MEMORIES FLOW IN HALAU’S ‘SOUVENIRS’

Robert Cazimero delivered the first half of “My Hawaiian Souvenirs,” his 50-years-strong memory of hula and mele, last night (Oct. 11) at the Leeward Community College Theatre.

Laden with beaucoup recollections of his life as a student in hula, then a kumu hula, and finally an award-winning leader and mentor of hula of Halau Na Kamalei O Lililelehua,  the evening was not long enough to share his abundant artistry of hula. So, a second installment will be staged at 2 p.m. today (Oct. 12), with the troupes again assembling at Leeward, continuing with a focus and emphasis hula kahiko.

Robert in kumu garb.

In typical Cazimero fashion, part one – rendered in four quarters of style-sharing –was  visually minimalist, with only one visible prop element: an oversized hanging of windows which he symbolically “opened” to acknowledge the myriad of melodies and dances in his treasure chest of souvenirs.

Of course, a journey like this embodied tales and tunes of family in Kohala, embracing the remember-when theme with landmark songs including “Maika‘i Ka Makani O Kohala,” “Alohe E Kohala,” “Nani ‘A‘ala Wale, and “Ho ‘oi Hou Kanani Ia Mahikona.”  A particularly engaging tune was the non-Hawaiian “Only You,” with tapped personal remarks and admiration of his mama and papa.

Robert, opening windows,

Naturally, the gents of Na Kamalei – superb dancers and vocalists, some young, others elders  – provided the fabric and finesse in the reflections. Kumu Caz affectionally calls ‘em “Bob’s Boys,” and their syncopation and harmonics elevated appeal to such numbers as “Henehene Kou Aka,” “Nani Waimea,” “Pu‘u wa‘awa‘a”  and “Huapala Maka Onaona.”

After intermission, the second act began with an in-front-the-curtain chant featuring kumu hula Hinaleimoana Wong Kalu and a vigorous halau chant, a prelude to an expansive series of Na Kamalei “moments” with historic halau melodies attached to new hula classes (“Kalakaua He Inoa”). A stroll down memory lane —  oli  with the pahu  (drums) rendered by Carl Veto Baker and Manu Boyd – also dusted off titles like “Kaulilua,” “Mai Ta Pouli” and “Halau Hanalei.”

Babooze

The comebackers, a handful of dancers who returned from the past, included Gunnie on “Ke Pi‘ina” and Babooze on “Pohuehue,”  which raised the nostalgia level quite a bit.

Every Na Kamalei event showcases stylish hula garb; in this outing, the primary gear included modern orange/red aloha shirt. The traditional ti leaf skirts were eye-filling as they swished and swayed during the hula, especially the ones with layers of dark green ti.

Hefty ti-leaf skirts highlight one kahiko number.

And on a  hula kahiko number, with a few dancers, one outfit  featured a sexy modern costume with see-through fabric. Indeed, there’s always been a yesterday, a today, and a tomorrow in a Na Kamalei show. Let’s see what today’s will offer.

And that’s Show Biz…

PERPETUATING THE KAMAE LEGACY

Myrna Kamae, widow of the prolific and legendary Hawaiian music singer-composer Eddie Kamae, will oversee a mahalo celebration to close one chapter and launch another to propel and perpetuate the legacy of Eddie and his role in the Sons of Hawaii.

An invitational event will be staged from 5:30 to 8:30 p.m. Saturday (Oct. 11) at the Waikiki Yacht Club, to mark the progress and importance of documenting Eddie’s music with his Sons of Hawaii, and herald the partnership of the couple’s Hawaiian Legacy Foundation with the University of Hawaii’s West Oahu campus.

Eddie Kamae, singer-musician-filmmaker.

There will be food and beverage, plus music by the Sons of Hawaii.

“Our work is already being curated and digitalized at UH West Oahu,” Myrna said in a statement. “Much of it (resources) is now available online at ‘Ulu‘ulu: The Henry Guigni Moving Image Archive,’ and will soon be available at the Campbell Library as well.

“Eddie’s goal was always to ensure that the music lives on, and that our kupuna are honored.”

Myrna Kamae.

The Kamaes – Eddie was the principal singer-composer and filmmaker with the Sons of Hawaii, Myrna is a composer in her own right – were inspired to support the wisdom of their elders, following the advice of Eddie’s mentor, Pilahi Paki, who once told him ‘Do it now, for soon there will be no more,” referring to the mission of maintaining cultural identity and integrity,

Between 1988 and 2011, the Kamaes created and produced 10 award-winning documentary films on notable Hawaiian voices, and since Eddie’s death at age 89 on Jan. 7, 2017, the Kamae foundation completed a free online songbook of 34 of Eddie’s favorite melodies.

 In the years to come, Myrna and her team anticipate that the Kamae films will be available for free on YouTube, with more highlights already posted on Facebook, Instagram and TikToc. Viewership already has reached four million.

