WHO’S WHO ON SUNDAY’S TONYS

The Tony Awards, when Broadway honors its best, will be held this Sunday, in a two-part programming sked, the first on the Paramount network at 1 p.m. Hawaii time, the second in prime time at 2 p.m. via CBS and originating from Radio City Music Hall.

Unlike the Oscars, when audiences and voters can watch movies live or streamed, the Tonys are a notable New York tradition. You can’t see a new or revived musical or play, unless you see ‘em in a Broadway theater. And since the pandemic has altered the going-out-to-be-entertained element, one wonders how many voters actually attended a show to cast their votes.

For non-theatergoers, the Broadway A-list may not be familiar. So stars as presenters or luminaries as performers may not be familiar to the stay-at-homers. Heck, I’ve not been to Broadway since the summer of 2019, and haven’t been able to give my regards to Broadway, to coin the familiar phase. Hope to go soon, but it likely will be later.

The galaxy this year will include the known, the unknown, and the on-the-way-uppers.

The Tony Award

Glimpse at this rundown of bold face names, and see if you recognize the talents. Some are movie stars or recording acts, so your memory bell might jingle. One island star, who has earned a Tony, will be aboard, as a presenter; see if you can pick her out. A former Islander who now is a producer, has a nominated production, but an actor, not the musical , is a contender. Know who the local dude is and which production is his?

The lineup of “names” this year, in alphabetical order: Utkarsh Ambudkar, Skylar Astin, Zach Braff, Danielle Brooks, Danny Burstein, Len Cariou, RuPaul Charles, Jessica Chastain, Lilli Cooper, Bryan Cranston, Wilson Cruz.

Also, Colman Domingo, Anthony Edwards, Cynthia Erivo, Raúl Esparza, Laurence Fishburne, Andrew Garfield, Renée Elise Goldsberry, Tony Goldwyn, David Alan Grier, Vanessa Hudgens, Jennifer Hudson, Paris Jackson, Prince Jackson, LaTanya Richardson Jackson, Samuel L Jackson, Nathan Lane, Telly Leung, Judith Light, Josh Lucas.


Further, Gaten Matarazzo, Ruthie Ann Miles, Patina Miller, Lin-Manuel Miranda, Bebe Neuwirth, Kelli O’Hara, Sarah Paulson, Bernadette Peters, Jeremy Pope, Billy Porter, Chita Rivera, Tony Shalhoub, Phillipa Soo, Sarah Silverman, George Takei, Aaron Tveit, Adrienne Warren, Patrick Wilson, and Bowen Yang.

The first show, hosted by Darren Criss and Julianne Hough, starts at 1 p.m., with coverage streamed on Paramount Plus, sister station of CBS.

The parade of musical and drama actors, both in leading and featured roles from nominated shows such as “Music Man,” “Plaza Suite,” “Take Me Out,” “A Strange Loop,” “How I Learned to Drive,” “Funny Girl,” “MJ: The Musical,” “Company,” “Six” and “POTUS,” will be highlights in a three-hour presentation starting at 2 p.m. on CBS. Ariana DeBose, an Oscar winning actress from “West Side Story,” will host the main spectacle.

Ruthie Ann Miles

The Hawaii presence.: The previous Hawaii Tony winner is Ruthie Ann Miles, who earned her statuette as a featured musical actress in “The King and I” in 2015; she is a presenter. The producer whose “Mrs. Doubtfire” is a nominee this year, is Kevin McCollum, who also is a previous multi-Tony winner for such shows as “Rent” and “Avenue Q.” …

And the nominees are…

The complete list of the 2022 Tony nominees might be helpful, if you’re tuning in the show:

Best New Musical

“Girl From the North Country”

“MJ”

“Mr. Saturday Night”

“Paradise Square”

“Six: The Musical”

“A Strange Loop”

Best Musical Revival

“Caroline, or Change”

“Company”

“The Music Man”

Best New Play

“Clyde’s”

“Hangmen”

“The Lehman Trilogy”

“The Minutes”

“Skeleton Crew”

Best Play Revival

“American Buffalo”

“For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

“How I Learned to Drive”

“Take Me Out”

“Trouble in Mind”

Best Book of a Musical

Christina Anderson, Craig Lucas and Larry Kirwan, “Paradise Square”

