MISOYAKI BUTTERFISH, IN WEDGES

Have you tried Roy Yamaguchi’s misoyaki butterfish entrée recently, at one of his Roy’s Restaurants?

I’ve always favored his butterfish rendering, with the misoyaki seasoning atop the butterfish filet, customarily served on a bed of black rice. A smooth sweet-ginger wasabi butter dressing is part of the plating.

I frequently opt for white rice, and a few weeks ago, the gohan came as a musubi.

Roy’s misoyaki butterfish is served in wedges; musubi at left.

But the new touch was the cut of the butterfish; instead of a generous filet, the fish arrived in several chunks, six pieces assembled side-by-side.

The chunks of the fish made portioning easier and appealing, and the flakes were orderly and convenient, to consume as many as you want. I had three pieces for dinner and there were three more wedges to take home for lunch the next day. Since I only ate half of the musubi, had a bit of rice for lunch, too…

Scatch, Liko’s in Hawaii Kai closed

Scratch Kitchen, the gourmet restaurant in the former Outback Steakhouse site at the Hawaii Kai Towne Center, shut down for good on March 24, unable to muster up diners.

The dining room closed first, several months ago, with the kitchen supposedly trying to rev up catering business. That, too, could not draw patrons.  Could’ve been the hours, a tad too late to build up a breakfast following, and perhaps an unpopular menu, which did not quite appeal to patrons, despite the prime location across the way from Roy’s. Thus, a lovely space is available again…  

Liko’s Tap and Table, the waterfront restaurant at the Hawaii Kai Shopping Center, apparently shut down operations, without notice, on March 24.

The eatery was known for its fish tacos and prime rib, appealing to sports bar fans who go for beer and televised games, as well as luncheon salads and nighttime dinners.

The closure is somewhat surprising, since Liko’s was one of the more popular and successful fronting the Hawaii Kai Marina at the Hawaii Kai Shopping Center. Owners are working out  financial issues, and hope to reopen, timetable unknown….

Closing soon…

Anticipate more upcoming shutdowns elsewhere…

— Haili’s Hawaiian Food, the Kapahulu go-to restaurant for Hawaiian kaukau, is shutting down June 30. The restaurant, in biz for 70 years, is timing the closing when its lease expires.

— Buca di Beppo, the Italian restaurant at Ward Village,  is known for its generous portions (more food than those hungry mouths can handle). A party in the Pope’s Room is as good as it gets, so if you’ve never been in this circular room, gather the troops and try it before the shutdown. A closing date has not been announced.

Gone, but not forgotten…

Following the closure a year ago of the Outback Steakhouse in Hawaii Kai, three other island branches of Outbacks were shut in February: Kapolei, Kona and Waipio. Miss the onion rings…

Pah-ke’s, the Chinese restaurant in Kaneohe, closed last October, but it appears that another Chinese eatery is due later this year, ownership unknown. Renovations are underway.

The little hole-in-the-wall Japanese restaurant on Kalakaua Avenue, named Do-ne (two syllables, like in “dough-nay,”  not “done”), quietly closed without fanfare earlier this year. This was a place where you had to know/read Japanese, to properly place orders…

Sad, too, was the closure of Wailuku’s Home Maid Bakery. We all had the ritual of heading to the bakery  before  the return flight to Honolulu, toting purchases of  crispy mochi, chichidango, or cookies for omiyage. I recall getting a bit of a scolding from the owner years ago, who asked when my departure flight time was, as I stopped by two hours earlier because of another errand before boarding the plane. Closer to departure time meant fresher snacks, he insisted…

UNEVEN ‘KISS ME KATE’ AT DHT

“Kiss Me Kate,” now at Diamond Head Theatre, is a tough one to like or loathe. In a word, it’s uneven. With highs and lows.

It boasts tunes by Cole Porter, a welcome and happy prospect, though Porter seemed to pitch tunes with an anything-goes stance. Tucked into the musical fabric are gems not commonly sung these days – “Wunderbar,” “From This Moment On,” “So in Love” – so hearing ‘em makes you feel like connecting with old friends.

But its show-within-a-show motif is not the exactly engaging or endearing. “The Taming of the Shrew,” the Shakespearean classic, is the production the cast is prepping for, and its two leads (who bicker and argue in see-sawing feuds) are distancing and disorienting.  Fred Graham (David Young, likeable and loopy) also is Petruchio; Lilli Vanessi (Lea Woods Amanza, exquisite, with operatic opulence)  also is Katherine.

Lea Woods Almanza is Lilli Vanessi/Katherine in “Kiss Me Kate.” Photo by Brandon Miyagi, courtesy DHT.

They’re off-stage exes, in an on-stage battle of the sexes. Her big belter is the  vitriolic “I Hate Men,”  and his retort is the emblematic “Were Thine That Special Face.” A young teen lad whispered after the performance, “It’s very confusing,” and he was right.

