A FLOCK OF FILIPINOS ON BROADWAY

It’s a good time to be Filipino  on Broadway – a handful of notables are starring in Broadway attractions this year, according to ABS-CBN, a Filipino media company based in Quezon City, Metro Manila in the Philippines.

The best-known Filipino actress in the world is marquee favorite Lea Salonga, who was the first Asian actress of Filipino ancestry to win a Tony Award (and an Olivier Award) for her performance as Kim in “Miss Saigon” in 1991.

Lea Salonga, the world’s best known award-winning Filipino actress.

Salonga now is co-starring with Bernadette Peters (also a Tony winner), Jasmin Forsberg and Camille Liwanag in “Old Friends,” a Stephen Sondheim revue, now at the Samuel J. Friedman Theatre.

In 2023, Salonga also had a cameo role in “Here Lies Love,” the musical biography of Philippines first lady, Imelda Marcos, featuring an all-Filipino cast, a first for Broadway.

Nicole Scherzimger, starring in London-produced”Sunset Blvd.”

Hawaii’s Nicole Scherzinger, former Pussycat Dolls lead singer, is starring as Norma Desmond in the acclaimed revival of “Sunset Boulevard” at the St. James Theatre. It’s a role she originated in the West End and imported to New York last year. And yes, Scherzinger is of Filipino heritage, too.

Marc delaCruz of “Hamilton.”

Hawaii also can claim two other male Filipino performers in current hit shows: Marc delaCruz  is a standby to play the lead of Alexander Hamilton plus other key roles in “Hamilton,”  at the Richard Rodgers Theatre; and Zare Anguay is a swing actor, dance captain and fight captain in Disney’s “Aladdin,” at the New Amsterdam Theatre.

Zare Anguay. of “Aladdin.”

Filipino American trouper Eva Noblezada has assumed the role of Sally Bowles in “Cabaret at the Kit-Kat Club,” at the August Wilson Theatre.

And Darren Criss is Oliver in “Maybe Happy Ending,” at the Belasco Theatre.

Among other Filipino actors on Broadway now:

  • Kay Siba is Katherine Howard, one of the six wives of King Henry VIII in “Six: The Musical,” at the Lena Horne Theatre.
  • Daryl Tofa is  Two-bit Matthew in “The Outsiders,” at the Bernard B. Jacobs Theatre.
  • Angelica Hale is Trisha in “Boop: The Musical,” a newcomer at the Broadhurst Theatre.
  • Jhailyn Farcon is Imogen and Alaina Vi Maderal is Gwynne in “& Juliet,at the Stephen Sondheim Theatre.
  • Nico De Jesus, Raechelle Manalo, and Niki Saludez are ensemble members in “Hell’s Kitchen,” at the Shubert Theatre.
  • Kay Trinidad is Fate and KC Dela Cruz is a swing actor in “Hadestown,” at the Walter Kerr Theatre.
  •  Jessica White is in the ensemble of “The Great Gatsby,” at the Broadway Theatre.
  •  Jeigh Madjus is Baby Doll and Heather Makalani is in the ensemble in “Moulin Rouge,” at the Al Hirschfeld Theatre.
  • Lissa DeGuzman is Elphaba standby in “Wicked,” at the Gershwin Theatre…

A reimagined, existential ‘Mulan’

An up-front advisory: “I Am Mulan,” opening today (April 9) at the Earle Ernest lab Theatre adjoining Kennedy Theatre at the University of Hawaii, is not recommended for young children.

The play’s subtitle, “Rewriting the Legacy of a Timeless Heroine,” sets the tone. This is not a Disney princess fable; youths 13 and older may attend.

Elizabeth Ung, an MFA candidate, has written and directed an existential dramady that reimagines the popular heroine   into five distinct personas – a battle-hardened veteran, a modern American-born Chinese, a romantic dreamer, a politically charged revolutionary, and an irreverent, gender-fluid performer – all trapped in a surreal purgatory known as Dìyù.