Billy Crystal, Lowell Ganz and Babaloo Mandel, “Mr. Saturday Night”

Michael R. Jackson, “A Strange Loop”

Conor McPherson, “Girl From the North Country”

Lynn Nottage, “MJ”

Best Original Score

“Flying Over Sunset,” music by Tom Kitt; lyrics by Michael Korie

“Mr. Saturday Night,” music by Jason Robert Brown; lyrics by Amanda Green

“Paradise Square,” music by Jason Howland and Larry Kirwan; lyrics by Nathan Tysen and Masi Asare

“Six: The Musical,” music and lyrics: Toby Marlow and Lucy Moss

“A Strange Loop,” music and lyrics: Michael R. Jackson

Best Direction of a Play

Lileana Blain-Cruz, “The Skin of Our Teeth”

Camille A. Brown, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Sam Mendes, “The Lehman Trilogy”

Neil Pepe, “American Buffalo”

Les Waters, “Dana H.”

Best Direction of a Musical

Stephen Brackett, “A Strange Loop”

Marianne Elliott, “Company”

Conor McPherson, “Girl From the North Country”

Lucy Moss and Jamie Armitage, “Six: The Musical”

Christopher Wheeldon, “MJ”

Best Leading Actor in a Play

Simon Russell Beale, “The Lehman Trilogy”

Adam Godley, “The Lehman Trilogy”

Adrian Lester, “The Lehman Trilogy”

David Morse, “How I Learned to Drive”

Sam Rockwell, “American Buffalo”

Ruben Santiago-Hudson, “Lackawanna Blues”

David Threlfall, “Hangmen”

Best Leading Actress in a Play

Gabby Beans, “The Skin of Our Teeth”

LaChanze, “Trouble in Mind”

Ruth Negga, “Macbeth”

Deirdre O’Connell, “Dana. H”

Mary-Louise Parker, “How I Learned to Drive”

Best Leading Actor in a Musical

Billy Crystal, “Mr. Saturday Night”

Myles Frost, “MJ”

Hugh Jackman, “The Music Man”

Rob McClure, “Mrs. Doubtfire”

Jaquel Spivey, “A Strange Loop”

Best Leading Actress in a Musical

Sharon D Clarke, “Caroline, or Change”

Carmen Cusack, “Flying Over Sunset”

Sutton Foster, “The Music Man”

Joaquina Kalukango, “Paradise Square”

Mare Winningham, “Girl From the North Country”

Best Featured Actor in a Play

Alfie Allen, “Hangmen”

Chuck Cooper, “Trouble in Mind”

Jesse Tyler Ferguson, “Take Me Out”

Ron Cephas Jones, “Clyde’s”

Michael Oberholtzer, “Take Me Out”

Jesse Williams, “Take Me Out”

Best Featured Actress in a Play

Uzo Aduba, “Clyde’s”

Rachel Dratch, “POTUS”

Kenita R. Miller, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Phylicia Rashad, “Skeleton Crew”

Julie White, “POTUS”

Kara Young, “Clyde’s”

Best Featured Actor in a Musical

Matt Doyle, “Company”

Sidney DuPont, “Paradise Square”

Jared Grimes, “Funny Girl”

John-Andrew Morrison, “A Strange Loop”

A.J. Shively, “Paradise Square”

Best Featured Actress in a Musical

Jeannette Bayardelle, “Girl From the North Country”

Shoshana Bean, “Mr. Saturday Night”

Jayne Houdyshell, “The Music Man”

L Morgan Lee, “A Strange Loop”

Patti LuPone, “Company”

Jennifer Simard, “Company”

Best Scenic Design of a Play

Beowulf Boritt, “POTUS”

Es Devlin, “The Lehman Trilogy”

\Anna Fleischle, “Hangmen”

Michael Carnahan and Nicholas Hussong, “Skeleton Crew”

Adam Rigg, “The Skin of Our Teeth”

Best Scenic Design of a Musical

Beowulf Boritt and 59 Productions, “Flying Over Sunset”

Bunny Christie, “Company”

Arnulfo Maldonado, “A Strange Loop”

Derek McLane and Peter Nigrini, “MJ”

Allen Moyer, “Paradise Square”