Myrna is hopeful that the Kamae Endowment will continue to grow to ensure support and finances for student internships, scholarships and faculty grants to encourage scholars, musicians and educators will build bridges and embrace the projects…

Busy-ness parody has risks

Comedian Frank DeLima continues to be creative from Las Vegas, his home since his retirement last January. It’s great, but there can be risks.

Frank DeLima

No, not active in the performance realm, but in doing musical parodies about crisis or funny elements in life in paradise.

His latest, to the tune of “I Feel Pretty” from “West Side Story,” is an homage to the popularity of Michael W. Perry and the Posse of KSSK Radio. Why not? The station is almost always first to air each parody and regularly welcomed its studios or live broadcasts for anything new in DeLima’s comedic life.

The problem with his newest is obvious: DeLima won’t get much airplay or endorsement from any other broadcast media. Thus, it’s the least effective of his efforts.

The premise is busy-ness of one and all from the Perry team, from sidekick Jimmy Da Geek to news anchor Mandy Suganuma to project honcho Sweetie Pacarro.

The lyrics lack LOL humor, too. About Perry, DeLima opines, he’s “such a busy voice, busy brain, busy heart”  and everyone is “busier than the busiest bee.”  Hmmmm.

Because he’s no longer physically part of the Honolulu/Hawaii community,  it’s a stretch to find humor or engage hot buttons here. Clearly, he’s itching to share his laughs and usual lunacy. Sorry, Frank – nice try but you can’t fake it.

“Ya gotta know the territory.”  It’s a truism  from the stage musical, “The Music Man.”

FYI: the formatting of this column does not allow music videos. For a listen, visit my Facebook page at https://www.facebook.com/wayne.harada.5

Broadway returns to a normal pace

A sense of normalcy has been the tone of the Broadway scene.

“Hamilton” again is the week’s winner, but “Wicked” is steady at Nol. 2, followed by “The Lion King” returning to No. 3.

The Top 10:

1—”Hamilton,” $3.743 million

2—”Wicked,” $2.054 million

3–“The Lion King,” $1.930 million

4—”Waiting for Godot,” $1.865 million

5—”Mamma Mia!,” $1.613 million

6—”ART,” $1.492 million

7—”Just in Time,” $1.338 million

8—”Death Becomes Her,” $1,311 million

9—”MJ the Musical,” $1.254 million

10—”Maybe Happy Ending,” $1.181 million

The complete list, courtesy the Broadway League:

And that’s Show Biz…

FRIDGE ‘WHIRLY’ FINDS A NEW HOME

If you have had to replace a problematic and fading refrigerator in your kitchen, you must know that this is one of life’s most challenging inconveniences. Timing matters.

We did. With good timing.

Our trusty Kenmore conked out last Friday, with the freezer losing its chill. Two days later, the refrigerator also was silently on its last leg.

So, we had to quickly secure a replacement. But not before getting our largest cooler chest out, and  buying bags of ice, to protect and chill the salvageable items in both the freezer and the refrigerator. For backup, we also purchased a new Igloo chest from Costco.

We learned these tricks early on; you need backup when the icemaker stops making ice and then takes a chilly final breath to halt the freezer. The ice cream and frozen saimin had to be scrapped, but frozen salmon was among the items saved.

But what a task it is to find a fridge you like; ours was a 33-inch-wide model, and many are 36-inches. The height was not an issue – we had a few inches to spare at the top of the old model.

Anyway, Vi and I went to Iwilei to seek out  the obvious possibilities at both Home Depot and Lowe’s.

The initial visit was at Home Depot. We found the exact Whirlpool we wanted, a two-door floor model, which had the innards that were familiar to us: icemaker on the left, generous plastic shelves on the refrigerator side. Thinking we’d buy this appliance, we didn’t anticipate the hurdle: when the salesperson checked the inventory in store’s warehouse, there was, indeed, the model we sought. The catch: we’d have to wait till the end of October for delivery. He double-checked, and said the fridge would not be available till  December. Not good. Very bad, actually.

Then we tried Lowe’s, and the problem was similar. If they had it, the delivery date is the problem. When the fridge is on the fritz, you need to get a new one delivered in a day or two or three.

The sales guy at Home Depot told us to snap a photo of the Whirlpool item we were looking for, and inquire at Pacific Appliance, a new dealer in town, on King Street opposite Washington Middle School. On Sunday, we visited this store – which sells not just fridges but stoves and other kitchen appliances.

The saleslady saw the fridge photo and checked her inventory, and yippee, she had one in stock in their Waipahu warehouse. Because Pacific Appliance was a newbie in Honolulu and not part of a big-box chain store like Home Depot and Lowe’s, its price was a couple of hundred dollars more than the one being held hostage in a similar Waipahu warehouse. Delivery could be done in three days (this morning today, Wednesday), an agreeable timetable.