The book by Sam and Bella Spewack is quite dated (the plot is set in Baltimore in the ‘40s), and the backstage/front-of-the-curtain motifs clearly make this one theatrically inclined, right from the get-go. “Another Op’nin,’ Another Show,” led by Hattie (Alison Maldonado, delightful), is the opening curtain number. Among the songs midway in Act 1 is “Tom, Dick or Harry,” which has been a lasting phrase in modern life, so perhaps “Kiss” has never truly been out of vogue. It’s deemed to be one of jewels of the Golden Age of the Broadway musicals, but is a tad tarnished for a new generation of audiences.

Director Malindi Fickle clearly had the arduous task of unifying nearly 30 singers-dancers and about 20 ensemble members, and she managed to pack lively bursts of action; together with lifelong dancer Christine Yasunaga’s nimble choreography, there’s awesome cadence on stage.

Act 2 is worth waiting for, with secondary figures shining and connecting with the spectators. “Too Darn Hot,”  staged in an alley, features Paul (Justin Garde), Ralph (Alexandria Holloway), and Makeup Artist (Aiko Schick) joined by the ensemble in a top-gun sing-and-dance finger-snapping, toe-tapping spectacle that is, well, darn hot. Thanks, Yasunaga! And First Man (Lisa Fosbender) and Second Man (Mathias Maas) are Damon Runyan-esque comedic gangstas  on “Brush Up Your Shakespeare” loaded with shtick, with repetition that works. (Note the gender-bending casting, which is part of the fun).

Further, Bill Calhoun/Lucentio (Andrew Simmons) offers an appealing “Bianca,” pitching romance to Lois Lane/Bianca (Erin McFadden), without the tangle and tussle of the Katharine/Petruchio relationship.

Throw a kiss, too, to Kimmerie H.O. Jones, whose costume designs are bright and bountiful, with Shakespearean influences and colorful period garb for m’ladies and gents. Dawn Oshima’s sets succeed in the two-level play space, but somewhat drab, not divine, in the side-by-side dressing rooms. No complaints, however, about the lighting by Stephen Clear and sound by Kerri Yoneda, and Aiko Schick continues to do chic work on hair and makeup. And Lindsay Rabe’s nine-piece orchestra hits all the right notes befitting of a musical.

But the unevenness may have caused a cluster of viewers to leave at intermission; the filled seats near me were vacant, so regrettably these folks missed the gems in Act 2. Too darn shameful…

“Kiss Me Kate”

What: A musical by Cole Porter (music and lyrics) and Sam and Bella Spewack (book)

Where: Diamond Head Theatre

When: 7:30 p.m. Thursdays through Saturdays, 3 p.m. Saturdays, 4 p.m. Sundays; extended shows at  7:30 p.m. April 26, and 3 p.m. and 7:30 p.m. April 27.

Tickets: $32 to $62, at (808) 733-0274 or www.diamondheadtheatre.com

COUNT ‘EM: 4 NEWBIES AT MVT

If It’s new that you want, Manoa Valley Theatre’s 2024-25 season, launching in September, boasts four premieres.

At a glance, here’s what at stake in a longish summary of MVT’s season: An opera company undergoes  a madcap quest for a soprano (new); a Caribbean romp has roots in “The Little Mermaid;” an examination of the depth of the U.S. Constitution brings on history of life (new); a man on trial for a crime he didn’t commit enthralls a Georgia town (new), a visit to a Korean-run convenience store is a microcism of life(new), and a tuneful tribute to Broadway’s beloved composer Stephen Sondheim hit all the right notes.

The rundown:

  • ”Lend Me a Soprano,” playing Sept. 12 to 28–It’s a take-off of Ken Ludwig’s “Lend Me a Tenor” comedy, equally  side-splitting, manic farce, about the misadventures of a hapless opera company attempting to find replacement operatic soprano, amid a tangled web of mistaken identities. A Hawaii premiere.
  • “Once on This Island,” Nov. 14 to Dec. 8 – A mystical fairytale, with book and lyrics by Lynn Ahrens and music by Stephen Flaherty, set in the exotic Caribbean and based on the fairy tale of “The Little Mermaid,” nominated for eight Tony Awards.
  • “What the Constitution Means to Me,” Jan. 23 to Feb. 2, 2025 – Heidi Schreck’s boundary-breaking drama is achingly funny, filled with hope and life, tracking four generations of women whose lives have been shaped by the historic document. A Hawaii premiere.
  • “Parade,” March 20 to April 6  2025 – A powerful and poignant musical, with book  by Alfred Uhry and music and lyrics by Jason Robert Brown, A dramatization, with music, of the 1913 trial and imprisonment, and 1915 lynching of Jewish American   Leo Frank in Georgia –an exploration of law and disorder of a tragic crime he did not commit.  Tony winner in its original run in 1999 and Best Revival of a Musical in 2023. A Hawaii premiere. (Note: closing date not listed in above, in the MVT graphic).
  • “Kim’s Convenience,” May 17 to June 8  -– Ins Choi’s heartwarming and  hilarious award-winning comedy, about a Korea family running a 7-Eleven-type convenience store, enjoying the hustle and bustle of life. A feel-good ode to generations of immigrants blending in with everyday shoppers that form a microcosm of culture, community, and family in the daily pulse of life. A Hawaii premiere.
  •  “Side by Side by Sondheim,” July 17 to 27 2025—A musical celebration of the prolific musical genius Stephen Sondheim, Broadway, beloved as greatest composers of songs and lyrics, whose scores and tunes are iconic staples on the Great White Way. Nominated for five Tonys and Olivier Award winner for Best Musical

