NOT THE USUAL ‘LES MIZ’ TURNOUT

Cameron Macintosh’s “Les Miserables,” easily the world’s No.1 and best-loved musical of all time, descended on Kennedy Center in Washinton D.C. this past Wednesday night, for a residency through July 11.

The show brought out the First Family and the Second Family, plus a contingent of cabinet members of Kennedy Center, not the usual dedicated arts-and-culture leaders.

There were shouts and boos, when President Donald Trump and wife Melania took their seats in the president box in the balcony. To challenge the negativity of the uncomfortable boos, there were chants of “USA! USA!” from the MAGA cheerleaders, even if this was not a rally.

Certainly, this was not the usual tone  or turnout of a “Les Miz” evening. Then again,  Kennedy Center is no longer quite the usual performing space anymore, since Trump named himself as the board chair, who raised the temperature of usual attendees of productions of theatrical fans, and the president fired everyone on the existing board to hand-pick his choice of supporters.

Donald Trump

According to media reports, about a dozen “Les Miz” cast members declined to show up for work – they didn’t like the politics now at Kennedy – which prompted Richard Grenell, president of the center, to call “out” and ID the holdouts to prevent them from future stage jobs.

Ironically, the production is about heroes and villains, truths and lies, rights and wrongs,  war and peace, and much more, based on the epic Victor Hugo novel, with music by Claude-Michel Shoenberg and lyrics by Herbert Kretzmer.

It’s the kind of powerhouse shows patrons adore, but will it elevate Kennedy Center to its former glory days? Subscriptions are a third down since the Trump takeover and the ouster of a savvy board. When No 47 took over, he announced he would not just clean house but eradicate and eliminate drag shows and sidestep drag queens and that brand of actors and themes. That would mean that legit shows like “La Cage Aux Folles” and “Kinky Books”  and perhaps even “Cabaret” – box office gold in their prime – might not earn the presidential seal of approval at Kennedy.

J.D. Vance

Trump, who apparently had not seen “Les Miserables” earlier, was asked if he identified more with the protagonist (Jean Valjean) or the antagonist (Inspector Javert), and he couldn’t say one or the other. Smart move; if you don’t know, being mum is best.

 Meanwhile,  VP J.D. Vance joked on the online X  that he had no idea what the musical was about. Sometimes, cluelessness works, too…

 ‘Princess and the Iso Peanut’ next at MVT

Manoa Valley Theatre will revive Lisa Matsumoto’s and Roslyn Catracchia’s“The Princess and the Iso Peanut,” opening June 19 for a run through July 6.

Curtain time is 7:30 p.m. Thursdays, Fridays and Saturdays, and at 3 p.m. Sundays. Matinee shows will be at 2 p.m. June 21, 28 and  July 5.

The pidgin English romp, part of the legacy of Matsumoto, is an adaptation of the fairytale classic, “The Princess and the Pea,” where a princess falls in love with a local Japanese prince in the kingdom of Allyria.  The book is by the late playwright, who partnered with Catrachiia, who created the music.

Patrich Fujioka is director, Ka‘ohi Yojo Daniels and Ahnya Chang are choreographers, MJ Matsushita is set designer and scenic artist, Annie Yoshida is prop designer, Chris Gouveia is lighting designer and master electrician, Mattea Mazzella is sound designer, Mei Nakano is costume designer, and Ponce de Leon is hair and makeup designer.

Devon Nekoba

The bountiful cast features  Devon Nekoba as King Arthur, Kana Tyler as Queen Yumiko, Seanalei Nishimoto as Royal Sing/Lumpia/Guinevere, Brandee Doi as Royal Singer/Nisan, Chaslyn Kuiee as Royal Singer/Tink She Baddes, Julie Okumura as Queen Alyssa/Tink She Mo Bad, Chad Okumura as King Alfred/SanSan, Mark Ikenaga as Nathan, Austin Ajimura as Prince Chah Ming Won, Jantzen Shinmoto as Prince Yoshi, Kevin Molina as Russell, Allan Okubo as Uncle Masa, Nolan Hong as King Yuichi, Casey Park as Queen Evelyn/Trad Singer/Bagaong, Jacob Edwards as King Rup/Alexander/Navy Cap, Jill Chung as Janice/Titaele.