We should have tried Costco in Hawaii Kai, but we’re thrilled to do business with a fresh resource in Hawaii, whose delivery schedule is possibly the best in town.

In retrospect, timing was part of the solution. We had  called our warranty resource to arrange a Mr. Fixit to check out the dying appliance, and the visit (which we canceled) was to have been today (Wednesday), too. But realistically, it was time to get acquainted with a new fridge; we hope Whirly will have a smooth, long life of good service. So welcome, welcome, dear Whirly; hope you’re happy in your new home.

I’m sipping ice water as I write this piece; the ice is from the bags of ice Vi has been purchasing since Saturday. A small ice cooler, suitable for a picnic for two, was under our sink for ages, so I’ve been filling it with remnant ice and it’s been my ice water source all day. Whirly should be in full work mode overnight.

MVT’S ‘MAYAH:’ ‘SO ONO FOR YOU!’

Bettah late den nevah.

OK, I wen’ go see – finally – Lee Cataluna’s “Da Mayah” last night (Oct. 4) at Manoa Valley Theatre.

My season tickets back in September conflicted with another event, and this local-style, loco-storytelling hit show was so popular, it was impossible to score seats. Small theater, das why, but MVT wen’ add two more shows this weekend, so I booked front row seats but I’m  so sorry I no can advise you to go see this outrageous and hilarious tale about one dude named Lester Perez (Devon Nekoba) because the show closed with a matinee today (Oct. 5).

Deven Nekoba, as Lester

Lester was the first Hilo mayah elected, a conniving, even incompetent leader who is out-of-control and one buggah with hidden secrets. So yep, there are political darts, but lots more about life and lore of island life, like work skeds, plate lunches, and trust.

OK, pau with trying to sound like Cataluna. “Da Mayah” was her first-ever play, concocted to fulfill a playwriting class assignment, and  was first produced by Kumu Kahua in 1998 and originally directed by R. Kevin Garcia Doyle. He also directed this MVT revival;  he either has little on his plate, but clearly,  he adores loves the cadence of Cataluna’s ability to make everyone smart in the local lingo, and the reunion is wonderful.

Elexis Draine, as Sandra,

The laughs are plentiful. The exaggerations are real. The actors must speak Cataluna-ese since the lines cascade out smoothly like Akala Falls.

The first person you see/meet is Jazzmin (Karen Kuioka Hironaga), who runs a washerette and a karaoke joint, and she’s quite savvy in recruiting audience members seeking their seats to sing.  She repeats her quest to sign up more karaoke singer at intermission, and yep, Jazzmin is a jewel in what she has to do. She even lured director Doyle to sing “Sweet Caroline,” a natural choice, since everyone knows when to chime in,“whoa whoa whoa.”

The true star of the show is Sandralene (Elexis Draine), the mayor’s assistant who writes his speeches, monitors his calendar and simply is his right-hand-man who is not properly rewarded or recognized for all the damage control she’s done.

Kalani (Sharon Garcia Doyle) and Kanani (Juvy Lucina) provide hilarious moments and they surely help the show to roll along; they often push the pair of rotating stages, created by set designer Kevin Keaveney, to change the four performing spaces, including the mayor’s office and Jazzmin’s dual launderette and karaoke bar.

Matthew Miller, as Stanton

Dukie (Stu Hirayama) and Stanton (Matthew Miller) are the quirky gents in the play. Dukie is the cousin of Sandralene, she learns that Derek Pang, an unseen rival of the mayor, lands an undeserved spot in the administration. Further, the mayor wants him eradicated.

Enter, Stanton, the hit man who has emotional baggage and  a long rap sheet, who is tasked to murder Derek;  Stanton also harbors a thing for Sandra. Whoa, whoa, whoa.

Further, there’s a sole tune, “So Ono for You” (words by Cataluna, music by Roslyn Catracchia), staged and sung late in the show.

On another note, it’s great that MVT has reinstated its playbill; now it’s a two-sheeter, folded to create eight pages, and guess what: the customary bios and mugshots of actors (sorry, techies, you are credited minus the bio-mugs) have been revived, presumably for the entire season. Been something I’ve advocated since the pandemic that it was the theater’s responsibility to provide brief notes and pics of the performers and even technicians, as a thank you for those on and off stage, and of course, the show patrons, too. Previously, the  data was fully shared only online, not in the handbills provided at the performances, so applause, please, for the comeback. Thanks, Jeff Portnoy and the MVT board…

‘Hamilton’ tops chart, lone $3 million play

For the week ending Sept. 28, “Hamilton” is the lone member of the Broaday $3 million club.

