WHO’S WHO ON SUNDAY’S TONYS

The Tony Awards, when Broadway honors its best, will be held this Sunday, in a two-part programming sked, the first on the Paramount network at 1 p.m. Hawaii time, the second in prime time at 2 p.m. via CBS and originating from Radio City Music Hall.

Unlike the Oscars, when audiences and voters can watch movies live or streamed, the Tonys are a notable New York tradition. You can’t see a new or revived musical or play, unless you see ‘em in a Broadway theater. And since the pandemic has altered the going-out-to-be-entertained element, one wonders how many voters actually attended a show to cast their votes.

For non-theatergoers, the Broadway A-list may not be familiar. So stars as presenters or luminaries as performers may not be familiar to the stay-at-homers. Heck, I’ve not been to Broadway since the summer of 2019, and haven’t been able to give my regards to Broadway, to coin the familiar phase. Hope to go soon, but it likely will be later.

The galaxy this year will include the known, the unknown, and the on-the-way-uppers.

The Tony Award

Glimpse at this rundown of bold face names, and see if you recognize the talents. Some are movie stars or recording acts, so your memory bell might jingle. One island star, who has earned a Tony, will be aboard, as a presenter; see if you can pick her out. A former Islander who now is a producer, has a nominated production, but an actor, not the musical , is a contender. Know who the local dude is and which production is his?

The lineup of “names” this year, in alphabetical order: Utkarsh Ambudkar, Skylar Astin, Zach Braff, Danielle Brooks, Danny Burstein, Len Cariou, RuPaul Charles, Jessica Chastain, Lilli Cooper, Bryan Cranston, Wilson Cruz.

Also, Colman Domingo, Anthony Edwards, Cynthia Erivo, Raúl Esparza, Laurence Fishburne, Andrew Garfield, Renée Elise Goldsberry, Tony Goldwyn, David Alan Grier, Vanessa Hudgens, Jennifer Hudson, Paris Jackson, Prince Jackson, LaTanya Richardson Jackson, Samuel L Jackson, Nathan Lane, Telly Leung, Judith Light, Josh Lucas.


Further, Gaten Matarazzo, Ruthie Ann Miles, Patina Miller, Lin-Manuel Miranda, Bebe Neuwirth, Kelli O’Hara, Sarah Paulson, Bernadette Peters, Jeremy Pope, Billy Porter, Chita Rivera, Tony Shalhoub, Phillipa Soo, Sarah Silverman, George Takei, Aaron Tveit, Adrienne Warren, Patrick Wilson, and Bowen Yang.

The first show, hosted by Darren Criss and Julianne Hough, starts at 1 p.m., with coverage streamed on Paramount Plus, sister station of CBS.

The parade of musical and drama actors, both in leading and featured roles from nominated shows such as “Music Man,” “Plaza Suite,” “Take Me Out,” “A Strange Loop,” “How I Learned to Drive,” “Funny Girl,” “MJ: The Musical,” “Company,” “Six” and “POTUS,” will be highlights in a three-hour presentation starting at 2 p.m. on CBS. Ariana DeBose, an Oscar winning actress from “West Side Story,” will host the main spectacle.

Ruthie Ann Miles

The Hawaii presence.: The previous Hawaii Tony winner is Ruthie Ann Miles, who earned her statuette as a featured musical actress in “The King and I” in 2015; she is a presenter. The producer whose “Mrs. Doubtfire” is a nominee this year, is Kevin McCollum, who also is a previous multi-Tony winner for such shows as “Rent” and “Avenue Q.” …

And the nominees are…

The complete list of the 2022 Tony nominees might be helpful, if you’re tuning in the show:

Best New Musical

“Girl From the North Country”

“MJ”

“Mr. Saturday Night”

“Paradise Square”

“Six: The Musical”

“A Strange Loop”

Best Musical Revival

“Caroline, or Change”

“Company”

“The Music Man”

Best New Play

“Clyde’s”

“Hangmen”

“The Lehman Trilogy”

“The Minutes”

“Skeleton Crew”

Best Play Revival

“American Buffalo”

“For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

“How I Learned to Drive”

“Take Me Out”

“Trouble in Mind”

Best Book of a Musical

Christina Anderson, Craig Lucas and Larry Kirwan, “Paradise Square”

Billy Crystal, Lowell Ganz and Babaloo Mandel, “Mr. Saturday Night”

Michael R. Jackson, “A Strange Loop”

Conor McPherson, “Girl From the North Country”

Lynn Nottage, “MJ”

Best Original Score

“Flying Over Sunset,” music by Tom Kitt; lyrics by Michael Korie

“Mr. Saturday Night,” music by Jason Robert Brown; lyrics by Amanda Green

“Paradise Square,” music by Jason Howland and Larry Kirwan; lyrics by Nathan Tysen and Masi Asare

“Six: The Musical,” music and lyrics: Toby Marlow and Lucy Moss

“A Strange Loop,” music and lyrics: Michael R. Jackson

Best Direction of a Play

Lileana Blain-Cruz, “The Skin of Our Teeth”

Camille A. Brown, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Sam Mendes, “The Lehman Trilogy”

Neil Pepe, “American Buffalo”

Les Waters, “Dana H.”

