DISNEY SEEKS LIVE-ACTION ‘LILO’

Disney’s plans to film a live-action “Lilo & Stitch” still lacks a juvenile island girl to play the titular female role.

While auditions already have been held, the studio still wants to conduct a last-minute search to attract an unknown  youngster who may be unaware of the ongoing hunt.

If cast, the minor lass likely will become a marquee personality, just as Auli‘I Cravalho — the voice of Disney’s animated “Moana” movie – who became a breakout star.

Auli’i Cravalho

Cravalho now may be a tad  too old to portray the live-action Lilo, but it’s likely she’ll land the role of Lilo’s older sister Nani.

The film, when completed, is expected to stream via Disney+, bypassing a theatrical release, but is anticipated to be a genuine hit for the Disney family audience. As a cartoon, “Lilo & Stitch” had life as a television series and eventually a full-length animated cartoon feature. Both characters also have enjoyed a high presence as roving cartoon figures at Disneyland and Disney World, to appease the selfie crowds.

Christopher Bright

Dean Fleischer Camp (“Marcell the Shell With Shoes On”) will direct. And there’s a local among the writing team, Chris Kekaniokalani Bright (yes, a next-generation family of the Ronald Bright ‘ohana), who has collaborated with Dean DeBlois, Chris Sanders and Mike Van Waes.  Dan Lin and Jonathan Eirich are producing.

One role is cast: Zach Galifianakis (“The Hangover”) will portray Pleakley, the Plorgonarian from the planet Plorgonar, and an expert onthe Planet Earth. No mention if a Stitch actor has been found.

Disney, of course, is noted for reinventing much of its franchise hits, old or new. And live-action films from the warehouse of animated franchises have had more successes, including “Cinderella,” “Beauty & the Beast,” “Aladdin,” “Mulan,”  and “The Jungle Book” than failures like “Pinocchio” and “Dumbo.”

“Lilo & Stitich,” a success on TV and the big screen.

Casting director Rachel Whitley Sutton is seeking a precocious Native Hawaiian girl aged 6 to 8   (she could have Maori or Samoan, or any other Polynesian descent) to enact Lilo, a girl who loves hula, surfing and wildlife with a special affinity for things gross.

Details: baddog.casting@disneympp.com …

Remembering Milan

“The Man Behind the Music,” a benefit for Milan Bertosa legendary recording engineer, will be held from 2:30 to p.m. Sunday (March 12) at Hawaiian Brian’s, aka HB Social Club, at 1680 Kapiolani Blvd.

Milan Bertosa

An all-star cluster of his pals and peers, will assemble to celebrate his life. Bertosa died unexpectedly last Jan. 1 at age 61. A popular and respected studio engineer who worked with a host of local acts, Bertosa was best known as the dude on duty, in the wee hours, when Israel Kamakawiwo‘ole famously stopped by the studio Bertosa was manning, and started humming and singing “Somewhere, Over the Rainbow” and “What a Wonderful World,” in what would become Hawaii’s No.1  best-seller and often-tapped voice in a host of films and hundreds of commercials.

Henry Kapono, Amy Hanaiali ‘i, Makena (Ho‘okena plus Moon Kauakahi of  the Makana Sons, hence the name), Del Beazley and Mailani Mak‘ina‘i  are among the headlining acts. Other participants include the Dean Taba Jazz Ensemble, Manoa DNA, Kapala, Shawn Ishimoto, Angela Morales, Mike Piranha,  Choco, Third Degree, Aleternative Fax and Doug Fitch.

Mele Apana and Lina Girl will host. Food and beverages will be available for purchase; a silent auction and raffle will also be featured.

Tickets are $25 in advance, $30 at the door. …

And that’s Show Biz. …

HALAU KICKS OFF ‘JUBILEE’ SERIES

Robert Cazimero and his Halau Na Kamalei O Lililehua will stage a Hawaiian concert of mele and hula at 2 p.m. March 19 at Leeward Community College.

