A TISKET, A TASKET, A LI’L EASTER BASKET

A tisket, a tasket, it’s soon time for an Easter basket.

Well, a lapel pin in the motif of a basket, depicted here.

Did about two dozen of these little guys; fun to make, but labor-intensive, and requiring tiny ornamentals of bunnies and chicks.

They’re part of my Easter thrust this year, and yes, I’m happy with the results.

CLEVER NAME-GAME REBRANDING

What happens, when you’re in the group Ho’okena and you add a fourth member to the group who’s formerly from the Makaha Sons?

You take a bit of one group’s name and attach it to another. In the aforementioned case, Makena is the inventive, apropos result of the union.

Ho’okena has billed this group Makena in a couple of earlier bookings, but you can see ‘em live tomorrow night (March 19) at Kaneka Pila Grille at the Outrigger Reef Hotel.  The Makana Sons’ Louis “Moon” Kauakahi will be joining Ho’okena’s Horace Dudoit III, Chris Kamaka and Glen Smith.

Louis “Moon” Kauakahi

Clever, yeah?

So what if Ben Vegas, who is teaming up with John Valentine at Medici’s at Manoa Marketplace tomorrow night (March 19), decided to become semiregular musical buddies. Could they be Vegatine or Valgas?

Jerry Santos has been the head of Olomana for quite a while now. If he partnered with Jerome Koko of the Makaha Sons, would the twosome be dubbed Olokaha or Makamana?

Or maybe Olomana and Kalapana would blend for a show. Would they be Olopana or Kalamana?

Horace Dudoit III

And if Robert Cazimero and Brother Noland Conjugacion collaborate as a duo, could they be Nobert or Robland, or Cazigacion or Conjumero?

If Kapena and Ehukai bonded, would they be Kapekai or Ehupena?  And what about Keauhou and Maunalua…would they be Maunahou or Keaulua.

Of course, this nonsense name-game would be inappropriate since they would make no sense and would be emphatically non-Hawaiian. Apologies to anyone offended. End of the fantasy. …

New direction for Cadoy

Miguel Cadoy III, the island actor, teacher, and musician, is the new Academy Director of the Farrington Performing Arts Academy.

Miguel Cadoy III

Fresh off directing the school’s “Mamma Mia” a few weeks ago, Cadoy’s new position means he won’t be bound to music classes anymore. His role will outreach to the community to develop bridges to the school.

However, he still will be able to direct the annual musical in the Kalihi auditorium. Cadoy also has been active in local stage musicals with the late Ron Bright and the subsequent I’m a Bright Kid Foundation and continues to work with Johnson Enos‘ ongoing development of the fantasy family musical, “Honu by the Sea,” in Japan, the Mainland and Honolulu. …

And that’s Show Biz. …

PEVEC, BARNES TOP ‘SUPERSTAR’ CAST

Diamond Head Theatre ‘s revival of “Jesus Christ Superstar,” opening April 1, boasts a cast that should bring vigor and vitality in the lead roles.

Aleks Pevec will portray Jesus of Nazareth and Bailey Barnes will enact Mary Magdalene. The powerful  rock opera includes break-out titles such as “Superstar,” “I Don’t Know How to Love Him,” “Gethsemane” and “What’s the Buzz.”

Aleks Pevec

The score by Andrew Lloyd Webber-Tim Rice should resonate with a new generation of spectators encountering the rock opera with its biblical template.

Directed and choreographed by John Rampage, “Superstar” will run April 1 through 20; but already, two extension matinees have been added for 3 p.m. April 23 and 4 p.m. April 24. Tickets will be scarce, so order prior to opening.

Bailey Barnes

Pevecs previously co-starred in DHT’s “Something Rotten” and Barnes will be remembered for her breakout role as Dorothy in the I’m a Bright Kid Foundation’s “The Wiz.”

Others in the cast include Taj Guttierez as Judas Iscariot, Aiko Schick as King Herod, Corin Medeiros as Caiaphas, Jay Flores as Annas, Jody Bill as Simon Zealots, Michael Abdo as Peter, and Laurence Paxton as Pontius Pilate.

The origin of the 1970s musical includes island singer-actress Yvonne Elliman, who created the Magdalene role and performed a pair of signature tunes, “I Don’t Know How to Love Him” and “Everything’s Alright,” in the concept album, stage vehicle and the resulting film. She earned a Golden Globe nomination in 1974 for her movie performance.

For tickets, visit www.diamondheadtheatre.com or call (808) 733-0274…

 Manoa whodunnit

Manoa Valley Theatre’s “The 39 Steps” opens tonight (March 17). It’s a mixture of farce blending Hitchcockian mystery with Monty Python mirth. The playwrights are Patrick Barlow and John Buchan, whose spy novel whodunnit includes a murder and a mysterious group called “The 39 Steps” which tracks a manhunt to a hilarious finale.

