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The Wicked Queen will be stalking Leeward Community Theatre this fall.

Translation: After a six-year hiatus, the LCC will present a mainstage production – the late Lisa Matsumoto’s pidgin English musical “Once Upon One Time” – in November.

Matsumoto’s popular musicals spotlight fractured fairy tale characters, set in the islands, speaking and singing the local lingo. The beloved characters include the Mean Mongoose, as well as the sacred storybook figures like Snow White and the Seven Dwarfs, Cinderella, Little Red Riding Hood, and Hansel and Gretel, with island inflections and reinterpretations.

And the Wicked Queen, a role originated and portrayed by Matsumoto in the early heyday of the genre, featured her words plus music by collaborator Roslyn Catracchia.

“Once Upon One Time” is part of a classic trilogy including “Once Upon One Noddah Time” “Happily Eva Afta.”

Playdates will be at 7:30 p.m. Nov. 1 and 2, and  2 p.m. Nov. 2 and 3.

Auditions will be held in Leeward’s large dance studio from noon to 6 p.m. Aug. 24 and 25, and from 6:30 to 10 p.m. Aug 29.

Callbacks will be from 6 to 10:30 Aug. 30 and rehearsals start Sept. 3 and continue from 6 p.m. to 10 p.m. weekdays, leading up to opening night.

To sign up for tryouts and time slots, go to https://www.signupgenius.com/go/904084DADA622ABF85-50535427-once#/

A tribute to Gabby Pahinui

Waikiki Beach Walk, in the heart of Waikiki, will present the return of Makalauna, a music festival and celebration honoring the late ki hoalu (slack key) virtuoso Gabby Pahinui (formal name, Charles Phillip Pahinui), from 4 to 8 p.m. Aug. 17 at the Waikiki Beach Walk Plaza Stage.

A star-studded roster of slack key notables will perform and members of the Pahinui ‘ohana, including grandson, Kunia Galdeira, will be present.

Kimo Kahoanu will emcee.

The timetable:

4:30 to 5 p.m. – Protocol and opening ceremonial tribute, featuring Blaine Kia, cultural and entertainment director of Waikiki Beach Walk; hula by Hālau Ka Waikahe Lani Mālie and Hālau Kahulaliwai; lei-draping of Pahinui statue.

5 to 8 p.m., musical tributes by Bobby Moderow Jr., Del Beazley & Friends, Greg Sardinha & Friends;  jam session with Kunia Galdeira.

Admission is free…

The Lion remains king of the weekly Broadway grosses

 “The Lion King” still has the loudest roar in New York.

“Wicked” is No.2, “Hamilton” is No 3.  Both are long-running hits on the Great White Way. “Hell’s Kitchen” is struggling at No. 4 trying to elevate its stake, in the week ending Aug. 4.

The Top 10:

1—”The Lion King,” $2.379 million.

2—”Wicked,” $2.191 million.

3—”Hamilton,” $1.954 million.

4—”Hell’s Kitchen,” $1.604 million.

5—”Aladdin,” $1.547 million.

6—”Cabaret at the Kit Kat Club,” $1.508 million.

7—“The Outsiders,” $1.488 million.

8—”Harry Potter and the Cursed Child,” $1.363 million

9—”MJ the Musical,” $1.353 million.

10—“The Wiz,” $1.311 million.

The complete list of Broadway shows, courtesy the Broadway League:

And that’s Show Biz…

“Newsies,” a Broadway musical based on a Disney film, will open Friday (Aug. 9) at Paliku Theatre on the Windward Community College campus.

The I’m a Bright Kid Foundation is presenting the show, staged on Broadway in 2012, which features music by Alan Menkin, lyrics by Jack Feldman, and book by Harvey Fierstein. It’s based on a 1999 Disney film by Bob Tzudiker and Noni White.

Known for its vigor and vitality, the plot features disgruntled newspaper carriers – “newsies” – who strike against powerful newspaper publishers in New York. The story is based on real-life newsies, circa 1899, challenging Joseph Pulitzer of The World and Randolph Hearst of The Journal over wages, or lack thereof, amid rising subscription prices.