Season seat renewals are underway through ApriL 15; new subsribers and single-sale tickets will be available soon. Details: (808) 988-6131.

Hana hou for ‘Happily Eva Afta’

Lisa Matsumoto’s pidgin English comedy, “Happily Eva Afta, with music by Roslyn Catracchia, will be staged on June 27 through July 4, at the Kaimuki Performing Arts Center.

It features the perennial characters, like The Wicke Queen, Da Six Menehune, and Hauna and Tantaran, among others. Tickets range from $30 to $46. Information: (808) 988-6131…

Tucker will be honored at ‘Manoa Marquee’

“Manoa Marquee,” Manoa Valley Theatre’s annual fundraising gala, will be staged March 30 at the Monarch Room of the Royal Hawaiian Hotel.


The event is sold out, but 24 lanai seats – in the beachfront lanai of the Pink Palace – are available, at $300 a person.

The gala will honor Alice Tucker, pIctured left, who now is marking her 50th year as an MVT board member. Tireless and sprightly, Tucker is the longest-serving board member, and a theater buff extraordinaire. I met her several years ago, when I served on the MVT board of directors, and she now resides at Kahala Nui, after rain-caused floods damaged her Aina Haina home.

Cocktails at 5:30 p.m. will precede a 7 p.m. dinner. A silent auction will be held on the hotel’s Ocean Lawn.

Entertainment will be provided by Gunhild Carling & the Carling Family Band.

Details:  (808) 988-6131 or www.manoavalleytheatre.com …

Broadwayu grossees for week ending March 17

And that’s Show Biz…

CIONE WILL DO ONE MORE ‘FOLLIES’

Entrepreneur Jack Cione, who resides at the Arcadia, says he’ll do one more “Follies,” at the senior residence this fall.

The show will be entitled “Copacabana,” and will be staged Sept. 4, 5, 6 and 7, with a cast of Arcadia residents as well as core guest performers. “It’s the same cast we had the last year,” said Cione. “And the exactly the same playdates,” because this being a Leap Year with one extra day on the calendar.

Cione, pictured, who recently endured a bout with Covid, said confinement in his apartment enabled him to complete his script. Rehearsals will be held later this year. And Cione indicates that this year’s “Follies” will finally be his finale. (He’s said that before, but that’s Show Biz).

Admission is free, and Arcadians and their guests, will need to get tickets closer to showtime. The public cannot attend, unless invited by a resident.

Meantime, his friends are gathering this Saturday (March 16) at the Manoa home of Becki and Mike Han, to celebrate Cione’s 96th birthday. His  actual birthdate is tomorrow ( March 15).

Happy birthday, my friend. Don’t know how you do all that you do…

Schirzinger vying for Olivier Award, heading to Broadway

Hawaii’s Nichole Schirzinger, pictured, who made her West End debut last year starring in Andrew Lloyd-Webber’s “Sunset Boulevard,” is nominated for a 2024 Olivier Award.

Schirzinger portrayed fading film star Norma Desmond, in the revival of “Sunset Boulevard,” which is nominated for 11 awards, including Best Actress in a Musical. The Oliviers will be announced April 14 at Royal Albert Hall.

As earlier announced, Schiringer and her leading co-stars, will head to Broadway in a revival run. Playdates and theater have not yet been announced. …

‘Wicked’ reclaims No. 1 Broadway slot

“Wicked” has soared to the No. 1 spot in the Broadway grosses of top attractions, toppling the perennial chart leader, “The Lion King,” to third.

The Top 10:

1—“Wicked,” $1,836 million.

2—”Hamilton,” $1,760 million.

3—“The Lion King,” $1,619 million.

4—”Merrily We Roll Along,” $1,562 million.

5—”Sweeney Todd: The Demon Barber of Fleet Street,” $1,352 million.

6—”Moulin Rouge! The Musical,” $1,304 million.

7—”MJ The Musical,” $1,248 million.

8—”Aladdin,” $1,207 million.

9—”Harry Potter and the Cursed Child,” $1,152 million.

10—”An Enemy of the People.” $1,104 million.

The full list, for the week endiing March 10, courtesy The Broadway League:

And that’s Show Biz…