The first of a three-year event, entitled “Journey to the Jubilee,” will be a culturally melodious celebration marking the 50th anniversary in 2025 of kumu Cazimero’s award-winning halau of dancing and singing  gents.

Robert. Cazimero

The program is presented by the Wahea Foundation.

Tickets — $30, $40, $50 and $65 –are scarce, and a sellout is anticipated.

Check the website for availability: https://www.leeward.hawaii.edu/events/cazimero-halaunakamaleiolililehua/

Services slated March 11 for Joe Recca

Joe “Pekelo”Recca services are set for March 11, at the Kamehameha Schools Chapel.

Visitation will be from 9:30  to 10 10:30 a.m., followed by services.

Joe Recca

Recca, the beloved singer with Tihati Productions shows for 35 years, died  last Nov. 18. He was 76.

His presence, as a soloist and a duo featuring Patricia Lei Anderson Murray, was a staple in Waikiki, notably at the Sheraton Princess Kaiulani’s Ainahau Ballroom.

Recca was one of four children of Kahu Lei and Sal Recca. A graduate of Kamehameha Schools, he was active in music and a beacon in the school’s annual Song Contest.

As a novice entertainer fresh out of school, he was one of the Royal Lads in Haunani Kahalewai’s show at the Royal Hawaiian’s Monarch Room and also one of the stars of the last

Webley Edwards’ “Hawaii Calls” radio program broadcast to Mainland audiences.

He was eloquent in Hawaiian – his mentor was George Kanahele – and served for 25 years as a Waikiki Historian, sharing his knowledge with the Native Hawaiian Hospitality Assn. as a lamakū hoʻokipa (cultural resource) on walking tours with visitors in Waikiki.

Off stage, Recca was no ordinary Joe; he had  flair and imagination, always immaculate in fashionable gear, often wearing a fresh lei or island necklace of beads and nuts to punctuate his personal style.

His vocal and stage career came to a halt when he developed throat cancer, which eventually led to his death.

Survivors include his wife of nearly 50 years, Shirley, daughters Elan and Delys, grandson Andrew, sisters Kahu Tina and Gina, and numerous cousins, nieces and nephews.

Lei are welcome at the services. Burial date to be announced. …

The masked one still rules Broadway

“The Phantom of the Opera,” the Andrew Lloyd Webber musical with legs, continues to be Broadway’s best in the weekly figures of grosses provided by The Broadway League.

The top seven shows, for the week ending Feb. 26, are:

1 – “Phantom,” with $2.488 million.

2 – “Hamilton,” with $1.944 million.

3 – “The Lion King,” with $1.931 million.

4 – “Wicked,” with $1.781 million.

5 – “MJ,” with $1.715million.

6 – “Moulin Rouge,”  with $1.445 million.

7 – “Funny Girl,” WITH $1.333 million.

The complete list:

And that’s Show Biz. …

‘WOODS’: SEE WHAT EAGERNESS LOOKS LIKE

“Into the Woods,” the splendid musical with songs by Stephen Sondheim and book by James Lapine, can be minimal and magical, or large and luminous. A favorite of stage actors, it’s an ambitious  challenge for any cast, amateur or professional.

Farrington High School’s revival —  directed and choreographed by Aubrey Lee Staley, with the school’s academy director, Miguel Cadoy III as musical director — is somewhere in-between.

For the Kalihi cast, this is a challenging effort, part of the campus journey to bolster acceptance on the theatrical map, with a core of stellar actors who are not yet accomplished dancers. The production does not have an adequate budget but nonetheless keeps tickets at an astonishing low of $10 for adults and there’s no hand-out playbill but you can download the critical credits online.

Yet “Into the Woods,” with its fairybook characters threatened by the giant, still gets “it” when everyone goes frolicking into the woods in search of missions and goals of mundane life. Go see and discover what eagerness looks and sounds like.

