L’Chaim! ‘Fiddler’ a hit at DHT

There is much to embrace and admire in the luminous and luscious “Fiddler on the Roof,” now in residency at Diamond Head Theatre.

Let’s start with Garrett Hols, as Tevye the dairyman-papa, and Mary Chesnut Hicks, as Golde his wife and the mama, perfectly cast as denizens of the European community of Anatevka, where families live, work, and worship together in natural harmony. 

And oh, there’s literally a storybook fiddler on the roof here.

Based on tales of Sholem Aleichem, “Fiddler” features a book by Joseph Stein, with music by Jerry Bock and lyrics by Sheldon Harnick and was an award-winning entity produced by Harold Prince on the Broadway stage, and directed and choreographed by Jerome Robbins. To work, the show requires vision and  competence to bring the characters to life through dialogue, music and dance.

There are no Hols barred as Hols inhabits Tevye with determined trust, adventure and joy; his vocals and dances are expressive, from the opening spectacle “Tradition ” with the Villagers, to plot-moving classics like “If I Were a Rich Man,” “Sunrise, Sunset,”  “To Life” and “Do You Love Me,” the latter with a comedic strain with mama Golde, and she charms every time she speaks and vocalizes.

Garrett Hols is Tevya, Mary Chesnut Hicks is Golde, in DHT’s ‘Fiddler on the Roof.’ Easton Ikenaga photo, courtesy DHT.

The show is a journey boasting a chockful of hits delivered by secondary characters vital in connecting the dots in the storyline. Kyle Conner (Motel the tailor); R. Andrew Doan, (Lasar Wolf the butcher); Betty Bolton (Yente the matchmaker); plus the five marriageable daughters Tzeitei, (Marie Staples) ; Hodel (Salote Vaha’i), Chava (Anya Teruya); Kara Katayama/Hayden Lau (Shprinyze); and Bieke (Leia Kandel/Kara Katayama).

The ensemble numbers are extraordinary, with vigor and unity. Co-directors Roberta Stephens Satori and David Weaver move mini-armies of villagers, and filli the stage with genuine spirit and life. L’Chaim!

The precise bottle dance. photo by Easton Ikenaga, courtesy DHT.

The robust choreography  – with the ritualistic bottle dance at the top of the list – projects the spirit of life; David Weaver recreated the original staging. Emily Stone’s costumes – gorgeous in assorted hues —  add to the festive momentum and fill the eyes of this cultural treat.

But overall, the technical work is awesome. Deanne Kennedy’s set design taps segments of moveable sectors of a rustic home, displaying versatility of outdoor and indoor looks. Aiko Schick’s hair and makeup continues to bring sheen to the show, and Janine Myers’ lighting design takes adventures of the key set pieces and brings silhouettes to the party, a nice element. Jericho Sombrio’s sound design is top-notch, too.

Finally, dependable Jenny Shiroma’s nine-piece orchestra is back in the pit, with Richard Lee, in the role of The Fiddler, earning two big spotlight moments beginning with the opening scene fiddling on the roof, plus an Act 2 reprise.

So fiddle no more; seats are selling fast, but extension dates are available.

And that’s Show Biz…



‘Fiddler on the Roof’

What: A musical featuring book by Joseph Stein, music by Jerry Bock, and lyrics by Sheldon Harnick, based on the stories by  Sholem Aleichem.

Where: Diamond Head Theatre

When: 7 p.m. Thursdays, 7:30 p.m. Fridays and Saturdays, 3 p.m. Saturdays and Sundays; extended playdates on Oct. 16 and 17.Tickets: $45 to $56, at 808-733-0274

Halloween pins are en route

An early Halloween toast to those who are receiving  my annual holiday pins. Yep, the Halloween season beckons. Some already have received the little boxes sent to those on my list. To others, have patience; you’ll get yours shortly.

A sampling of the range of boo! characters are depicted here — ghosts, bats, witches, pumpkins, and even Frankenstein.

‘Twas a fun project, but often a painful mission, since I had to take numerous breaks (read: halt the pin-making) because of my recurring  nerve attacks on my right leg. Yep, the sciatic nerve has been relentlessly active.

The early  Halloween launch, last June, enabled me to map out a creative pin-making schedule to work on moments before and after the pain eruptions. The production,  despite the nagging pain, is virtually done, with the final batch of boxes somewhere in the postal mailing system.

It required a different strategy, when you try to make, make, make the pins, then take breaks, breaks, breaks and rest pauses for the pain to subside.

The effiort enabled me to complete 1,000 pins — yeah, a lot! — and it might have been plentiful, but my mailing list isnearly 100 (I deliver, traditionally, to my handful of doctors, since I have appointments), but only these pins have yet to reach their recipients. 

For insurance, I created 200 additional  pins, in case I ran short (I do) mostly since multiple pins go into each of the little box..