Also, Caitlin Bright as Queen Alana, Relle Reavis as Princess Alexis, Carley Park as Trad Singer/Tink She Bad, Mana Franquez as Trad Singer/Ho Stuck Up, Keela Chung as Ichisan, Stephanie Sanchez as Isabel, Aya Fujioka as Prin Jeannette/ Cassie/Habuteru, Giada da Silva as Princess Jacquelyn/Adobo, Kamalani Hanuna-Siqueira as High Makamakapiapia, Andrew Baker as Prince Phillip/One-Eyed Jack, Ryan Shinmoto as Sailor 1, Trent Yamagata as Sailor 2, Asaeli Hikila as Peter the Pirate, Jay Laeno as Tiny, Cayden Park as Cinderella/Eteokalani, Easton Ikenaga as Lancelot, Swings/Ensemble are Aaliyah Thomas and Annie Yoshida.

Tickets are $25 to $47, at www.manoavalleytheatre.com or (808) 988-6131…

And that’s Show Biz…

UPDATE: TWO FILIPINO TONY WINNERS

Turns out there were two Tony Award winners with Hawaii roots in Sunday’s telecast from Radio City Music Hall in New York.

We knew and applauded one, Nicole Scherzinger, who picked up the trophy for Leading Actress in a Musical, for her powerful  portrayal of Norma Desmond in “Sunset Blvd.,” which also was the coveted winner of the Best Revival of a Musical.

Nicole Schwerzinger

Scherzinger, of Hawaiian, Ukrainian and Filipino ancestry, also earned the unofficial Tony for being the first bare-footed  singer  to perform her featured tune, “As If We’ve Never Said Goodbye.”

What we didn’t know, until this morning, that Hawaii can claim another Tony winner in Darren Criss, who earned Tony as  Leading Male in a Musical, for his role of Oliver in “Maybe  Happy Ending.”  He claims Filipino roots, since his family lived here when he was young.

The media in the Philippine have been pouring out the hurrahs for Schwerzinger and Criss.

Call this response Pinoy Pride.

Darren Criss

Schwerzinger has long mentioned her multi-racial roots while  being the leader of the Pussycat Dolls. She mentioned her mixed- blood extractions when excepting her Tony, revealing that the win made “a little girl from Hawaiian, Ukrainian and Filipino roots see her dream come true.”

She added, “Growing up, I always felt like I didn’t belong, but you all have made me feel like I belong, and I have come home, at last.”

Criss credits his Filipino heritage in shaping his foundation. Criss is Filipino on his mother’s side; his mom, Cerina Bru, was born in Cebu, in the Philippines, and is of Filipino, Chinese, and Spanish descent. Although Criss was born and raised in the U.S., he has embraced his multicultural background and is proud of his connection to his Filipino roots, especially through family and food. His family resided in Honolulu from 1988 to 1992, and colleagues recall he attended St. Clement’s School for pre-school/kindergarten, but his primary education was in schools in the San Francisco area.

Criss also is the first islander to pick up two trophies the same night – one  for Leading Actor and a second for being a producer of “Maybe Happy Ending,”  voted Best Musical. which was judged 2025’s Best New Musical. No ifs or maybes here, since the show was the evening’s big winner of six awards, including best director (Michael  Arden), Best  Score (Will Aronson and Hue Park), Best Book (Aronson and Park) and  Best Scenic Design (Dane Laffrey and George Reeve)…

The scoop on Clooney play

George Clooney’s’ “Good Night, and Good Luck” closed Sunday, with two performances – a matinee and evening show – prior to the Tony Awards June 8. The finale was that taped performance

Some factoids:

  • Clooney was paid $1 each for writing, directing, and acting in ‘”Good Night, and Good Luck.”
  • He took a pay cut; originally, his fee was $3 each for writing, directing and acting.
  • It cost $7.5 million to make.
George Clooney
  •  Due to a spinal injury he received on the set of  his film “Syriana” a few months earlier, Clooney could not pass the tests to be insured. So he mortgaged his own house in Los Angeles to make the film.
  • The play recouped its $9.5 million capitalization in just over seven  weeks.
  • The play broke Broadway gross records, posting $4 million-plus figures each week.
  • It played to 100 per cent capacity, at the Winter Garden Theatre, which has a capacity of 1,508 seats—  1,001 orchestra seats and 507 mezzanine seats.. .
  • Average ticket price was $339.
  • A CNN telecast of the play had viewership of 7.34 million – and setting a record in the process, of being the first live performance of a play on TV.
  • Clooney was nominated in the Best Actor category, but did not win…

The Top 10, for the week ending June 8:

1—”Good Night, And Good Luck,” $4.331 million

2—“Othello,” $3.807million

3—“Wicked,” $2.413 million

4—“Glengarry Glen Ross,” $2.358 million

5—”The Lion King,” $2.002 million

6—“Hamilton,” $$1.983 million

 7—”The Picture of Dorian Gray,” $1.367 million

8—“Death Becomes Her”, $1.347 million

9—“Aladdin,” $1.286 million

10—“Sunset Blvd.,” $1.261 million

The complete list of the grosses, for the week ending June 8:

And that’s Show Biz… 

HAWAII’S BARE-FOOTED TONY WINNER

There was one notable Tony Award winner from Hawaii, in Broadway’s biggest event last night. And she put her best (bare foot) forward.