The Baker (Isaac Liu) and the Baker’s Life (Janal Baran) want a baby. Little Red Ridinghood (Julian Sanchez) wants to visit Granny (Maryann Nabua), Cinderella (Summer Pilor) wishes to go to the ball. Jack (Axle Munoz) is chastised by his Mother (Lucienne Jamera) for selling Milky White (a cow puppet, designed by Audrey Castandea-Walker, and manipulated by Marky Raphael).
The stepsisters Florinda (Rovie Piso) and Lucinda (Leihua Kuhaulua) want to become the belle of Cinderella’s Prince (Anselm Fautanu). This tale has a second royal, Rapunzel’s (Jade Escalante) Prince (Prince Adena).

The Witch (Cristal Ponce) threatens just about everybody and the Wolf (Brandon Lukas) stalks the little girl with the red cape, so life is a struggle.

And the Narrator (Randyl Degal) is the tour guide as the characters mix, mingle, and connect. He’s very much a part of the wants and needs of all.

With its once-upon-a-time framework, Sondheim’s score and Lapine’s libretto reflect dark and light, sadness  and happiness, and acceptance and resistance plus other dualities of life.

So the Baker and his Wife are instructed by the Witch to secure “a cow as white as milk, a cape as red as blood, hair as yellow as corn and a slipper as pure as gold,” giving them beans from her garden to barter with, and a key thread in the unfolding of the storyline.

The goal for the haggard one really wants these things to reverse a curse on her, to return to her earlier beauty.

The repeating themes: nothing is impossible, so live your dreams. The powerful message: Choices often mean consequence, so not everything comes easily. The outcome: agony can be transformed into hope and happiness.

Sondheim’s melodies are exquisite and often transformational, with cadence and complicated lyrics that define the prolific songwriter’s style, so delivery requires a complex art form of its own. One of the lingering tunes comes late in the show; “No One Is Alone” (delivered by Cinderella, Little Red Ridinghood, the Baker and Jack) is a signature.

And “Finale: Children Will Listen” (by the Witch and the company) is compelling and charismatic.

Director Staley, with  Kirstyn Galiusas as her assistant, works well with the ensemble scenes, bringing out the richness of company voicing; her choreography, however, is serviceable but static, clearly suggesting that dance is not the pivotal trait of her cast.

Erin Kamikawa’s costumes are colorful and functional. Christopher Patrinos is set designer and technical director; his stage design features a stationary principal bridge connects two moveable staircases (think “Hamilton”), garnished by forestry-like vines. The orchestra is situated behind the bridgeway.

There was one mishap, at last Saturday’s performance; the Stepmother’s (Kamakea Wright) wig toppled in one scene, but quickly adjusted, earning slight applause and chuckles.

Advisory: though the play explores beloved fairytale faves that young children may identify with, this is not for the very young, because the show demands quiet concentration.

Yes, the young ones might find delight in Milky White, the puppet cow, who earns a moo-ving cheer at the final curtain, but parents should have discretion in bringing their kids. Despite Sondheim’s vision, all children do not always listen. …

“In the Woods”

What: A musical by Stephen Sondheim, with book by James Lapine.

When: 7:30 p.m. Friday and Saturday (March 3 and 4) and 2 p.m. Sunday (March 5).

Where: Joseph Rider Farrington Auditorium, at Farrington High School.

Tickets: $10 for adults (18 and older), $5 for students (5 through 17), $3 for Farrington students with ID, at https://www.showtix4u.com/events/15389

Download playbill: at https://www.canva.com/design/DAFbc4-g0BU/1k3g-OsVAYCLRaX9kj2Exg/view?utm_content=DAFbc4-g0BU&utm_campaign=designshare&utm_medium=link2&utm_source=sharebutton

And that’s Show Biz. …

‘COURAGE’ SALUTES WARTIME HEROICS

“Defining Courage,” an immersive documentary showcasing the emotionally gripping legacy of the Nisei Soldier, will be screened at 7 p.m. March 18 at the Hawaii Theatre.

