.com

The creative team boasts remarkable star-studded notables:

  • Book, Music and Lyrics: Roslyn Catracchia and Patrick Makuakane.
  • Original Story: Ho’oulumahiehie.
  • Hawaiian Consultant: Puakea Nogelmeier.
  • Stage Director: Scott Schwartz.
  • Choreographer: Patrick Makuakane.
Patrick Makuakane
  • Scenic Designer: Kevin Depinet.
  • Costume Designer: Manaola.
  • Music Supervisor: Brad Haak.
  • Orchestrations and Instrumental Track Production:  David Kauahikaua.
  • Hawaiian Music Advisor: Shawn Pimental.
  • Musical Arrangements:  David Kauahikaua and Brad Haak.
  • Producers: Michael Jackowitz for WitzEnd Productions and Kuhio Lewis for Hawaiian Council.
  • Associate Director: Melanie Lockyer.
  • Associate Choreographer: Christine Yasunaga.
  • Costume Coordinator: Maile Speetjens.
  • Preliminary Artwork: Solomon Enos.
  • Keyart by Mance Creative for Rubicon Theatre Company.
  • State of Hawaii Tourism/Creative Industries Division Consultant: Georja Skinner.
  • Marketing:  NMG Networks.
  • PR Consultant: Adrian Kamali‘i.
  • Casting Director: Aubrey Lee Staley
  • Advisors During Development: Keali’i Reichel and Stephen Schwartz.

Footnotes:

Prolific author: Ho‘oulumāhiehie, credited as original story writer, was a prolific Hawaiian (The Epic Tale of Hi‘iakaikapoliopele), which ran in the newspaper Ka Na‘i Aupuni in 1905–1906. His 500-page narrative is renowned for containing 375 chants, and vivid portrayal of the goddess Pele and the scholar and author was best known for chronicling the epic saga Ka Mo‘olelo o Hi‘iakaikapoliopeler, sister Hi‘iaka.

Stephen Schwartz

Father and Son: Stephen Schwartz (“Wiz” icreaator) is the father of Scott Schwartz. 

Principal roles:

  • Hi’iaka, the youngest of the sisters and the favorite of Pele.
  • Pele, the volcano goddess.
  • Lohiau, chief of Kauai and Pele’s lover.Hopoe, Hi ‘iaka’s best friend.
  • Wahine: Hi ‘ika’s most trusted ally and traveling companion.
  • Kane: God of procreation…

‘Chicago’ returns to Broadway’s Top 10

“Chicago,” one of the longest-running Broadway hits, surged its way to No. 7 this week – a remarkable return to the charts.

“Harry Potter and the Cursed Child” continues to be Broadway’s top-grossing play, earning $2.339 million for the week ending Feb. 8.

 “Chicago” landied at No 7.

The Top 10:

1—”Harry Potter and the Cursed Child,” $2.339 million

2—”Hamilton,” $1.848 million

3—”Wicked,” $1.596 million

4—”The Lion King,” $1.514 million

5—”Stranger Things: The First Shadow,” $1.400 million

6—”Chess,” $1.379 million

7—”Chicago,” $1.316 million

8—”Just in Time,” $1.314 million

9—”Oedipus,” $1.212 million

10—“Ragtime,” $1.090 million

The complete list, courtesy the Broadway Guild:

And that’s Show Biz…

EXHIBIT HONORS CAZIMERO’S LEGACY

Entertainer Robert Uluwehionāpuaikawēkiuokalani Cazimero, for more than 50 years a beacon of Hawaiian music, hula, and an iconic ambassador of island culture, will be the focus of “Ke Kilo Lani,” an exhibition of his artistry and accomplishments in a luminous career unlike any other.

The show will open Jan. 23 from 4 to 7 p.m., and will continue till May 15, at Gallery ‘Iolani, on the campus of Windward Community College. The gallery adjoins the Paliku Theatre in Kaneohe.

Cazimero has established a remarkable legacy in hula, emerging as an award-winning kumu hula and the heartbeat and pulse of Halau Na Kamalei O Lililehua, which last year was judged the overall winner of the annual. Merrie Monarch Festival, an annual event that draws hula groups from all over Hawaii and often out-of-town competitors.

Cazimero said: “I am deeply honored to be the subject of this exhibit. It is both very humbling and awkward at the same time as I never thought about building a lasting legacy while simply living my life. I hope that gallery visitors will learn that my success came from having a little luck, favorable timing, and through the love and support of my family, hālau, and friends. Welcome to ‘Ke Kilo Lani!’”

Robert Cazimero

“Ke Kilo Lani” can be interpreted as one who observes the heavens, or a star-gazer.

The exhibition opens a contemplative window into Cazimero’s extraordinary life work, illuminating how ʻike Hawaiʻi (to understand, or see) is carefully observed, nurtured, and carried forward through time. The displays  reflect a continuum of ancestral wisdom and contemporary expression, revealing how cultural continuity is sustained through disciplined practice, mentorship, and unwavering commitment.

Through archival materials, visual storytelling, and embodied practices, visitors are invited to engage deeply with Cazimero’s body of work. Vintage photos and some artifacts from his livelihood are part of the attraction.

The exhibition emphasizes cultural transference as a living process, shaped by kuleana, mālama, and aloha for future generations.

Robert’s treasured past includes a stint with his late brother Roland in the Sunday Manoa group with Peter Moon, which led to developing their own brand and sound as The Brothers Cazimero, whose vision embraced  recordings of traditional and contemporary Hawaiian tunes, and Na Hoku Hanohano Awards and spin-off community events like May Day extravaganzas and festive Christmas concerts that involved Na Kamalei dancers who also sing, and – for many years, until her passing — the hula and comedy of  “the third brother,” Leinaala Kalama Heine.

Robert perennially pays homage to his kumu, the late Maiki Aiu Lake, for the wisdom and tradition he learned, and since her death he has developed his own imprint over the decades and he now is a role model in the annals of hula.

He’s sharing his talent in his ongoing monthy concerts at Chef Chai on Kapiolani Boulevard.

The Wāhea Foundation is collaborating with Gallery ‘Iolani, in staging the exhibition. Gallery hours are from 12:30 to 4:30 p.m. daily except Sundays and holidays. Information: (808) 236-9155, www.gallery.windward.hawaii.edu

And that’s Show Biz…