Best Costume Design of a Play

Montana Levi Blanco, “The Skin of Our Teeth”

Sarafina Bush, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Jane Greenwood, “Plaza Suite”

Jennifer Moeller, “Clyde’s”

Emilio Sosa, “Skeleton Crew”

Best Costume Design of a Musical

Fly Davis, “Caroline, or Change”

Toni-Leslie James, “Paradise Square”

William Ivey Long, “Diana, the Musical”

Santo Loquasto, “The Music Man”

Gabriella Slade, “Six: The Musical”

Paul Tazewell, “MJ”

Best Lighting Design of a Play

Joshua Carr, “Hangmen”

Jiyoun Chang, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Jon Clark, “The Lehman Trilogy”

Jane Cox, “Macbeth”

Yi Zhao, “The Skin of Our Teeth”

Best Lighting Design of a Musical

Neil Austin, “Company”

Tim Deiling, “Six: The Musical”

Donald Holder, “Paradise Square”

Natasha Katz, “MJ”

Bradley King, “Flying Over Sunset”

Jen Schriever, “A Strange Loop”

Best Sound Design of a Play

Nick Powell and Dominic Bilkey, “The Lehman Trilogy”

Justin Ellington, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Mikhail Fiksel, “Dana H.”

Palmer Hefferan, “The Skin of Our Teeth”

Mikaal Sulaiman, “Macbeth”

Best Sound Design of a Musical

Simon Baker, “Girl From the North Country”

Ian Dickinson for Autograph, “Company”

Paul Gatehouse, “Six: The Musical”

Drew Levy, “A Strange Loop”

Gareth Owen, “MJ”

Best Choreography

Camille A. Brown, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Warren Carlyle, “The Music Man”

Carrie-Anne Ingrouille, “Six: The Musical”

Bill T. Jones, “Paradise Square”

Christopher Wheeldon, “MJ”

Best Orchestrations

David Cullen, “Company”

Tom Curran, “Six: The Musical”

Simon Hale, “Girl From the North Country”

Jason Michael Webb and David Holcenberg, “MJ”

Charlie Rosen, “A Strange Loop”

And that’s Show Biz…

KUMU LOOKS BACK, SPRINTS AHEAD

Kumu Kahua, the island theater group dedicated to stage plays by  playwrights who focus on works and themes reflecting the island lifestyle or history, has set its 2022-2023 season with flashbacks to its heritage.

Throughout the new season, Kumu Kahua will acknowledge and address the legacy of its founder, the late Dennis Carroll, a pioneering playwright and professor emeritus of the University of Hawaii’s Department of Theatre and Dance. He died in 2021, but set the foundation for Kumu to seek scripts by playwrights who express and explore island themes and local stories, reflecting the Hawaiian culture in comedies and dramas.  

“It’s particularly fitting that as we look ahead with excitement to the new, that we’re also celebrating old friends,” said Donna Blanchard, Kumu Kahua Theatre managing director. “Community has always been at the heart of the theater, and we are humbled by the enthusiasm of our audiences and the passion of our advocates in helping us to sustain our mission.”


Thus, Kumu is looking to the past as it sprints forward to its 52nd season, which will feature these five productions:

* “Aloha Las Vegas,” by Edward Sakamoto, Aug. 25 to Sept. 25, 2022. About a retired widower, Wally Fukuda, living comfortably in Liliha, till his pal Harry visits from Las Vegas, who proposes Wally does the same, where he can live for a fraction of the Hawaii cost. Family dynamics put a damper on his decision.  
* “Lucky Come Hawaii,” by Jon Shirota, Nov. 3 to Dec. 4. An adaptation of Shirota’s 1965 novel, a comedy set in wartime 1941, where a precarious balance exists between American GIs, local Japanese and West Maui Okinawans. But when Japan bombs Pearl Harbor, martial law is imposed and the world goes topsy-turvy when a new normal prevails.
* “Gone Feeshing,” by Lee A.Tonouchi, Jan. 19 to Feb. 19  2023. Da Pidgin Guerrila’s father’s friend is the inspiration of this true-life heroism journey exploring love, communication and forgiveness. Two brothers go fishing; the older bro comes to terms with his relationship to their dad and his tragic death. With the pidgin guru’s orientation, expect a lot of local lingo.
* “Wild Meat and the Bully Burgers,” adapted to the stage by Keith Kashiwada and John H.Y. Wat, inspired by Lois-Ann Yamanaka’s groundbreaking novel. It’s a 1970s, coming of age tale set in Hilo, where Lovey Nariyoshi endures middle school with the support of her bestie, Jerry. A sense of identity is forged, shaped by white American pop culture and media, that makes her ashamed of her upbringing, laced with the beautiful and the brutal realities of growing up local.
* “Folks You Meet at Longs,” by Lee Cataluna, May 25 through June 25. The denizens, who make Longs a part of their days, are the focus of these raucous monologues, tapping a creepy uncle, a hickey-necked teen, a pickled-mango-craving hapai mom and more.. The play evolved in an award-winning book for Cataluna.