Best Direction of a Musical

Stephen Brackett, “A Strange Loop”

Marianne Elliott, “Company”

Conor McPherson, “Girl From the North Country”

Lucy Moss and Jamie Armitage, “Six: The Musical”

Christopher Wheeldon, “MJ”

Best Leading Actor in a Play

Simon Russell Beale, “The Lehman Trilogy”

Adam Godley, “The Lehman Trilogy”

Adrian Lester, “The Lehman Trilogy”

David Morse, “How I Learned to Drive”

Sam Rockwell, “American Buffalo”

Ruben Santiago-Hudson, “Lackawanna Blues”

David Threlfall, “Hangmen”

Best Leading Actress in a Play

Gabby Beans, “The Skin of Our Teeth”

LaChanze, “Trouble in Mind”

Ruth Negga, “Macbeth”

Deirdre O’Connell, “Dana. H”

Mary-Louise Parker, “How I Learned to Drive”

Best Leading Actor in a Musical

Billy Crystal, “Mr. Saturday Night”

Myles Frost, “MJ”

Hugh Jackman, “The Music Man”

Rob McClure, “Mrs. Doubtfire”

Jaquel Spivey, “A Strange Loop”

Best Leading Actress in a Musical

Sharon D Clarke, “Caroline, or Change”

Carmen Cusack, “Flying Over Sunset”

Sutton Foster, “The Music Man”

Joaquina Kalukango, “Paradise Square”

Mare Winningham, “Girl From the North Country”

Best Featured Actor in a Play

Alfie Allen, “Hangmen”

Chuck Cooper, “Trouble in Mind”

Jesse Tyler Ferguson, “Take Me Out”

Ron Cephas Jones, “Clyde’s”

Michael Oberholtzer, “Take Me Out”

Jesse Williams, “Take Me Out”

Best Featured Actress in a Play

Uzo Aduba, “Clyde’s”

Rachel Dratch, “POTUS”

Kenita R. Miller, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Phylicia Rashad, “Skeleton Crew”

Julie White, “POTUS”

Kara Young, “Clyde’s”

Best Featured Actor in a Musical

Matt Doyle, “Company”

Sidney DuPont, “Paradise Square”

Jared Grimes, “Funny Girl”

John-Andrew Morrison, “A Strange Loop”

A.J. Shively, “Paradise Square”

Best Featured Actress in a Musical

Jeannette Bayardelle, “Girl From the North Country”

Shoshana Bean, “Mr. Saturday Night”

Jayne Houdyshell, “The Music Man”

L Morgan Lee, “A Strange Loop”

Patti LuPone, “Company”

Jennifer Simard, “Company”

Best Scenic Design of a Play

Beowulf Boritt, “POTUS”

Es Devlin, “The Lehman Trilogy”

\Anna Fleischle, “Hangmen”

Michael Carnahan and Nicholas Hussong, “Skeleton Crew”

Adam Rigg, “The Skin of Our Teeth”

Best Scenic Design of a Musical

Beowulf Boritt and 59 Productions, “Flying Over Sunset”

Bunny Christie, “Company”

Arnulfo Maldonado, “A Strange Loop”

Derek McLane and Peter Nigrini, “MJ”

Allen Moyer, “Paradise Square”

Best Costume Design of a Play

Montana Levi Blanco, “The Skin of Our Teeth”

Sarafina Bush, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Jane Greenwood, “Plaza Suite”

Jennifer Moeller, “Clyde’s”

Emilio Sosa, “Skeleton Crew”

Best Costume Design of a Musical

Fly Davis, “Caroline, or Change”

Toni-Leslie James, “Paradise Square”

William Ivey Long, “Diana, the Musical”

Santo Loquasto, “The Music Man”

Gabriella Slade, “Six: The Musical”

Paul Tazewell, “MJ”

Best Lighting Design of a Play

Joshua Carr, “Hangmen”

Jiyoun Chang, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Jon Clark, “The Lehman Trilogy”

Jane Cox, “Macbeth”

Yi Zhao, “The Skin of Our Teeth”

Best Lighting Design of a Musical

Neil Austin, “Company”

Tim Deiling, “Six: The Musical”

Donald Holder, “Paradise Square”

Natasha Katz, “MJ”

Bradley King, “Flying Over Sunset”

Jen Schriever, “A Strange Loop”

Best Sound Design of a Play

Nick Powell and Dominic Bilkey, “The Lehman Trilogy”

Justin Ellington, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Mikhail Fiksel, “Dana H.”

