LIKE PRIMETIME BACK-T0-BACK TV?

Just asking…

Are you regular fans of network TV programming of back-to-back episodes on specific week nights?

Referring to procedurals that tackle crime and punishment, aid and rescue of the injured or ill, embracing car accidents, highrise fires or rampant drug-related crimes?

If so, which of these back-to-back shows do you like best?

Monday on CBS, two procedurals reign: the flagship “NCIS,” the Mark Harmon original, which this season precedes “NCIS: Hawai‘i,” the island-based spin-off.  We watch, though miss Harmon (he’s retired, but his name and image appear in the opening titles), even though it’s no longer the hot show it was for much of its 19 seasons.  The Monday scheduling is a wise lead-in to the Hawaii-shot spiff-off,.

Tuesday on CBS, a trio of investigative shows are intensive, savvy projects:  “FBI,” “FBI Most Wanted,” and “FBI International.” Great casts, with some crossover moments; fresh, incisive scripts.

Wednesday on NBC, it’s must-see TV, the best of triple-threats set in the crime-heavy Chicago, and unbeatable in relevance and timeliness: “Chicago Med,” “Chicago Fire” and “Chicago P.D.” are often gritty but grand, and the hospital setting unsettling but intriguing,  the firefighting front and the police station daunting but challenging. The mix is the stuff of episodic drams: ER tension, smokey highrise, dangling vehicles over the river, and unexpected flying bullets or bombs bursting. Everyday drama never has been so visible and jammed with fictional stories that demonstrate and spotlight such emotional wallop. And, yes, giving first responders a positive image.

Thursday on NBC, law and order prevail: the original “Law and Order” favorite, Sam Waterson, is back and holding court in a reboot, and time will tell if it has staying power. “Law and Order SVU” still features Mariska Hargitay’s Olivia Benson and remains a powerhouse hour that’s a whole lot better than the third entry, “Law and Order: Crime” which has Christoper Meloni’s Elliot Stabler  attempting to get a handle to outlast and outpower his weekly antagonist.

Friday on CBS used to be the slot for the now-shuttered “Hawaii Five-0,” where “Magnum P.I,” the Jay Hernandez reboot shooting here, preceding the network’s popular “Blue Bloods,” which still stars Tom Selleck, the original Thomas Magnum.”

Incredibly, Dick Wolf is the creator and executive producer of all the “Law and Order” series, all the “Chicago” brands, and all the “FBI” titles, a credit few others can claim. Indeed, he’s the king of the best of the TV franchise shows.

And most of his trademark programss are in syndication, so reruns provide a world of entertaining dramas, on such venues as USA, iOn, We and a few other spots on your TV dial.

With so many heavyweights from the traditional networks, it’s tough to surf the streaming services of Netflix or Disney+ or Amazon Prime. The aforementioned series left the airwaves during the coverage of NBC’s “Winter OIympics,” but happily, regular programming has returned … though most series are approaching their finales for the season.

NO BUZZ, VIEWERSHIP FOR GLOBES

The Golden Globes – remember them? –  were bestowed Sunday, without fanfare, without the usual televised version of the ceremonies, without the customary buzz.

Hollywood – remember them, too? – snubbed the rituals this year because of the lack of diversity in 2021 not just among contenders but because of scarcity of people of color  (like, no blacks, and wonder if there were Asians) among the voters.

So if the sponsoring Hollywood Foreign Press Association repaired or reviewed its playbook, no one knows. If the Globes are precursors of the upcoming Academy Awards ceremonies, we shall all have to wait and see.

The Golden Globe

The two “big” winners each earned three awards: “The Power of the Dog” and “West Side Story.” The former is a difficult drama to endure (dark and dreary, but directed by an industry fave, Jane Campion) and the latter was a major remake of a landmark film (visceral and vibrant, directed by the respected Steven Spielberg)  that was a the box office flop .

So who won what? A recap, if you’re wondering:

Best motion picture, drama

The Power of the Dog

Best actress in a motion picture, drama

Nicole Kidman, “Being the Ricardos

Best actor in a motion picture, drama

Will Smith, “King Richard

Best motion picture, comedy or musical

West Side Story

Best actress in a motion picture, comedy or musical

Rachel Zegler, “West Side Story”

Best actor in a motion picture, comedy or musical

Andrew Garfield, “Tick, Tick… Boom!”