 The scrappy newsies  go on a two-week walk-out and gain the attention of a newspaper reporter who writes an article on the conflict and helps the youths publish their own news bulletin.

Genesis Kaeo portrays the key newspaper hawker named Jack Kelly, who leads his scrappy colleagues comprising orphans and run-a-ways, whose plight earns the support of Katherine, the journalist portrayed by Seanalei Nishimura.

The show has been praised for its rousing dancing and its theme of David vs. Goliath – the little guy taking on the big corporate publishers – and boasts a soundtrack favored by youths, notably the contagious “Seize the Day.”

Directed by Mary Chesnut Hicks and choreographed by Ahnya Chang,  the show features musical direction by Clarke Bright and vocal direction by Roslyn Catracchia.

Performances will be at 7:30 p.m. Aug. 9, 10, 15, 16,17, 22, 23, and 24, with matinees at 4 p.m. Aug. 11, 18, and 25.

Tickets: premium, $44; adults 18 to 64, $35; seniors 65+, students 12-17, military with ID, $29; children 6 to11, $24; at  https://cur8.com/24380/project/85292 or www.imabrightkid.org/tickets  …

Jazz quartet welcomes back drummer

The Honolulu Jazz Quartet will welcome back Adam “Von Baron,” its former drummer of 15 years, in a gig from 6 to 8:30 p.m. Aug. 19 at Honolulu Beerworks, 328 Cooke St.

Von Baron relocated to Japan but will be on vacation here with his family.

John Kolivas, leader of HJQ, will perform on bass with Jimmy Funai on guitar…

And that’s Show Biz…

Janel Parrish, an island singer and actress originally from Kaneohe, will make her debut at Blue Note Hawaii on Sept. 27 and 28.

Showtimes are at 6:30 and 9 p.m. both days; doors open at 5 and 8:30 p.m.

Parrish is perhaps best known locally for her role as Young Cosette, in “Les Miserables.”  At 6 and a child actor, she did the role at Blaisdell Concert Hall with a traveling company, then also performed at the Imperial Theatre on Broadway followed by  a national tour of the show. Her signature tune then was “Castle on a Cloud.”

At age 9, she saw a performance of  “The Phantom of the Opera” at Blaisdell and learned every song by the Christine character from listening to the score in her parents’ car.

Because of her keen interest in show biz, her parents – Joanne and Mark Parrish – relocated the family to Burbank, Calif.,  so she could seek a career in entertainment.

She since has logged a  varied and vast career on television, in films, and on stage. She was a fixture on the TV mystery-drama, “Pretty Little Liars” and its spin-off, “Pretty Little Liars: The Perfectionists,”  as well as the film series, “To All the Boys.”

With her adoration of the musical comedy genre, it would be interesting if she includes Broadway hits in her concerts at the Outrigger Waikiki resort.

Parrish married chemical engineer Chris Long in ceremonies at Kualoa Ranch on Sept. 8, 2018.

Tickets: $55 for premium seats, $45 for loge seating, at www.bluenotehawaii.com or (808) 777-4890 …

Chicago heading to Maui, Waikiki

Chicago, easily one of America’s legendary bands, will give concerts in two outdoor venues on two islands in September.

Maui playdate is 7 p.m. Sept. 27 at the A&B Amphitheatre at the Maui Arts and Cultural Center.

Honolulu welcomes Chicago at 7 p.m. Sept. 29 at the Tom Moffatt Waikiki Shell.

Henry Kapono, surely Hawaii’s most active musical act, is the opening attraction for both sites. Thus, it’s a solid double-bill.

Tickets are scarce and frightingly costly. General admission on both islands begin in the $80 range, with premium seats a couple of hundred dollars apiece, but possibly  nearly $3,000 at the Shell.