Palmer Hefferan, “The Skin of Our Teeth”

Mikaal Sulaiman, “Macbeth”

Best Sound Design of a Musical

Simon Baker, “Girl From the North Country”

Ian Dickinson for Autograph, “Company”

Paul Gatehouse, “Six: The Musical”

Drew Levy, “A Strange Loop”

Gareth Owen, “MJ”

Best Choreography

Camille A. Brown, “For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf”

Warren Carlyle, “The Music Man”

Carrie-Anne Ingrouille, “Six: The Musical”

Bill T. Jones, “Paradise Square”

Christopher Wheeldon, “MJ”

Best Orchestrations

David Cullen, “Company”

Tom Curran, “Six: The Musical”

Simon Hale, “Girl From the North Country”

Jason Michael Webb and David Holcenberg, “MJ”

Charlie Rosen, “A Strange Loop”

And that’s Show Biz…

‘DKMD’ SIGNS MEAN DOOGIE’S BACK

If you spot a temporary yellow street sign which says “DKMD,” with arrows pointing left or right, it’s the first clue that Season 2 filming has begun for Disney+’s Hawaii-based “Doogie Kamealoha, M.D.” series, starring Peyton Elizabeth Lee, as the minor who has a major youth presence as a licensed doctor at a hospital.

Peyton Elizabeth Lee

About the tell-tale directional sign: DK stands for Doogie Kamealoha, MD is for medical doctor. The code name, thus, is DKMD, and if you spot it somewhere in your community, that’s an indication that shooting is under way nearby. Follow the arrows.

The first evidence of the sign appearance was in May in Waimanalo, where the TV home of Lahela “Doogie” Kamealoha lives, the teen who leads two lives: as a teen with peer needs, as an MD who can perform surgery. It’s a wholly Disneyesque project, for sure, with meaningful and plenty ‘ohana rituals. ‘Ohana, of course, means family, which was the core of Stitch, in Disney’s earlier Hawaii-set “Lilo and Stitch” animated series and films.

Like the sophomore first season, “Doogie” will film 10 episodes with production expected to continue till mid-August, or thereabout. Season 2 episodes will launch in the fall.

The series, created by Kourtney Kang (who also is an executive producer), is a reboot of Neil Patrick Harris’ “Doogie Houser, M.D.” The island version has a credible cast, including Jason Scott Lee, Kathleen Rose Perkins, Matthew Sato, Wes Tian,Emma Meisel, Mapuana Makie, Jeffrey. Bowyer Chapman, Ronnie Chieng, and Alex Aiono. Expect a few additions this year….

Around town…

Lacey Chabert

Lacey Chabert, who played Little Cossette in “Les Miserables” on Broadway, before becoming part of the cast of “Party of Five” on Fox, has become a hugely popular Hallmark star with nearly 30 projects thus far. She’s been in town filming “Groundswell,” under the Crown MediaFamily Network banner (the company produces the Hallmark projects, too).

And local singer Anuhea plays herself – as a “celebrity host,” — in a segment involving a cooking competition. …

Then there’s Blake Vanamserfoorth formerly from Hawaii but now a Venice Beach resident who launched his own clothing brand — will be seen in “Vanjie: 24 Hours of Love,” airing beginning June 9 via WOW Presents Plus, a streaming service. The reality dating show, reeling back the curtain on gay romance quests, is produced by the makers of “RuPaul’s Drag Race.”

Vanamserfoorth is a contestant on the series, which will feature conversations about sex positivity and other topics within the gay dating community.

In his pre-airing notes, Vanamserfoorth indicates his intent is to find a date who makes him laugh and isn’t afraid to voice his opinion, a companion who loves to dress up and go to parties. Game on! …

And that’s Show Biz. …

WANNA BE ONE PIDGIN PLAYWRIGHT?

Lissen up, folks. Lee A. Tonouchi, aka Da Pidgin Guerilla, goin offa one course in pidgin English, one language you kno if you local.

It’s free, and will be online, so gotta get up early and tune in.