Nicole Scherzinger, who’s been performing as fading movie star Norma Desmond in Andrew Lloyd Webber’s “Sunset Blvd.” revival, won the battle of the divas over Audra McDonald, a nominee for Best Performance by a Leading Actress in a Musical. Scherzinger, an island native, delivered a powerful, nuanced “As if We’ve Never Said Goodbye,” a song and role that earlier earned her an Olivier Award in London, before the show made its way to New York. If you watched her last evening, you might have noticed her local-style tradition of a hula dancer: she performed her solo in bare feet. Cool!

Nicole Scherzinger

However, our  hometown daily, the Honolulu Star-Advertiser, didn’t mention her Hawaii ties (shameful), in the manini Tony coverage this morn; they either didn’t give a hoot or simply didn’t know.

Scherzinger is making her Broadway debut with “Sunset”  – you go, girl! – and acknowledged Lloyd Webber’s support of her trans-Atlantic journey…and her knock-out victory over the winningest Tony trouper  ever – McDonald, who performed “Rosie’s Turn.”  ‘Twas a difficult version to watch, with moments of grotesque moves of seeming desperation and exasperation.  A seventh Tony trophy eluded her…

Unforgivable: The Tonys snubbed one nominee in this category – Jasmine Amy Rogers’ role as Betty Boop in “BOOP! The Musical.” She and the new musical were denied equal screen time…

By the way, there was another  island moment that most viewers likely missed. In his acceptance speech for Best Performance by an Actor in a Featured Role, winner Francis Jue – in the Asian play that featured Daniel Dae Kim and his nomination–  did a shout-out to his longtime Hawaii friend, Alvin Ing, a pioneering Asian American actor (now deceased) known for “Pacific Overtures” and “Flower Drum Song,” who gifted Jue with a black  bow tie to wear when wins a Tony. He did, wear and win…

Some observations:

Darrin Criss
  • A new dawn beckons, with a new generation of emerging Broadway stars, like Darrin Criss in “Maybe Happy Ending” (Leading Actor in a Musical, Best Musical), Michael Arden of “Maybe Happy Ending (Best Director of a Musical), “Oh Mary!” (Cole Escola, Best Performance by a Leading Actor in a Play, and the first nonbinary actor; Sam Pinkleton, Best Director).
  • That medley from Lin-Manuel Miranda’s “Hamilton”  was nothing short of astounding, marking the 10th anniversary of the hit show still running at the Richard Rodgers Theatre on Broadway. The tunes —  yes, with such titles as  “The Room Where It Happened,”  “My Shot,” “Alexander Hamilton,” “The Schuyler Sisters” –  were performed by the original cast dressed in formal  attire or black – instead of the usual costumes, with the exception of Jonathan Groff, who donned a kingly red jacket and carried a scepter, on ”You’ll Be Back,” as King George III. But he carried a scepter…
Jonathan Groff
  • The aforementioned Groff stunned Keanu Reeves, when the former – singing a medley from  his “Just in Time” musical – leaped onto the latter’s arm rests while the cameras caught the awkward straddling moment, clearly one of the evening’s best impromptu moments.
  • Cynthia Ervio,  who hosted the CBS show, is a terrific singer and a efficient host. She dons expensive gowns, but the garments are way out of this world,  which might be fashionable to some, but largely bizarre to many. Is there another designer in the house?
  • Is Andrew Lloyd Webber returning to Broadway?  The prolific composer, who herald ed “the ritish invasion” of shows, apparently is shopping sites for a possible revival of “The Phantom of the Opera,”  and a new immersion musical “The Illusionist.” Truly, ALW is a dying breed, the lone creator for decades of theatrical phenoms. Think about it: the likes of Rodgers & Hammerstein are non-existent, with only R&H revivals available. ALW can rehash titles , too, like “Evita,”  “CATS,” “Jesus Christ Superstar,” “Joseph and the Amazing Technicolor Dreamcoat,” and “Starlight Express.” But only  one –“Phantom” — has had staying power, like 35 years. And he’s got another newbie sooner than later…
Aaron Tviet
  • Another opening, another show
  • Nothing like announcing your forthcoming new show on the Tonys. Aaron Tviet (last seen in  “Moulin Rouge” and “Sweeney Todd”) and Lea Michele (last seen in “Funny Girl”) will co-star in the revival of “Chess,” a Cold War musical also feauring Nicholas Christopher. No dates were announced on the awards cast, but the show – with tunes by ABBA’s Benny Andersson and Björn Ulvaeus and lyrics by Tim Rice – is expected to be on Broadway at a Shubert theater…

By George, he did it!