So I’ll take a breather, but rest assured, the Christmas pin project is lurking. I’ll be focusing on Santas and snowmen as Halloween festivities proceed. But I can’t locate my red card stock paper — found the green sheets — so I will have to go out shopping this weekend.

Mother Nature calls, he answers

If there’s a whim, there’s a way for comedian Frank DeLima, who leaps into the parody-writing game, whenever nature calls. That’s Mother Nature, of course, since she uncorks her stormy weather with flair and like a firefighter, DeLima jumps into action.

This month, DeLima – now a Las Vegas storm trouper of sorts – released “Lala’s Whip,”  even though his storm-related musical parody arrived a skosh tardy, as it was Lowell  who succeeded Lala in the stormy limelight on local TV and national stations like CNN and NBC the past few days.

Frank DeLima

DeLima tapped the theme song of “Gilligan’s Island,” and advocated advanced planning – including  assembling an emergency kit, to survive the threat of wind, rain, and waves of flooding. (Watch the video performance at https://www.facebook.com/wayne.harada.5, Harada’s Facebook page; this site does incorporate video).

“I have an emergency kit, too, since our electricity in Vegas goes out due to high winds,” said DeLima, about the differences in prepping for the arrival of a storm.

 “I was told that there were flash floods in the past (in Vegas) with a clear blue sky above! Storms in the surrounding mountains caused water to empty into the valley,” said DeLima about the differences of impact from Hawaii. 

“Last year we had a hail storm … in the desert! The  ground looked like one truckload of ice in the desert.in the desert! Lasted for 5 minutes.”

He quoted his late Portuguese mom Pearl, who always said, “You nevah know!”

His survival kit included dry fruit and beef jerky from the Las Vegas Jerky store where locals flock to, no matter the weather. And his prep included batteries for lamps, a hand-cranked radio, and other essentials when lights might go out.

So he got dried fruit and beef jerky from the popular Las Vegas Jerky Store 

And batteries for lamps.

A handcrank radio, too.

I researched and found on ine what should be in emergency kit 

And he did a parody of theme song of “Gilligan’s Island”

He sings:

“Just sit right back

“And you’ll hear one song;

“One song with a list of tips

“Giving all the damage reports…

“Let’s learn from Lala’s whip.”

“No dilly dally

“Follow da plan;

“Takes moa

“Den be brave…”

He suggests you pack enough “key stuff that last 14 days or 1,200 hours or more.”

Edibles? Non-perishable food, like chips, jars of jam, peanut butter, protein bars.

Missing from his compilation: tins of  Vienna sausages, a can opener for tuna, and happily, he didn’t forget bottled water…

And that’s Show Biz…

When Lady Lala visited Robert…

Entertainer Robert Cazimero had a formidable competitor last Sunday, when he staged a routine dinner performance at Chai’s. It was a dark and stormy night.

It was wet, windy and worrisome with the hurricane named Lala last Sunday, creating some furor island-wide,and Lady Lala turned on the faucet with rain not just outside the restaurant on Kapiolani Boulevard. The state was  drenched, with power failure, meaning at-home lights and traffic signals, plus no TV viewing and other inconveniences.

I had reservations, along with a roomful of Cazimero’s fans, and risked the threats of the storm.

Robert Cazimero

 Lala also messed around with the overhead indoor lights at Chai’s, creating moments of anxiety.

But Cazimero soldiered on, starting early and thus finishing early, too, and shared a somewhat different kind of show  occasionally acknowledging the threatening weather through his musical selections.

One of his joyous songs was “Puff, the Magic Dragon,”  a Peter, Paul and Mary hit in 1963, has been frequently sung by Cazimero. You know the ditty—folksy, fun, sing-along fantasy –with its magical, mystical lyrics:

“Puff, the magic dragon lived by the sea
“And frolicked in the autumn mist in a land called Honalee

“Little Jackie Paper loved that rascal Puffc
“And brought him strings and sealing wax and other fancy stuff.”


The chorus had a possible link to a local spot, Hanalei, on Kauai;

Cazimero opined, perhaps the composers didn’t properly ID Hanalei, since the lyrics allude a place called Honalee:
“Oh, Puff, the magic dragon lived by the sea
“And frolicked in the autumn mist in a land called Honalee…”


Honalee is a make-believe, imaginary place and thrives as an urban legend site; co-composers (including Peter Yarrow, of Peter, Paul and Mary, debunk the notion that Honalee exists or is named after the favored Kauai landmark.

Great story for a rainy night.

So was nostalgia, with chatter and patter of his humble roots.

“I’m very happy to be from Kalihi,” he said with pride, a regular anecdote in past outings. By now, his regulars know he attended Fern School. “I love my school, which is celebrating his 100th anniversary (next year).

William Kaʻaihue Cazimero, Sr. wrote a vintage song, “Aloha Week,” and daddy’s creation was discovered on tape by Jon DeMello, for manager and recording honcho of Robert and his late brother Roland. “Daddy was singing it,” said Robert, who then proceeded to share the oldie with simple lyrics and  structure. “Aloha Week is here to stay,” the principal line goes So wear a lei and a kiss to bring you joy.”