Best director, motion picture

Jane Campion, “The Power of the Dog”

Best supporting actress in a motion picture

Ariana DeBose, “West Side Story”

Best supporting actor in a motion picture

Kodi Smit-McPhee, “The Power of the Dog”

Best TV series, drama

Succession” (HBO)

Best actress in a TV series, drama

Michaela Jaé Rodriguez, “Pose”

Best actor in a TV series, drama

Jeremy Strong, “Succession

Best TV series, comedy or musical

“Hacks” (HBO Max)

Best actress in a TV series, comedy or musical

Jean Smart, “Hacks”

Best actor in a TV series, comedy or musical

Jason Sudeikis, “Ted Lasso

Best limited series or TV movie

The Underground Railroad” (Amazon)

Best actress in a limited series or TV movie

Kate Winslet, “Mare of Easttown

Best actor in a limited series or TV movie

Michael Keaton, “Dopesick”

Best supporting actress in a TV series

Sarah Snook, “Succession”

Best supporting actor in a TV series

O Yeong-su, “Squid Game

Best original score, motion picture

Hans Zimmer, “Dune

Best screenplay, motion picture

Kenneth Branagh, “Belfast”

Best animated feature film

Encanto

Best foreign language film

Drive My Car” (Japan)

Best original song, motion picture

“No Time to Die,” from “No Time to Die

And that’s Show Biz. …

HOW MANY STREAKING CHANNELS IS TOO MANY?

Searching for streaming channels.

Just asking…

How many streaming channels is too many?Am I the only one who thinks that there should be a limit to signing up for premium streaming channels? For starters, it’s darn expensive to keep adding streaming resources to the monthly fees.

Bundled with my Spectrum subscriptions are a host of longtime cable channels like HBO, Showtime, Cinemax and lesser sources like A&E, TNT, Hallmark, Lifetime and USA.

My pay-extra streaming channels – five –include Amazon Prime, Netflix, Hulu, Disney+ and HBO Max. That’s five on my plate. Would like to add others like Apple TV, but the costs are prohibitive, so I am limiting and restricting further memberships like Paramount and Discovery+. Every few months, new sources pop up….expect CNN+ soon, for instance.How many are you addicted to in your household?

BROADWAY NAMES TOP EMMY NOMS

When the 73rd annual Primetime Emmy Awards are staged Sept. 19 on CBS, the competition will feel like a Tony Awards evening because of a range Broadway stars dominating the list of nominees. A few already have claimed a Tony.

“Hamilton,” the mega-hit musical on the Great White Way, nabbed 12 nominations for the widely applauded televised reboot of a filmed performance streamed on Disney+ earlier this year.

Notable previous Tony winners are among the top nominees, as the taped movie of a stage production has been deemed worthy of consideration in the limited or anthology series or movies.

Thus, key “Hamilton” talent, most of them original cast members of the Broadway hit, are vying for Emmys:

Lin-Manuel Miranda, creator of “Hamilton,” was the titular star on Broadway and on film.
  • Outstanding Lead Actor in a Limited or Anthology Series or Movie: Lin-Manuel Miranda and Leslie Odom.
  • Outstanding Supporting Actress in Anthology or Movie: Renee Elise Goldsberry and Phillipa Soo.
  • Outstanding Supporting Actor in Anthology or Movie: Daveed Diggs, Jonathan Groff and Anthony Ramos.
  • Outstanding Variety Special (Pre-recorded): “Hamilton” and “David Byrne’s American Utopia” (released on HBO/HBO Max
  • Among other Broadway troupers in contention:
  • Outstanding Lead Actor in a Drama Series: Billy Porter in “Pose.”
  • Outstanding Lead Actress in a Drama: Mj Rodriguez in “Pose.” (The first trans woman nominated).
  • Outstanding Drama Series: “Pose.”
  • Guest Appearance in a Series: Bernadette Peters, on “Zoey’s Extraordinary Playlist.”
  • Outstanding Lead Actress in a Limited or Anthology: Cynthia Erivo, for “Genius,” portraying Aretha Franklin.
  • Uzo Abuda, “In Treatment.”
  • Allison Janney, in “Mom.”
  • John Lithgow, in “Perry Mason.”
  • William H. Macy, in “Shame.”
  • Ewan McGreggor, in “Halston.”
  • Phyllicia Rashad, in “This Is Us.”
  • Josh O’Conner, in “The Crown.”
  • Ashley Park, in “Emily in Paris.”
  • “Tina,” HBO’s documentary, with clips from the Broadway musical on Tina Turner’s life, for Outstanding Documentary or Non-Fiction Special.
  • Robert Lopez and Kristen Anderson-Lopez, for Original Music and Lyrics for “WandaVision.”
  • David Rockwell, for Outstanding Production for a Variety Special, for his work on the televised 2020 Academy Awards.