George Clooney
  • Don’t think that George Clooney, sitting with his wife Amal Clooney at the Radio City Music Hall, expected to be nominated for the Best Actor Tony award (for his role in ‘Good Luck, and Good Night,”) much less with winning the coveted prize, but he had guts and grits to (1) star in the play, (2) get it produced in a theater and (3) earn him a Best Actor nomination, and,  further (1) stage a live performance on CNN for a global audience, (2) sell it to a marketing team and (3) attract a supportive and receptive ticket-buying audience which set gross records exceeding $4 million every week of its run.
    If nothing else, the Tony organization should award Clooney (next year) a special Tony award for this once-in-lifetime achievement, for his commitment to the performing arts, for taking a stand with his timely message of addressing challenges in our world fractured by lies, fears and threats…  
         And that’s Show Biz…

And that’s Show Biz

SECOND FILIPINO IN ‘HAMILTON’ CAST

And then there were two.

Filipinos in the cast of “Hamilton,” that is.

So the mega hit musical show — approaching its 10th anniversary on Aug. 6 on the Great White Way — has another dash of Hawaii’s aloha spirit in the company.

You might recall we’ve earlier written about Marc delaCruz, who had been the lone Filipino performer in the ensemble. He’s originally from the Big Island, the first Filipino to play the hit show’s titular character, after understudying Alexander Hamilton originally played by Lin-Manuel Miranda, the show’s creator. DelaCruz emailed me recently that another former islander has joined the company, and he helped me get in touch with this colleague.

Reanne Acasio, as Eliza Schuyler in :”Hamilton” debuting during the Filipino American History Month, when she became the first Filipina portraying the character on Broadway.

So say aloha to Reanne Acasio, a Filipino actress and also a former resident of Hawaii. She’s now in the ensemble but also has been understudying andctively playing the three Schuyler sisters, Angelica, Eliza and Peggy.  She and delaCruz thus are the only Filipinos in the multi-racial cast…and both are proud of their heritage.

Acasio’s Broadway journey started in 2022 with a national tour of “Hamilton,” dubbed the Angelica Company, First National. “I was an offstage cover for Angelica, Eliza and Peggy, as well as one ensemble track,” said Acasio.

Acasio’s trio of Schuyler roles, from left, as Eliza, Peggy and Angelica; she also plays Maria Reynolds (center).

“I had gone to an open call in NYC, got one in-person callback for Eliza, and then had a series of Zoom callbacks and tapes that finally led to the job,” she said. “ I booked it with four days left on a contract in New Hampshire, with no jobs lined up afterward. It was a Godsend!”
She joined the Broadway “Hamilton” cast in  2024, this time as the onstage cover of the Schuyler sisters, performing every night in the ensemble while still understudying Angelica, Eliza, and Peggy.(She understudies a fourth role, Maria Reynolds, the character who has an affair with Alexander Hamilton).

Thus, when she reports to the Richard Rodgers Theatre every day, she winds up playing different characters, according to need.

“It’s quite fun to test my range,” she said. “You really never get bored. I’ve also gotten to make history as the first Filipina to play all three sisters on Broadway.” 

Curtain call at the Richard Rodgers Theatre: from left, ensemble player Phil Colgan; Marc delaCruz, fellow Filipino actor who’s in the ensemble but also understudies the Alexander Hamilton role; Acasio,; and Trey Curtis, the current titular lead actor.

By now, Acasio probably has performed the Schuylers dozens of times. “My favorites are Eliza and Angelica, but I do love the huge switch-up in energy from Peggy to Maria Reynolds. I love the subtleties, acting challenge, arc, and music of Eliza, and the strength, power vocals, and humor of Angelica.” 

Acasio lived in Hawaii in the early 2000s, residing first in Kapolei then in Waipahu. During the pandemic, she lived in Honolulu. And yes, family members, flying in from all over the world, have seen her in ”Hamilton” “They were so proud to see me achieving my wildest dreams,” she said.