Tickets: $80, returning season subscribers; $90, new season subscribers; $25, student season subscribers; $170, Viewer’s Choice Pass ($10 tickets per pass); $70, scholarship subscription (a season ticket order given away by Kumu Kahua).
Where: (808) 536-4441; email officemanager@kumukahua.org; at box office, 46 Merchant Street, 11 a.m. to 3 p.m. weekdays. …

Broadway’s weekly grosses

No change in the leaders, who continue to lead: No. 1, “The Music Man;” No. 2, “Hamilton;” No. 3, “The Lion King.”

Grosses for the week ending May 15, 2022, courtesy the Broadway League:

Show NameGrossTotalAttn Capacity%Capacity
A STRANGE LOOP$690,667.956,5897,37689.33%
ALADDIN$998,162.7912,77713,81692.48%
AMERICAN BUFFALO$536,163.904,8686,00881.03%
BEETLEJUICE$886,771.508,06712,81662.94%
BIRTHDAY CANDLES$266,797.003,7375,81664.25%
CHICAGO$667,945.656,9448,64080.37%
COME FROM AWAY$468,509.245,0488,36860.33%
COMPANY$719,968.097,0248,36883.94%
DEAR EVAN HANSEN$522,763.895,8347,87274.11%
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF$249,353.604,0616,18465.67%
FUNNY GIRL$1,316,457.009,6249,75298.69%
GIRL FROM THE NORTH COUNTRY$289,305.003,9416,38461.73%
HADESTOWN$943,568.757,3147,34499.59%
HAMILTON$2,053,252.0010,22810,59296.56%
HANGMEN$288,436.083,0626,41647.72%
HARRY POTTER AND THE CURSED CHILD$1,163,099.1010,22812,97678.82%
HOW I LEARNED TO DRIVE$364,925.004,3415,09685.18%
MACBETH$1,233,487.427,2267,35798.22%
MJ THE MUSICAL$1,352,143.2010,46811,09694.34%
MOULIN ROUGE! THE MUSICAL$537,705.404,7505,20091.35%
MR. SATURDAY NIGHT$858,847.006,5198,33778.19%
MRS. DOUBTFIRE$395,679.005,2228,27263.13%
PARADISE SQUARE$235,604.005,4887,85669.86%
PLAZA SUITE$1,619,810.907,7207,80098.97%
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE$461,864.256,32611,60854.50%
SIX$1,190,681.008,1498,24898.80%
TAKE ME OUT$474,951.234,2114,64890.60%
THE BOOK OF MORMON$941,030.657,6798,52890.04%
THE LION KING$1,636,928.0012,65913,56893.30%
THE MINUTES$386,898.003,8905,33672.90%
THE MUSIC MAN$3,377,554.0412,26812,200100.56%
THE PHANTOM OF THE OPERA$728,082.267,70412,84060.00%
THE SKIN OF OUR TEETH$115,745.002,3715,29044.82%
TINA – THE TINA TURNER MUSICAL$1,015,122.008,62611,82472.95%
WICKED$1,361,373.0011,04014,45676.37%
And that’s Show Biz. …

‘WAITRESS’ FALLS SHORT AT DHT

“Waitress,” a Broadway musical with tunes by Sarah Bareilles, is efficient but falls short on the appeal meter  – not the fault of the actors. It’s problematic when the best song is delivered by a secondary character and the score lacks a bona fide hit song.