If you can secure seats from a local vendor, you’re lucky. However, middle-man sellers command top-tier prices, so beware and know what you’re buying…

And that’s Show Biz…

Na Leo Pilimehana, easily Hawaii’s best-known girl group, continues to celebrate its fourth decade as a performance brand, with “40 Years of Na Leo,” from 5 p.m. Sept. 21 at the Tom Moffatt Waikiki Shell.

The  iconic trio, comprising Nalani Choy Jenkins, Lehua Kalima Alvarez and Angela Morales Escontrias, are Kamehameha School chums, who entered and won the KIKI Radio-sponsored Brown Bags to Stardom IV competition, when they introduced their groundbreaking “Local Boys” hit, which was their debut 45 rpm disc.

Since then, Na Leo’s illustrious career has embraced 20 No. 1 hits, two national hits and 24 award-winning CDs.

Earlier this year, the trio staged a 40^th anniversary show at Paliku Theatre at Windward Community College, but the Waikiki Shell concert will be the signature celebratory milestone event, with an all-star slate of guest artists including  Henry Kapono, Robert Cazimero, Jerry Santos, Keahiwai, the Hawaiian Style Band and Glenn Medeiros.

Tickets: lawn open seating, $40; reserved terrace pool area seating, $40, including souvenir lanyard; reserved pool area seating, $119, with premium view, including souvenir lanyard pass; reserved front row seats, $149, with premium view and souvenir lanyard pass; available at www.tmrevents.net …

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Cione home after eight weeks in Kuakini

Jack Cione, the longtime entertainment entrepreneur, finally is back to his Arcadia apartment, after an eight-week stay in Kuakini Hospital.

Normally a Straub patient, he was shuttled to Kuakini when Straub was full and unable to accommodate him.

“Everything’s wrong with me,” he muttered about his ongoing pain and weeks of tests and treatment. “But I liked Kuakini…and the food.”

Though he’ll have to watch his post-hospital regimen, Cione – who’s 97 and fragile — is eager to resume rehearsals for his fall revival of his popular Follies show, with his cast of fellow Arcadians.

“This is my last one,” he said of the musical revue which this year has a Copacabana theme…

Maduli services this weekend

Services for Janet Lee Maduli, veteran entertainment professional and a former officer of the Hawaii Academy of Recording Arts, will be held Sunday (Aug. 4).

Services will be at Valley of the Temples in Kaneohe, with visitation at 11 a.m., rites at noon, and burial at 1:30 p.m.

A sunset Celebration of Life will follow from 5 p.m. at the Tom Moffatt Waikiki Shell.

Further, this year’s Na Hoku Hanohano Awards ceremony, from 3:30 p.m. Saturday (Aug. 3) will be held at the Hawaii Convention Center in Waikiki and will be dedicated to her memory.

Maduli died July 9 at age 67 and with husband Kata Maduli worked tirelessly as fixtures in the Hawaiian entertainment community…

And that’s Show Biz…

It’s all here, in Diamond Head Theatre’s highly anticipated Disney musical, “Frozen:” the estranged sisters, Elsa and Anna; the hit song, “Let It Go;” the delightful puppet Olaf, the carrot-nosed snowman; the non-speaking faux reindeer, Sven.

The show, with book by Jennifer Lee, and songs by the prolific couple, Kristen Anderson-Lopez and Robert Lopez, is based on the animated tale that turned little girls into mini-Elsas, donning ice blue costumes reflecting Queen Elsa, especially at Halloween. Many little girls wore Elsa-inspired dresses and mini-gowns, and their parents bought battery-operated $15 snowflake wands that they could illuminate and wave during the finale.

I was not a huge fan of the Broadway original, which was fueled with Disney budgets that could replicate the ice castle and the wintery wonders of Arendelle, where the Nordic story is set. But a Disney mega-hit always lands on the big screen, then Broadway.

A tip: watch for the production’s splendid moment, when Queen Elsa’s black costume is whisked off in jiffy seconds, revealing her glittery silver gown, it’s literally a keen revelation.  