The wartime movie, from the Emmy-winning team of  Jeff MacIntyre and  David Ono, news anchor from ABC7-Los Angeles News, explores the historic heroics of Americans of Japanese Ancestry (AJAs) – largely from Hawaii —  who served  in the battlefields of Italy, France, Germany and Japan. The documentary also includes narration, new footage and live music, with actress Tamlyn Tomita aboard to introduce the film.

These acclaimed soldiers were from the  100th Battalion, 442nd Regimental Combat Team and Military Intelligence Service, based in Hawaii.

While considered the greatest fighting unit in American military history, sadly, most have never heard their extraordinary story. Their legacy is part of the Hawaiian fabric of life, and their motto, “Go for Broke,” has been part of their story and still resonates among the elders in the islands who remember the soldiers because many enlisted from Hawaiian families.

“Defining Courage” documentary features many AJAs from Hawaii.

While their heroics and courage were applauded, the soldiers also had to fight a different war of prejudice at home,  since the U.S. was battling Japan and their planes were bombing Pearl Harbor.

Tamlyn Tomita

The documentary, will be introduced by Tomita, a California-based actress who co-starred in “Karate Kid 2,” the yesteryear film featuring Pat Morita, who also did the original. Tomita also has been featured in the current sequel entitled “Cobra Kai,” starring Ralph Macchio  who was the child star who played Daniel LaRusso in the pair of Morita films and recurs in the reboot with his own karate dojo. Tomita’s credits also includes “The Joy Luck Club.”

Tomita has done advocacy work for this film, and has earlier described it thusly:  “In a theater in front of a live audience, David (Ono) narrates live to beautiful cinematography, historic film, newly filmed footage, and interviews, with a live orchestra choir and soloists all combining to create an immersive and emotional journey that can only be experienced in person.”

Tickets: $25 to $50,” on sale at www.hawaiitheatre.com or  text (808) 528-0506. …

MVT lands ‘Dear Evan Hansen’

Manoa Valley Theatre has secured the rights to the Tony Award-winning musical, “Dear Evan Hansen,” as part of its 2023-24 season.

To celebrate the Hawaii premiere of “Hansen,” MVT has launched a first-time early-renewal offer to current season subscribers, who can reserve seats for six shows for the price of five, along with a gift of chocolates from Choco Le’a.  Season subscribers need to renew by Feb. 28; the offer has been announced to only subscribers, so you already have this data mailed to you.

“Dear Evan Hansen,” won six Tony Awards, including Best Musical and made Ben Platt a household name, when he won Best Actor in a Musical and the youngest (he was 23) to cop the accolade. He also starred in a movie version of the modern musical, that deals with depression, social anxiety, and social media amid the impact of bullying and high school angst.

The show features with music and lyrics by Benj Pasek and Justin Paul, and a book by Steven Levenson. It currently is touring nationally.

Playdates have not yet been announced. …

And that’s Show Biz. …

‘TICK TICK,’ ‘LA CAGE’ CASTS REVEALED

Two anticipated box-office hits loom in March, at Manoa Valley Theatre and Diamond Head Theatre.

The theaters have unveiled their casts for “Tick, Tick…Boom!” and “La Cage Aux Folles.”

‘TICK, TICK…BOOM!’

Before there was “Rent,” there was “Tick, Tick…Boom!,” an autobiographical and aspirational musical on the artistic struggles of composer-playwright Jonathan Larson, then approaching age 30 without a production bearing his name.

He hustles – down to the wire  — to create his first musical, “Superbia,” but gets stressed out because he can’t complete the show’s final tune. His workshop session is a sellout, but there are no takers.  Playwright Stephen Sondheim supports him, with valid advice: start writing your second show (which turns out to be “Rent,” his signature production).