Rob Duval directed the cast that includes Garrett Hols as Richard Hannay, Rachel League as Annabella/Pamela, Matthew Miller as Clown 1 and Andrew Baker as Clown 2.

Performances are Thursdays through Sundays, through March 27.

Visit www.manoavalleytheatre.com or call 988-6131. …

A football superstar weds here

Patrick Mahomes

Patrick Mahomes, the Kansas City Chief’s all-star quarterback, and his sweetheart Brittany Matthews, tied the knot at the Four Seasons resort on Maui on March 13.

Both groom and bride are 26 and they’ve been a couple for a decade.

TMZ noted that Mahomes was attired in a gray suit, with Matthews in a traditional white bridal gown.

The couple’s daughter Sterling, 1, was flower girl and the quarterback’s younger brother, Jackson, was best man. Travis Kelce, a teammate, was groomsman and Kayla Nicole, his girlfriend, was one of several bridesmaids. …

And that’s Show Biz. …

THE LOST ART OF PUBLIC RELATIONS…

Public Relations – PR for short –  is a lost art these days.

As a journalist for more than five decades, I’ve had professional relationships with a number of Hawaii PR people who were essential in the hospitality community, because they were the key that could open doors for access to VIPs or notables in a variety of situations. It could have been a visiting actor working on a film, a budding chef in the culinary world, a singer-dancer in a touring or local theatrical production.

PR had a prime role in media communication.

It used to be that a PR wizard could connect the dots with media to arrange print interviews or land a spot on the morning or evening newscasts for the broadcast industry or arrange a live radio gig.

Very often, media folks knew the PR resources better than their big bosses, simply because spokesmen or spokeswomen were the gateway to data or providers of clues for reportorial types. Times have change, and I’m wondering: What’s happened to PR people?

Maybe it’s me, already retired and doing my own thing, that I’ve lost contact with the PR world. I don’t do hotel or theater runs like I did back in the day. Then again, many orgs with PR services operate strictly via emails and an infrequent phone call. It’s the new normal now.

Remember when a Rolodex ruled?

Thus, PR pros are an endangered species, for sure. My contact list these days are scanty, with only a few PR names; back in the day, my Rolodex (Google that!) had a bunch of rPR esources on individual cards on file.

Those I’ve known in the past have retired, have relocated, have been removed, hopefully joyfully after their service. A few have died.

I was reflecting on publicists of the past — the women and the rare few men — who had a hand in the PR brigades of the past. This serves, thus,  as an expression of mahalo to these behind-the-scenes heroes of another era.

Doyenne of publicists

Elissa “Lis” Josephsohn, a PR doyenne

The late Elissa “Lisa” Josephsohn easily was the doyenne of powerhouse publicists, whose clients ranged from restaurants to theater companies, and opera to symphony clients, who knew how to partner her clients  with entertainment ventures  to building up the dining and performance arts in Honolulu. Over three decades, her clients included Sunset Grill, the Black Orchid, Ruth Chris Steak House, Compadres, Romano’s Macaroni Grill, Palomino, Dixie Grill, Victoria Station, Rose City Diner and Auntie Pasto’s, plus the Honolulu Symphony, Ballet Hawaii, the Hawaii Theatre, Diamond Head Theatre. Her signature theater clients included the producers with original Canadian  and domestic roots, staging the likes of “CATS,” “Les Miserables,” “The Phantom of the Opera,” and “Miss Saigon,” at the Blaisdell Concert Hall in an era that there was a drought of bona fide touring companies of stage attractions; her passion help create the foundation and a  template for future producers to make the leap to give Hawaii a chance, which opened doors for future legit theater in the islands.

Name-dropping

To name-drop, other pioneering PR directors included:

  •  Dee Dickson, Jeanne Park Datz, and Woody Chock of the Hilton Hawaiian Village.
  • Jere Bostwick, of the Royal Hawaiian Hotel.
  • Kay Ahearn, of the Kahala Hilton.
  • Joyce Matsumoto and Erika Kauffman, of the Halekulani Hotel.
  • Nancy Daniels, of the Outrigger Hotels and the Kahala resort.
  • Bobbie Watson, of the Ilikai Hotel.
  • Sheila Donnelly, of the Hawaiian Regent (she was a publicist servicing her client from her own offices, not physically attached to the hotel).
  • David McNeil, of the Ala Moana Hotel (he, too, worked from his own PR firm downtown).
  • Patti Cook, of the Willows restaurant.

Surely, there are many more from the past, who should merit a nod; and hopefully, there are a new breed in a quest to reestablish the importance of PR.