The production, in its premiere Hawaii engagement, opened last night (May 27) at Diamond Head Theatre to an enthusiastic audience happy to be in a filled theater again. Two more performances have been added in the run through June 19.

Three memories recur, when I think of “Waitress,” which I saw in 2016 in its original Broadway run.

One, the waitress and pie-baker Jenna, was played by Jessie Mueller, who became a marquee name portraying Carole King in “Beautiful: The Carole King Musical” in 2014. She was engaging as Jenna and her presence and trajectory elevated “Waitress” as her follow-up show, thus it was a hit.
Two, the sidekick Becky, then was portrayed by Hawaii’s Keala Settle alongside Mueller, and it’s likely that this secondary role gave her perspective and impetus to later portray the Bearded Lady in 2017’s “The Greatest Showman” film and helped buoy the soundtrack to best seller status thanks to her big solo, “This Is Me.”

Three, Nick Cordero originated the role of Earl, Jenna’s husband; he was a popular, budding Broadway star, who died in 2020.

Four, at the Brooks Atkinson Theatre, where “Waitress” was in residency, intermission was notably wondrous. Scents of baked apple pies, sold during the interlude, enhanced the onstage pie-ology. The delish-smelling mini-pastry was $10, but you had to devour it before returning to your seat.

Of course, DHT has none of the above, but I bring up these recollections simply to make a point that a modest musical can emit charm in various ways. It would be curiously joyful if someone becomes a somebody by being a part of this show; maybe it might be the unseen Lisa Nakasone, who created the pies for the show but not for concession sales; you never know.

The underlying theme of “Waitress” is to follow your dreams, strive for what you want; change may not be easy, but the journey might lead to happiness.

Jenna (Sarah Souza, optimistic and charming) is stuck in her life of pie-making and table-waiting. Her failing marriage to Earl (David Heulitt, deliberately unlikeable) makes her yearn to find a way out, via a baking contest to create an award-winning pie and a ticket to her freedom. Oh, she also happens to have something in the oven. A baby on the way.

She is comforted by her waitress colleagues Becky (Cassie Favreau-Chung, a buddy to the end), and Dawn (Karese Kakw-uh, dependably comedic), plus customer/diner owner Jo (Lisa Konove, savvy and engaging).

Jenna falls for her doc, Pomatter (Zachary Linnert, awkwardly hilarious), adding an ingredient to a delicate crust of infidelity.

The songs, often about pie recipes and baking as if they were metaphors in life, fail to propel Jenna, as the central figure, though she has one belter, “She Used to be Mine,” prior to the final curtain. But here’s the rub: the best tune, in Act 1, is “Never Getting Rid of Me,” featuring Ogie (Reyn Halford, hilarious and exuberant), that is the showstopper, complete with a memorable and dizzy Ogie dance. He’s the beau of Dawn, and he’s the show-saver.

Director Kevin Pease makes the best of a problematic script; it’s like baking, where you never know if a bit more sugar or a pinch of salt might improve the final product. For the record, the show’s music and lyrics by composer Bareilles are augmented by Jessie Nelson’s book. A key ingredient is lacking — that homerun song.

Ahnya Chang’s choreography is sensual and often emotional; her ensemble is visual and vital in most of the scenic changes, when bakery racks or kitchen shelves are choreographically whisked on and off stage.

Melina Lillios delivers orchestral pleasantries, but the compositions don’t stick in your memory bank. But pay attention to the cello in the five-member band – it’s Brian Webb, a member of Streetlight Cadence, who brings a sprinkle of stardust to the pie party.

Tickets: (808) 733-0274, www.boxoffice@diamondheadtheatre.com

Newly added shows: 7:30 p.m. June 18, 4 p.m. June 19.

HTY, TAG REVEAL FALL SLATES

Two more island theater groups – the Honolulu Theatre for Youth and The Actors Group – have finalized their fall stage seasons.

HTY has embraced a title/theme for its 2022-2023 slate of shows: “E Ho‘i Hou: Return Anew,” a celebratory notion following virtual stagings during the height of the pandemic, anticipating “our return to live gatherings with laughter, stories, culture and learning,” according to Eric Johnson, HTY artistic director.

At TAG, five of its six shows will be Hawaiii premieres – newbies are hot here.