The Top 10:

1–“Hamilton,” $3.773 million

2–“Wicked,” $2,003 milion

3–“ART,” $1.648 million

4–“Mamma Mia,” $1.645 million

5–“The Lion King,” $1.586 million

6–“Waiting for Godot,” $1.618 million

7–“Oh, Mary!,” $1.328 million

8–“Just in Time,” $1.309 million

9–“Death Becomes Her,” $1.295 million

10–“Maybe Happy Ending,” $1.169 million

The complete gross list, courtesy the Broadway League:

And that’s Show Biz…

FOR FALK, ‘THE BUCK STOPS HERE’

Willy Falk, best known for creating the role of Chris in the hit musical, “Miss Saigon,” is going presidential in his next stage endeavor. He’ll portray Harry S. Truman in William Spatz’s “Truman vs. Israel: Abzug and the Undressing of Truman,” making its Off-Broadway world premiere at the Theater at St. Clements, with previews beginning Oct. 9 preceding the formal launch Oct. 16 in a limited run through Jan. 4, 2026.

Willy Falk, formerly of Honolulu, is cast as Harry Truman in “Truman vs. Israel” in New York.

“He  (Truman) was impressive in his no-nonsense approach to leadership and decision-making,” said Falk, recalling what was said in history books. “‘The Buck Stops Here!’ was his famous slogan. The only president without a college education, Truman took over the presidency from FDR very soon after being sworn-in as VP and during WWII.“

Pres. Harry S. Truman

Truman was the nation’s 33rd  and 34th president, serving from 1945 to 1953. As vice president to Franklin D. Roosevelt, he assumed the presidency in 1945 after FDR’s death.

In the play, Falk is featured with Helen Laser as Bella Abzug, an American lawyer, politician, social activist, and a leader in the feminist  movement. The cast also features Matt Caplan and Mark Lotito, with  Randy White directing.

The work centers on the little-known political clash behind the creation of the Jewish state during the Truman administration.

“He was put in a position of great importance and had some very weighty decisions to make within weeks of becoming President,” said Falk. “What I did not remember, and this play delves into quite a bit, was his role in being ‘The Father of Modern Israel.’ During his second term, he was the first world leader to recognize The State of Israel and its eventual formation, in partnership with the United Nations.”

Falk is widely known for musical roles; he was Tony-nominated for “Miss Saigon,”  but his theater credits include “Les Misérables,” “The Phantom of the Opera,” “Aida,” and “Marilyn.” Most recently, he appeared in “And Just Like That.”

A graduate of Punahou School, Falk was somewhat surprised to learn Truman played piano “quite well,” but “I did know that he worshipped his only child, Margaret, and was a big fan of her singing. Though critics were often not.”

Falk said he has been auditioning for singing and non-singing roles during this stage of my life. “By and large, more interesting roles are written for mature actors in plays and movies than in musicals,” he said. “Having said that, I am lucky enough to be concurrently workshopping a new musical that has a cantankerous older man as the lead, so who knows? 

“But, right now, I am excited about ‘Truman vs. Israel’ because I find this piece to be challenging, topical, and well-written.”

As a singer in theater, Falk admits that it’s easier to learn lyrics than memorize extensive text and spoken lines in s dramatic play.

“Learning songs is easier for me,” said Falk. “It might be because there’s a tune to remember the words, and there are rhyme schemes that help you to remember what line comes next.

“What helps me to get the lines (and I have over 75 pages to learn right now) is to have a clear idea of why your character is saying what they say.”

Part of his drill to absorb text? “Listening is part of acting, what you are hearing spurs what you answer. Having that knowledge helps to bring the words to life and, with any luck,  to mind. After that…it’s practice, practice, practice!”

Why did he seek this particular role/play?

“It is always a special gift to have a juicy role in front of a New York audience. Where it may lead is up to the ‘Theatre Gods!’”

Is the Broadway musical still a viable option, even if it’s a revival?

“Folks have been predicting the demise of the Broadway musical for many decades, and yet it survives,” said Falk.  “Certainly, it goes through changes and phases, but there will always be something magical about hundreds of people, sitting peacefully, side by side in the dark, watching a live performance. I have had people come up to me decades after seeing one of my Broadway shows and tell me that they still feel strongly about the memories of that. It is something very special.”

Rehearsals for “Truman” started Sept. 15 and the first preview will be Oct. 9.  “They didn’t tell me I had to be off-book, but there is just SO much that I could not start without most of it memorized.  Just the other day, I got some revisions…so I am already un-learning as well as learning.  All part of the process!”

He thanks his spouse for moral support, patience and understanding.

“My husband of 21 years, Andrew (Steiner) is always supportive of my career in every way,” said Falk.  “A funny story: He already bought tickets, in the front row, for opening night of ‘Truman vs. Israel.’ I said ‘Front row!! Andrew, that could be distracting!’” 

His answer: “No, it won’t bother me at all!!”

And that’s Show Biz…

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Tickets to “Truman vs. Israel” are available via OvationTix.