Another challenge: the production is multi-lingual featuring English, Mandarin, and Cantonese languages.

The storytelling taps a rich tapestry of history – from the origins of “The Ballad of Mulan” in 4th-century China through turbulent periods such as 1930s Shanghai, the 1966 Cultural Revolution, and the late 1980s New York City AIDS crisis, to the contemporary impacts of COVID-19.

Lily Hi’ilani Okimura, left, with Jill Sanders.–Christine Lamborn photo.

An all-Asian ensemble includes alum Lily Hi’ilani Okimura as ABC Mulan, alongside Justin Fragiao, Qi Zhang, Ariean Jimenez, and Jill Sanders.

The design team includes set designer Lacey Tuell, light designer Tyler Kanemori, projections by Alison Bruce-Maldonado, and costumes by Kāneikoliakawahineikaʻiukapuomua Baker.

Performances are at 7:30 p.m. today (April 9) through Saturday (April 12) and at 2 p.m. Sunday (April 13). Tickets: $8 to $18, available at manoa.hawaii.edu/liveonstage/mulan Information: (808) 956-7655…

Washington beats Clooney in the Broadway grosses

Denzel Washington and Jake Glynenhaal have regained the No. 1 spot on the Broadway gross competish, for the  round-up, for the week ending April 6. George Clooney slides to No. 2.

The Top 10:

1—“Othello,” $3.179 million.

2—“Good Night, and Good Luck,” $3.315 million.

3—“Wicked,” $2.476 million.

4—“The Lion King,” $1.986 million.

5—“Hamilton,” $1.965 million.

6—“Glengarry Glen Ross,” $1.789 million.

7—“The Outsiders,” $1.359 million.

8—“Aladdin,” $1.268 million

9—“The Picture of Dorian Gray,” $1.218 million.

10 – “MJ the Musical,” $1.170 million.

The complete list, courtesy the Broadway League:

And that’s Show Biz…

ALIIS LEADER JOE MUNDO DIES AT 83

Entertainer Joe Mundo, who was the leader of The Aliis – the group supporting Don Ho –died Wednesday  (April 2) while in the hospital, in Auburn, WA.

His son Mark Mundo said his dad had heart issues but ultimately died of kidney failure.

Mundo was 83 and a 1960 graduate of Farrington High School.

Joe Mundo

“He had a long, successful life,” said Mark, who remembers the time he spent with his dad and The Aliis on tour.

“It was pretty cool, hanging out in the summers. My dad was resilient and persistent and fun to watch,” he said.

Mundo played keyboards in Ho’s performances, a talent nurtured while he was a student pianist at Farrington. Mundo often put a comedic spin with The Aliis.

“It was a whole culture, watching and touring with the group,” said Mark. He was inspired to work in several rock groups but never turned professional in music. “I stopped touring with the group when I turned 18 and was hired by Hawaiian Airlines.”

Joe Mundo, in comedic mode with a floral headpiece, played keyboards with The Aliis.

He described his father as “a kind soul, very strong, and a good dad and husband. The time I spent with him as a kid was the best.”

Arleen Laimana, a longtime friend of Joe (they both attended Kalakaua Intermediate School in Kalihi), said she got an unexpected  phone call from Mundo on March 14. “He told me he was calling to say goodbye,” she said. “What do you mean?” she asked. “My body hurts all over,” he said. She concluded, about the phone comments, that “Joe had a weird sense of humor.”

The Aliis last performed in a reunion concert in 2017 In Los Angeles and rehearsed at Laimana’s home in Torrance.

Mundo, at left, with Don Ho, center, and the original Aliis.

Mundo was in Honolulu for the unveiling of Don Ho’s statue at the International Market Place, an iconic location where Don Ho and The Aliis were the main nightlife attraction at Duke Kahanamoku’s. The supper club no longer exists.