But he died on the night before its off-Broadway premiere, so “Boom!” explores the earlier months and years of his theatrical anxieties.

Taj Gutierrez

The show will make its Hawaii debut at Manoa Valley Theatre, where it will be staged March 9 to 26.

Taj Gutierrez heads the cast as Jonathan Larson; he last appeared as Judas in DHT’s “Jesus Christ Superstar” last year. Other leads in the cast are, Kimo Kaona as Michael, Larson’s buddy, and  Emily North as Susan, his girlfriend; alternating actors are Moku Durant as Jon, Ian Severino as Michael and Bianca Tubolino as Susan.

Moku Durant

Mathias Maas is director and choreographer, Jenny Shiroma is musical director, David Heulitt is assistant director, Mira Fey is technical director, Elyse Takashige is set designer,  Willie Sabel is scenic art director, La Tanya Faamausili-Siliato is prop designer, Hope Laidlaw is lighting director, Amber Lehua Baker is costume designer,  Lisa Ponce de Leon is hair and makeup designer,  Lock Lynch is sound designer and engineer, Sarah Velasco is assistant sound designer, Janine Myers is master electrician, Taylor Bair is stage manager, and  Maile Alau is intimacy coordinator.

Curtain time is 7:30 p.m. Thursdays, Fridays and Saturdays, and 3 p.m. Saturdays and Sundays.

Tickets: $42, adults; $37, seniors and military, $24, youths 25 and younger. Reserved seating.

Reservations:   (808) 988-6131 or online at www.manoavalleytheatre.com …

‘LA CAGE AUX FOLLES’

Some boys will be girls in “La Cage Aux Folles,” the Broadway musical that gave the world the “I Am What I Am” anthem, which opens March 24 at Diamond Head Theatre.

The show is about Georges, manager of a drag show nightclub starring Albin, his long-time romantic partner. Complications arise when Georges’ son, Jean-Michel, brings home his fiancee’s super-conservative parents to meet them amid the glittering masquerade of men portraying women.

Guy Merola

“La Cage” is based on a film and stage version with the same title, with book by Harvey Fierstein and music by Jerry Herman, based on the original play by Jean Poiret. “The Best of Times” also has been a hit.

The cast features Guy Merola as Georges, Andrew Sakaguchi as Albin,  Charles Ho as Jean-Michel, Nanea Allen as Anne, Aaron Miko as Jacob, Shari Lynn as Jacqueline, Fedrico Biven as Mons. Renaud, Suzanne Maloney as Mme. Renaud,  Joe Martyak as Dindon, Kim Anderson as Marie Dindon and Jake Wolf as Francis.

Andew Sakaguchi

The Cagelles include Jack Dia, Marcus Stanger,  Genesis Kaeo,  Gabriel Ryan-Kern, Jared Duldulao,  Andrew Simmons,  Brittany Lewis,  Anastasia Chrysler, and Heather Taylor.

Showtimes are 7:30 p.m. Thursdays, Fridays and Saturdays; 3 p.m. Saturdays; and 4 p.m. Sundays.

Tickets: $27,  $37 and $52;  no senior, military, or student discounts. Call (808) 733-0374 or visit www.diamondheadtheatre.com …

Broadway grosses, week ending Feb. 19

With the looming closure of “The Phantom of the Opera,” the continues to draw first-time or repeat viewers, making the Andrew Lloyd-Webber classic the longest-running musical on Broadway, the chart-topper.

The top seven grossing shows last week:

1 — “The Phantom of the Opera,: $2.562 million,

2 — “Hamilton,” $2.000 million.

3 — “The Lion King,” $1.929 mlllion.

4 — “Funny Girl,” $1.833 million.

5 — :”MJ,” $1.823 million

6 — “Wicked,” $1.791 million.

7 — “Moulin Rouge,” 1.590 million.

The complete rundown of the shows, courtesy The Broadway League:

And that’s Show Biz. …