If you get experience, good for you. You can learn how fo write one play, you know da kine script stuff for one theata.

Even if you dunno, you can sign up and learn.

As bruddah Tonouchi wen say in hiz online instructions:

Lee Tonouchi

“No mo’ limit on class size.

“Can be any age. Although I probably recommend da person be at least high school, but if one younger person like chance ’em, das cool too.

“Knowing how for write Pidgin stay optional.

“You no need be from Hawai’i for sign up.”

So mebbe you dunno Pidgin and feel lef out. Now’s your chance to try learn. Might not happen overnight, but dis can be one good summer project to learn Guerilla style. Not to be confused with Gorilla, but Guerilla. Means some rules might be broken, in case you dunno how fo write with propah technique. As long as you have hidden talent to tell one story, Pidg goin try help you shape ‘um into one play, or maybe jus’ one skit if you little bit slower.  But no pressure, you can join and try write, but you gotta share what you write and read aloud.  Goin get feedback, from the Pidg and udda fellas tuning in, but no need be shame of make A. The point is, dis can be da starting point.

Or, as Pidg sez, dis goin’ be Miyagi-style, da way  Pat Morita wen teach karate, by inventing wax-on, wax-off teaching, where main ting you try, and no give up.-

The Pidgin Guerilla is da real deal. He stay win awards for his Pidgin plays, which wuz performed in theaters like Kumu Kahua and Honolulu Theatre for Youth, where dey staged da kine funny Pidgin stuff.

Da class will be presented via six consecutive Sunday mornings, 8 a.m. to 11 a.m.  June  5, 12, 19, 26, July 3 and 10 — via Zoom.

Remembah, dis is freebie, so if you sign up, make sure you show up. If you like take one chance, no waste time, cuz you snooz, you lose… so fill out dis  FORM.

And that’s Show Biz. …

‘TOP GUN’ CRUISES TO NO. 1

It’s official: Summer officially has begun, with all the right elements: a stellar story, hypnotic air flights and fights, and the key ingredient named Tom Cruise.

The fact that “Top Gun: Maverick” is a sequel of a film from 30 years ago, when Cruise first took on Pete “Maverick” Mitchell … somewhat astonishing. And then the pandemic stalled the release of “Maverick” for nearly three years … something frustrating.

But the delay heightened anticipation and expanded expectation and the Memorial Day weekend turned out to be the perfect moment to welcome “Top Gun,” which raked in a $100 million three-day gross, which, if international box office is added, meant a $248 million global tally. With today’s Memorial Day (May 30) holiday, another $50 million could be added to the explosive total.

Tom Cruise in “Top Gun: Maverick”

The alignment of the delay, the performance of Cruise as the cocky but dependable fighter pilot-turned-mentor, and the public’s eagerness to see the aerial dynamics in movie theaters (which has struggled to fill seats till now) meant the stars were aligned in filmland.

Wow.
The plot was somewhat predictable, but there are surprises: generals make mistakes, mavericks take chances, a few original characters return, old wounds are resolved, a romantic bond is sealed, and Lady Gaga seals the deal with her end-titles ballad, “Hold My Hand,”
uplifting the soundtrack as folks exit the theaters. Gage’s composing collaborators are  Harold Faltermeyer and Hans Zimmer. Clearly, it’s headed to No. 1 and will be an Oscar song contender next year.

It’s fun to know and hear the “handles” of the military mights: Maverick, Iceman, Rooster, Cyclone, Fanboy, Hangman, Coyote, etc.

And here’s a rarity just might increase: Cruise welcomes fans prior to the film, in a tack-on video akin to a handshake (Benedict Cumberbatch did a similar clip prior to his “Dr. Strange in the Multiverse of Madness “sequel earlier). Could more actors and films adopt this policy? …

Elton John doc due on Disney+

A documentary on superstar Elton John is due from Disney Original Documentary and Disney+.

Deadline reports that the doc, entitled “Goodbye Yellow Brick Road: The Final Elton John Performances and the Years. That Made His Legend.”

Elton John will be featured in a new documentary with a mouthful of a title.

Yes, it’s a mouthful. But John has been a musical figure not wholly represented in films. The thrust of the doc will be John’s “Farewell Yellow Brick Road Tour,” when he spent months on tour, culminating in a November gig at Dodger Stadium that will cap his final North American show.

Unseen footage of his 50-year global success will provide essential videos of John earlier in his career, when his shows included lavish costumes and spectacles that reflected his charismatic flamboyancy.