Honolulu Theatre for Youth

The HTY slate, at Tenney Theatre:

  • “The Royal School,” by Lee Cataluna and Moses Goods.
  • “The Pa‘akai We Bring,” by Moses Goods and the HTY Ensemble.
  • “In the Year of the Boar and Jackie Robinson,” adapted by Mark Branner, based on the book by Bette Bao Lord, which will tour more than 20 U.S. cities before a staging at Tenney.
  • “Step by Step,” by Reiko Ho and the HTY Ensemble.
  • “Happy, Sad, Sad, Happy,” by Annie Cusick Wood and the The Ensemble.
  • “Peter Pop Pan,” a musical adaption of Peter Pan, by Mattea Mazzella, Eric Johnson and the HTY Ensemble.

Show descriptions, precise performing dates and other details have not yet been announced. For details, visit www.htyweb.org

The Actors Group

TAG shows at the Brad Powell Theatre at the Shops at Dole Cannery will feature fresh and new works; five of the season’s six titles are Hawaii premieres:

  • “The God Committee,” by Mark St. Germain, Sept. 23 through Oct. 16. A medical drama about three patients angling to receive a heart transplant, exploring moral and ethical questions surrounding organ transplants.
  • “Painting TJ,” by Nancy Moss, Nov. 25 through Dec. 18. A tale about a high school junior, whose mother is the school’s headmaster, painting a penis on a statue of Thomas Jefferson, with themes of racism and familial conflicts.
  • “A Soldier’s Play,” by Charles H. Fuller, Jan. 20 through Feb. 12, 2023. A drama set at a Louisiana military base that is racially segregated, where a black soldier is murdered, with tensions of racism.
  • “The Demon of the Burning Boy,” by David West Read, March 24 through April 16, 2023. A teacher’s favorite student is murdered, creating conflicted emotions, including the power to move on.
  • “Uncle Vanya,” by Anton Chekhov, May 26 through June 18, 2023. A powerful literary classic, about the struggles within a family that is timeless and tormenting.
  • “Rotterdam,” by Jon Brittain, July 28 through Aug. 20, 2023. A comedy that raises tough questions about gender, sexuality, love, and how they connect.

Information: (808) 741-4699 or www.taghawaii.net

Honoring dads

Kuana Torres Kahele and Robert Cazimero will do Father’s Day shows at Chef Chai’s.

Father’s Day – Sunday June 19 — will have a Hawaiian vibe at Chef Chai’s, on Kapiolani Boulevard.

You can do an all-you-can-eat lobster tail  buffet at either a brunch or dinner outing.

Kuana Torres Kahele, with the 2000 Miss Aloha Hula winner Tehani Gonzado, headlines the brunch session, with reservations being taken from 9 a.m.to 9:30 a.m. and also from noon to 12:30 p.m.

Robert Cazimero, a monthly Chai’s performer, will reign over the dinner show, with reservations being taken from 4 to 4:30 p.m. and from 7:15 to 7:30 p.m. Cazimero willf feature hula regulars Sky Perkins Gora and Bully Keola Makaiau.

Cost is $125 per person, for the entertainment and special buffet including a gamut of appetizers, soup and salads, plus entree and dessert options.

There is a pre-Father’s Day dinner, on Saturday, June 18, without entertainment, also with a $25 tariff including the lobster tail buffet.

Reservations: (808) 585-0011 or www.chefchai.com

Clublicity notes

Blue Note Hawaii, at the Outrigger Waikiki resort, features these troupers in the nights ahead:

  • Tito Jackson, formerly of the Jackson 5 with his siblings, performs at 6:30 and 9 p.m. May 20 and 21. Tickets: $45 and $55.
  • The Honolulu Jazz Quartet, led by John Kolivas, marks its 20th anniversary with a CD release launch, at 7 p.m. May 22. Tickets: $25 and $35.
Felix Cavaliere of Young Rascals
  • Kuana Torres Kahele teams up with Robert Cazimero, for another Hawaiian collaboration, at 6:30 and 9 p.m. June 8. Tickets:  $45 and $55.
  • Felix Cavaliere,  formerly of The Young Rascals (aka The Rascals), takes the stage at 6:30 and 9 p.m. June 10, 11 and 12. Tickets: $45 and $55.
  • Who’s Bad 20/10, at 6:30 and 9 p.m. June 17 and 18. Tickets: $35 and $45.
  • Beat-Lele, a Tribute to the Beatles, at 6:30 and 9 p.m. June 19. Tickets: $25 and $35.