Before “Hamilton,” Acasio was part of the all-Filipino “Here Lies Love” on Broadway, based on the life of Imelda Marcos. Acasio shared the role of Aurora Aquino with Lea Salonga, the first Filipina to win a Tony Award for her pivotal portrayal of Kim in “Miss Saigon.” 

Acasio appreciates how Broadway “has become more inclusive of all cultures, skin tones, genders, sexual orientations, and beliefs, than in the past. I am so lucky to witness and be a part of the industry in this era of celebrating diversity in storytelling. I think it’s cool that I get to play four different people in this show, and my heritage/skin tone isn’t the center of the story. I get to color my performance with my Filipino identity, for example, sprinkling a little “Ate” (Tagalog for older sister) energy when playing Angelica. But the audience sees me as Angelica, not as ‘the Filipina.’ Although it is such a joy to meet Filipinos at the stage door who get so excited that they saw a fellow Filipino onstage.” 

While landing a role on Broadway is a dream come true, Acasio is a bona fide island girl and misses everything Hawaii. A military brat born in Guam, she has lived  in Turkey, Germany, and different states. “I attended Hickam Elementary School, Kapolei Elementary School, and Kapolei Middle School in Hawaii,” she said. “My family and I lived on Oahu for six years. 

Because New York is a concrete jungle, her thirst for Hawaii is natural. “I miss the green, the ocean, the ʻāina,” she said. “I miss going to hula as a kid in Kapolei at my neighbor’s house and as an adult at Halau Keolakapuokalani with kumu Drake Keolakapu Dudoit Delaforcé even getting to go to the Merrie Monarch Festival in Hilo. I miss the people and the community who took care of each other and the land. I miss the food — oh the food! I miss the music, the vibrant culture, the hikes, the sunrises. Hawaii was the best place I’ve ever lived, and I’ve gotten to experience a lot of the world in my lifetime. Hawaii will always feel like home”…

Two Broadway dramas recoup initial investment

George Clooney’s hit drama,  “Good Night, and Good Luck,” no longer is in the $4 million club, but it  earlier recouped the show’s initial investments. Clooney also is a Tony nominee for Best Actor in a Drama.

“Othello,” which also has passed the $3 million milestone, has managed to recover its initial investment, too, effective the week ending May 11.

Which means both shows are  hereon riding the gravy train.  But “Othello” has been snubbed, denying lead actor Denzel Washington  a Tony nomination.

The Tonys are set for June 8 at the Radio City Music Hall. Since I have not visited Broadway since last June, I have not seen a single nominated production this year. Sigh…

The Top 10:

1—“Good Night, and Good Lock,”  $3.812 million

2—“Othello,” $3.229 million

3—“Glengarry Glen Ross,” $2.432 million

4—“Wicked,” $2.128” million

5—“The Lion King,” $1.795 million

6—“Hamilton,” $1.660 million

7—“Death Becomes Here,” $1.343 million

8—“MJ the Musical,” $1.214 million

9—“The Picture of Dorian Gray,” $1.204 million

10—“Gypsy,” $1.180 million

The complete list of grosses, courtesy the Broadway League:

And that’s Show Biz…

‘SUNSET’ CANCELED, BULLHORN FILLS IN

Even with the ol’ adage, “The show must go on,” the show couldn’t continue for Hawaii’s Nicole Scherzinger on Broadway this past Wednesday (April 23) afternoon.

At a matinee performance of her “Sunset Blvd.” hit at the St. James Theatre on Broadway, a technical mishap forced the cancellation of the show.

Nicole Scherzinger sings “With One Look,” relying on a bullhorn.

Frustrating, yes, but inventive Scherzinger – starring as Norma Desmond in “Sunset” – didn’t allow her audience to be totally disappointed. With her co-star, Tom Francis (he plays Joe Gillis in the show), she took to the stage to announce the cancellation, by grabbing a bullhorn from backstage to make lemonade from a lemon of a situation.

With the support of a backstage track, Scherzinger sang “With One Look,” a tune her Desmond character sings, which at least gave disappointed show-goers to have something to talk about after vacating the theater.

Magician Giancarlo Bernini, in the audience, captured the singer with her bullhorn in an Instagram post, and the show continued as usual for the evening performance…

Show breezes

Coming up:

  • Boys II Men, at 7:30 p.m. Saturday (April 26), at the Tom Moffatt Waikiki Shell. Ticket prices vary, depending on seat location.
  • Jefferson Starship, at 8 p.m. June 7, at the Hawaii Theatre. Tickets: $72 to $262.
  • Lee Ann Rimes, at 6:30 p.m. July 12, at Blaisdell Arena. Ticket prices vary, depending on seat location.

And that’s Show Biz…