“Rocketman,” the 2019 biography with Taron Egerton as John, explored his life but lacked theatrical vigor since the performance factor fell short; there was no soaring climactic fervor like the “We Will Rock You” finale with Rami Malek as Freddy Mercury in the Queen biopic, “Bohemian Rhapsody.” …

And that’s Show Biz. …

LARRIN’S MEMORIES LIVE ANEW

Jay Larrin, absent from the concert scene for nearly three years, broke the drought with a rare appearance Saturday night (May 28) at the Hawaii Convention Center.

He may be a bit rusty, but he’s still trustworthy to put on a show, mixing ingredients that have made him an island legend, hauling in a Lifetime Achievement Award from the Hawaii Academy of Recording Arts earlier this year.

Yes, he’s best known as a singer-composer for a fistful of hit tunes. “The Koolaus Are Sleeping,” and lots more. He’s also a dedicated pianist, capable of hitting those ivories with unashamed power.

He’s truly a conversationalist, turning moments into personal share-a-story sequences that reflect his glorious global vision of a world without hate, an environment linked to the ‘aina, a posture of perpetuating the soul of the islands.

And clearly, he is a poet at the keyboard, whether he’s reciting a poem that throbs in his heart, or singing out – no, shooting out – the grandeur of “The Snows of Mauna Kea,” his awesome signature that brings out the best of his melodic brand.

Nature. Kupuna. Traditions.

Jay Larrin

These are at the heart of his artistry. And at this one-nighter,  dubbed Na Kupuna Nights, he ended his years of “retirement” freedom, as he uncorked the bottled wine of his wisdom, and purred out the glory that is Hawaii, and in the end, demonstrated that he’s not lost his touch and his brand.

OK, he’s silver-haired now; FYI, he had a haircut prior to this engagement, letting the white hair flow like the snowcaps of his fave mountain. Yep, he’s got a bit of a paunch; like the rest of his aging generation, he moves slowly and cautiously. But he doesn’t disappoint. His memory and manner are sharp. And lord, he’s got a lot on his mind.


He remembers when and how he penned a prologue and an epilogue, to Eddie and Myrna Kamae’s “E Kuu Morning Dew,” and shares the beginning and ending few know about. That’s the poet at work.

He recalls how he was mentored by Pilahi Paki, the resourceful Hawaiian spirit who wrote “Aloha Is,” and worried that she didn’t respond to some minor tweaking he did with her creation, until the late Moe Keale ventured to record the mele that has evolved into a mantra about what aloha stands for.

He confesses he’s long been a fan of Kui Lee and his songwriting skills, and particularly lives by the message of “The Days of My Youth,” which prompted him to honor Lee with a poem.

He reflects on how he wrote “Molokai Lullaby,” as a tribute to Melveen Leed’s birthplace, and one of the most atmospheric “place song” embracing the virtues of the Friendly Isle.

And clearly, his adoration of the islands has fueled his songs. “I Wish You Forever Hawaii”
comes to mind. Emphatically.

Larrin used to run his shows like a piano bar, with his fans and friends listening and watching him at the piano. Over the decades, he’s been serenading in a range of locations, from Castagnola’s to Canlis, from Horatio’s to the Gangplank Lounge of the Moana Surfrider Hotel, and his compositions and camaraderie were always the primary staples.

In the distant past, he concertized in a cozy lounge as well as the main ballroom of the Hawaii Prince Hotel, where he delivered his Christmas melodies and memories, but when the pandemic hit, everything shut down everywhere. A fan at the Convention Center reminded him that he didn’t deliver “Silver Bells” for a couple of Christmases, so he did the tune and invited the audience to chime in, shaking keychains or tingling water glasses with silverware, to briefly celebrate the holidays, belatedly.

He fondly remembers a young Warren Marley, a fellow haole singer-composer-pianist from Idaho, and how they’d hang out, comparing notes, until his buddy’s too-early passing.

He’s haole, too, from Tennessee; he still has somewhat of a Southern drawl, but happily Hawaiian theories and traditions bubble in his heart and soul, and he likely knows more about the islands that have become his home for perhaps four decades.

Bryan Tolentino

The event also showcased the energy and enlightenment of NUENa ‘Ukulele ‘Ekolu, featuring Bryan Tolentino (tenor ukulele), Halehaku Seabury (baritone ukulele) and Kama Hopkins (bass ukulele).  The three (ekolu) have a splendid repertoire of classic and current Hawaiian, with the trio of different ukes setting off melodic magic.

Kuuipo Kamakahi also was part of the bill, serenading outside the dining room, sharing her Hawaiiana with casual charm. …

And that’s Show Biz. …