Tickets: (808) 777-4890 or www.bluenotehawaii.com

And that’s Show Biz. …

GUTZI OFFERING STAGE WORKSHOPS

You may remember Mary Gutzi as Norma Desmond, in a 2011 production of “Sunset Boulevard,” at Diamond Head Theatre.

Or perhaps, when Gutzi was Grizabella, the aging cat, awaiting ascent to the Heavyside Layer, in a Broadway tour of “Cats” at Blaisdell Concert Hall.

With other credits ranging from “Les Miserables” to “Ragtime,” Gutzi is no stranger to voice and stage technique and tryouts.

So in June, she’s tapping her skills to offer workshops for kids and adults interested in voice and acting  lessons, with tips to prep for future auditions for stage, film and TV roles.

Mary Gutzi

Her agenda:

  • Acting and audition workshop for kids 7 to 14, from 1:30 to 4:30 p.m. May 22, at Medici’s at Manoa Marketplace.
  • Acting and audition workshop for adults, 15 and older, from 1 to 5 p.m. June 12, at Medici’s, Manoa Marketplace.

Fee for each session is $50, confirmed upon advance payment.

Inquiries: Nancy Bernal at (808) 947-5763, email at NancyBernal@aol.com.

      Send payment to Nancy Bernal, 2444 Hihiwai St., #905, Honolulu HI 96826. …

Broadway show grosses

Check out the grosses for the week ending in May 8, 2022.

Show NameGrossGrossTotalAttn Capacity%Capacity
A STRANGE LOOP$476,797.004,9657,37667.31%
ALADDIN$1,091,385.5513,12313,81694.98%
AMERICAN BUFFALO$514,501.634,6866,00878.00%
BEETLEJUICE$900,622.508,04212,81662.75%
BIRTHDAY CANDLES$264,076.003,6245,81662.31%
CHICAGO$684,274.407,1498,64082.74%
COME FROM AWAY$473,306.684,9268,36858.87%
COMPANY$617,116.735,5638,36866.48%
DEAR EVAN HANSEN$489,004.505,3957,87268.53%
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF$159,092.902,4216,18439.15%
FUNNY GIRL$1,382,855.759,5129,75297.54%
GIRL FROM THE NORTH COUNTRY$274,781.503,3416,38452.33%
HADESTOWN$856,528.507,2097,34498.16%
HAMILTON$2,103,020.0010,01210,59294.52%
HANGMEN$252,543.442,6016,41640.54%
HARRY POTTER AND THE CURSED CHILD$1,177,920.8010,46612,97680.66%
HOW I LEARNED TO DRIVE$317,017.004,2215,09682.83%
MACBETH$1,365,598.508,0778,40896.06%
MJ THE MUSICAL$1,352,589.009,97311,09689.88%
MOULIN ROUGE! THE MUSICAL$1,592,497.5010,32310,40099.26%
MR. SATURDAY NIGHT$565,411.504,0585,95568.14%
MRS. DOUBTFIRE$477,132.005,7108,27269.03%
PARADISE SQUARE$193,669.304,8047,85661.15%
PLAZA SUITE$1,668,783.107,7567,80099.44%
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM ALIVE$380,673.505,70911,60849.18%
SIX$1,162,514.007,9548,24896.44%
TAKE ME OUT$351,909.703,3424,09581.61%
THE BOOK OF MORMON$905,752.717,8758,52892.34%
THE LION KING$1,716,181.0013,19513,56897.25%
THE LITTLE PRINCE$330,668.476,23111,77652.91%
THE MINUTES$346,283.003,6965,33669.27%
THE MUSIC MAN$3,431,657.0812,15112,20099.60%
THE PHANTOM OF THE OPERA$742,308.207,84712,84061.11%
THE SKIN OF OUR TEETH$174,481.003,3048,46439.04%
TINA – THE TINA TURNER MUSICAL$1,065,578.308,69411,82473.53%
WICKED$1,341,127.0011,26414,45677.92%

And that’s Show Biz. …