Numerous Broadway talent also performed on “Dolly Parton’s Christmas on the Square,” vying for Outstanding Television Movie. And Marc Shaiman provided an original song in “Soundtrack of Our Lives.” …

To reiterate, this is not a full compilation of nominees; the focus here is on the community of Broadway troupers in contention for Emmys; if some or many win, Tony wins, too. …

Make your own ‘A Chorus Line’ playbill

If you’re attending the opening performance of “A Chorus Line,” or any of the shows through Aug. 8 at Diamond Head Theatre, I suggest you make your own playbill and bring it with you.

Download and make your own playbill.

The pandemic has eliminated hand-out playbills that list songs, production credits, and cast list with photos to help identify the performers and backstage artists.

I know, DHT should have published the usual program as a salute to its cast and an amenity to its playgoers, but throughout this coronavirus cloud, we’ve all have had to do what we need to do to enjoy the disruptions and challenges of getting through this malady.

How to create your own playbill? Go to the DHT website; if you ordered tickets, you should have received a note about downloading the credits. Do so; print out the pages, then assemble in the sequence required. I stapled the pages and cut off unwanted borders, and covered the stapled edge with washi tape (Scotch tape will do), mostly to avoid knicks from the pointy metallic staples on the spine, Voila, you’ll have a playbill to peruse.

You’ll likely have the urge to peek to see who’s who and when; you’ll sure to be curious about an actor, singer, or dancer.

Additional advice: “A Chorus Line” runs 2 hours, without an intermission (the show is programmed that way) so do your bathroom before curtain or afterwards. Social distancing  protocols are in place,  mandating seats and empty spaces.  But for all practical purposes, each show will be “sold out.”

To director-choreographer Greg Zane and his cast, “break a leg!”…

And that’s “Show Biz.” …

WILLIE K FUNDRAISER ON MAUI JUNE 25

A Willie K fundraiser on June 25 will cap Maui’s Willie K Month observance at Da Playground.

Festivities will include a live auction and a silent auction plus performances by the Willie K Band featuring Kaleo Phillips and Gretchen Rhodes, along with Amy Hanaiali‘Ii Gilliom and her band, during both shows.

The first show, at 4 p.m., will feature a live streaming and a live auction, with bidders required to be on hand. Among the items to be auctioned is a Willie K guitar, and bidders must be present to participate. A concurrent online silent auction also will prevail, on the Willie K Facebook page. Doors open at 3:30 p.m

Willie K.

The second show, at 8 p.m., will feature a concert format with Gilliom and the gang, though an online silent auction – via the Willie K Facebook page – will streami live and bidders need not be present.  Doors open at 7 p.m.; the silent auction concludes at the end of the concert.

Admission is $40 general admission, $60 for VIP access on Maui. Tickets are available at daplaygroundmaui.com.

Willie K, of course, is the beloved island performer known for his expansive musical styles including Hawaiian, pop, blues, jazz, opera and more. Willie Kahaiali‘i  died of lung cancer on May 18, 2020  at age 59 and was a magnetic concert draw for two years as an anchor entertainer at the Blue Note Hawaii club at the Outrigger Waikiki resort.

Amy Hanaiali’i Gilliom

He and Amy were musical partners in the 1990s, recording an album together, and both benefitted by the relationship, earning Na Hoku Hanohano Awards in the process. With a reunion album recorded live in a concert, Willie and Amy were nominated for a Grammy Award in 2005. …

‘NCIS’ chatter

There’s talk but no confirming evidence about the possible appearance of Mark Harmon, the founding father of the “NCIS” legacy, on whether he might make a surprise appearance on the local spin-off, “NCIS: Hawai‘i.”  Since filming already under way for the first episode, the hope that Harmon might guest on the premiere episode is slim.

Mark Harmon

There was worrisome tension, too, about his sort-of anticipated departure from the flagship show, because he hadn’t committed to the series in which he has starred from the get-go till the last minute. Yes, Leroy Jethro Gibbs will be part of the 19th season of “NCIS,” but details are scanty on how huge his visibility might be.

And there was a real possibility that season 18 might have been the last, since Harmon had cut back his participation as the show headed toward its finale.

His sked remains iffy this coming season, too, as he might adopt the regimen of co-star David MCallum (Dr. Ducky Mallard), whose appearances were minimal the past season or two. Even CBS Entertainment honcho Kelly Kahl has indicated that CBS wasn’t sure how many episodes Harmon would appear in and that the studio would “work around his schedule.”

So we shall all have to wait till Sept. 1, when the new season of “NCIS” kicks off at 8 p.m. Mondays, preceding the newbie, NCIS: Hawai‘i” at 9 p.m. …

And that’s “Show Biz.” …