DHT, however, doesn’t fully create the razzle, nor the dazzle, of the icy clime, relying on (like other community theaters) mostly projections of oversized snowflakes and curtain drops and background slides to reflect winter. Thus, it’s a challenge for Deane Kennedy, set designer. One particular set piece —  two moveable blocks  of stairs –  resemble hollow concrete blocks. Perhaps plastic, or translucent tile augmented with icicle drippage, might have helped attain a better mood. Worse, at the performance I attended this past Saturday (July 27), the two-stair segments were locked for a few seconds of sheer anxiety, with struggling handlers trying to free the halves. An isolated misstep, for sure.

Overall, DHT scores high points with the three Cs: casting, choreography and costumes.

Directed and choreographed by Charlie Williams, the lead players bring ample stage presence and winning voices to their roles – reflecting savvy casting.

Alana Clayson (Elsa) and Allana Poelzing (Anna), the estranged princess sisters, are fun to watch; Clayson is the ice queen who acquires magical powers when she’s elevated to Queen after the demise of her parents, who ruled the frozen kingdom. Poelzing is the outgoing, fun-oriented goofball pouring out BFF cheer.

And Kyle Malis (Olaf) is visible as the puppeteer, and he projects  and creates humor and personality for his snowman, animating and giving life and voice to the character, right down to his own shoes.

Equally delightful, without uttering a single word, is Jill Jackson (Sven), inside a furry reindeer costume on all fours, in a role shared with Sam Budd.

Speaking of sharing: Kirra Baughn was Young Elsa and Hayden Lau was Young Anna in the performance I saw; Katie Walthall and Natalie Coleman also take turns in the roles.

The other male leads are Legrand Tolo Lawrence (Kristoff), the ice-selling merchant who becomes Anna’s sidekick and eventual husband, and  Kimo Kaona (Hans) as the 13^th brother in the family from the Southern Isles, who is Anna’s suitor-turned-villain. Kaona has the best voice in the cast, with volume and projection of an ideal Broadway belter.

Williams’ choreography involves and embraces movement and magic with vigor, making his dancers appear to be having joyous fun. It’s a small army, prancing in unity. Like, life’s a party.

The production boasts Madison Gholson’s brilliant costumes, including dressy, flowing gowns for the ladies and equally formal suits for the gents, which fill the stage with elegance. Elsa’s formal white gown is the centerpiece of luxury of royalty. James Martin’s hair and make-up rise to the occasion of glamor.

Jenny Shiroma’s nine-piece orchestra, which includes a trio of keyboarders (she’s one of them) provide depth and delight to the melodics, though most tunes are not particularly singable to fans. Besides the central hit, “Do You Want to Build a Snowman,” rendered by Young Elsa and Young Anna, and “For the First Time in Forever,” an anthem featuring grown Else and Anna and the townspeople of Arendelle, might be hummable.

Technical elements (lights by Dawn Oshima, sound by Jericho Sombrio) are first rate and spot-on perfect.

One final kudo: DHT merits applause and a shout-out for its lavish
“Frozen” playbill, comprising 40 pages including front and rear covers. Such a venture is a tribute to the company of 35 actors, pictured in full color with anecdotal bios, and also is a valuable tool for spectators who can consequently identify the actors. Yes, it’s a costly element to produce and publish but it has to be budgeted along with other necessary needs of putting on a show. The paid ads show support of theater and boost interest in DHT and indicate commitment to show aloha to its crews and its audiences. This one is particularly impressive, concluding DHT’s current season, and prominently showcasing the 2024-25 season. It’s an attractive keeper, and a model for other local theater organizations. To Trevor Tamashiro, executive director, and John Rampage, artistic director, mahalo plenty…

And that’s Show Biz…

‘Frozen’

What: A Disney musical by Jennifer Lee (book) and Kristen Anderson-Lopez (music and lyrics), based on their animated film

Where: Diamond Head Theatre

Curtain times: 7:30 p.m. Thursdays through Saturdays, 3 p.m. Saturdays, 4 p.m. Sundays, through Aug. 25.

Tickets: $68, at (808) 733-0274, or www.diamondheadtheatre.com …