The tune likely will be part of a new Robert album next year.

Otherwise, Robert’s serenade assembled some standard fare like “Wouldn’t It Be Loverly,” “At Home in the Islands,” “Royal Hawaiian Hotel,” “Kaimanahila,” not necessarily in that order.

“Drinking Champagne,” a customary toast-and-suck-‘em-up” ditty, was part of the proceedings, when a glass of bubbly – Robert’s favorite champagne, Veuve Clicquot Yellow Label — was delivered to his piano

Well, that’s fuel for this soul.

Of course, the hula of Sky Perkins Gora and Keola “Bully” Makaialu are standard operating procedures when Robert commands a mele or two.

What was a “first” – wholly unexpected – was a late-night email from the master himself. I had attended the show mostly to celebrate my and wife Vi’s belated birthdays, with grand-nephew John Rhoades catching up with Uncle Robert.

“Thank you for coming to celebrate your birthdays,” he said. “Wow, what a night. I’m just getting home and I have to admit that I’m a bit zonked. Time for a shower and  to jump on the couch and go to sleep”.

I had asked him to help identify his guest hula performances during the evening, and he said it was Kanani Olivera from her Kona halau, sharing a birthday performance, and he couldn’t ID the second dancer, visiting from the mainland…despite the rainy night…

And that’s Show Biz…

Hicks family of 3 in ‘Les Miz’

It’s not too often that three members of one family wind up performing in a hit musical.

But the Hicks family – dad, mom and daughter – is enjoying the experience of working together in Diamond Head Theatre’s “Les Misérables,” a bona fide audience favorite. The production has been held over several times, with the final show set for Aug. 23. No sense trying to score tickets; the musical has been a sell-out since it opened  in July.

Lainey Hicks

Daughter Lainey Hicks, who is cast as the adult Cosette, has the largest role among her clan, and performs “A Heart Full of Love”  and “In My Life.” She recently completed her  freshman year at the University of Northern Colorado, and apparently had submitted a video audition tape for “Les Miz,” because she was away at college and unable to try out in person.

Msry Chesnut Hicks

“We didn’t tell her she got cast, until she was home,” said Mary Chesnut Hicks, her mom and a theater veteran in local stage productions. She is in the ensemble in “Les Miz” and  has many costume changes, and she’s constantly all over the stage, with cheerful singing and spirited dancing,

Kalani Hicks

Dad Kalani Hicks is Montparnesse, in Thernardier’s gang in “Les Miz,” but has performed in a number of shows over decades, often with his wife.

For DHT’s fall season opener, Mary Chesnut Hicks is already prepping for next biggie, appearing as Golde, the wife of Tevye (Garrett Hols), in the popular  “Fiddler on the Roof,” launching DHT’s 2026-27 season, on Sept. 25…

Garrett Hols

The “Fiddler” principal cast:

Garrett Hols, Tevye;

Mary Chesnut Hicks, Golde;

Marie Staples, Tzeitel;

Salote Vgaha’I; Hodel;

Anya Teruya, Chava;

Hayden Lau,  Shprintze;

Leia Kandell, Bielke;

Kara Katayama, Shprintze/Bielke (understudy/alternate);

R. Andrew Doan, Lazar Wolf;

Betty Bolton, Fruma Yente;

Ricky Kozafk, Perchik;

Karsyn Wentzell, Fyedka;

Kyle Conner, Motel;

Ricky Kozak, Perchik.

Ensemble and featured roles:

Emily SL Silver, Shaindel;

Beatrix Colvin, Rivka;

Ron Heller, Rabbi;

Presley Wheeler, Mendel;

Lee Nebe, Mordcha;

Callie Doan, Surcha:

Andrew Cheng, Shloime;

Nikki Bagaw, Berille;

Al Linton, Nachum:

Brianna Johnston, Mirala;Aidan Cheng, Hershel;

Sydney Branch, Bluma:

Elodie Moranf-Rey, Sima;

Joshua Michaels, Moishe;

Celia Chun, Fredel:

Charlie Barnhill, Yitzuk;

Brandon, Brandon;

Noah Alcantara, Schmeril:

Brianna Johnston, Mirala:

Aidan Cheng, Hershel;

Sydney Branch, Bluma;

Elodie Moran-Rey, Sima.

The creative team:

Roberta Stephens Satori and David  Weaver, co-directors.

Roberta Stephens Satori, choreographer;

Jenny Shiroma, music director….

The playdates: Sept. 25 through Oct.11.Single ticket sales begin Aug. 17.

Tickets: $39 to $66; single ticket sales begin Aug. 18.

Visit the DHT box office at www.diamondheadtheatre.com or call (808) 733-0274…

And that’s Show Biz…