“I miss the guys and the touring,” said Benny Chong, the original guitarist of The Aliis who has navigated his career as a jazz ukulele virtuoso since retirement. “But the guys are scattered all over, and I hate to drive at night (to make the gigs). We had so many memorable good times together.”

Mark is the lone survivor of his family; his mom Patricia died in 2014.

Services are pending but will be private. “My dad wanted something simple and private; his ashes will be scattered off Waikiki, just like my mom’s,” he said…

And that’s Show Biz…

‘MERRILY’ READIED FOR CINEMATIC RUN

“Merrily We Roll Along,” the uncanny 2024 Tony Award winner for Best Revival of a Musical,
will be rolling out sometime soon as a motion picture to be released by Sony Pictures Classics.

Thus, the Stephen Sondheim-George Furth show — once a failure in 1981 before becoming a box office hit after it opened in October 2023 till its closing in July 2024 — has been preserved for the ages. The music and lyrics are Sondheim’s; Furth did the book.

This is the show, if you recall, that was initially a box office dud in 1981, when it ran for 14 previews and 44 performances. “Merrily” was then mothballed until its first-ever revival in 2022, leading up to its phenomenal sell-out fave in 2023 through 2024.

And the reverse storyelling chronology – the show biz tale unfolds at the ending and works toward the beginning — will give the production a new life as a cinematic release. Fans who couldn’t score tickets in its run at the Hudson Theatre will finally have an opportunity to see what  the buzz was all about.

“Merrily” examines the friendship, the friction, and possible erosion of  workplace best friends, whose lives intersect with highs and lows, with some alienation and many challenges.

Daniel Radliffe, Jonathan Groff and Lindsay Mendez in “Merrily We Roll Along.” Photo by Matthew Murphy.

Jonathan Groff portrays Frank Shepard, an ambitious composer who wants to be a producer, who thrives alongside his longtime friends, lyricist Charley Kringas (played by Daniel Radcliffe) and writer Mary Flynn (enacted by Lindsay Mendez). Groff and Radcliffe earned Tonys, with a third Tony bestowed on Jonathan Tunick for orchestrations.

Maria Friedman directed the show and was a Tony nominee, and her illuminating vision made her characters come alive with vitality and vigor, drawing in the spectators.

Can’t wait from the transformation from stage to screen; imagine there will be a DVD release, too. Since this was my favorite Broadway show last year, I’d buy the DVD…

Clooney’s ‘Good Night’ still tops Broadway grosses

The rankings haven’t changed on Broadway. The pair earning more than $3 million last week, dominated again this week. Translation: George Clooney reigns as the top grossing actor via his “Good Night, and Good Luck;” and  Denzel Washington and Jake Gyllenhaal maintain their second place slot with “Othello.”

The Top 10, for the week ending March 30:

1—“Good Night, and Good Luck,” $3.282 million.

2—“Othello,” $3.150 million.

3—“Wicked,” $$2.561 million.

4—“Hamilton,” $2.123 millon.

5—“The Lion King,” $2.114 million.

6—“Glengarry Glen Ross,” $2.110 million.

7—“Cabaret,”$1.521 million.

8—“The Outsiders,” $1.459 million.

9—“Gypsy,” $1.386 million.

10—“Aladdin,” $1.355 million.

The complete list, courtesy the Broadway League:

And that’s Show Biz…

 BROTHER NOLAND, ROUND TWO

Brother Noland (Conjugacion), who marked his Waikiki comeback last month with a two-night gig at Blue Note Hawaii at the Outrigger Waikiki resort,  embarks on round two of his planned re-entry on the club scene.

His next pair of shows will be on the Big Island, as follows:

  • April 11, at 7 p.m., at the Kaleiopapa Convention Center, at the  Outrigger Kona Resort, at 78-128 Ehukai St., Kailua-Kona. Tickets: $45, general admission, at  www.brothernoland.com
  • April 12, at 7 p.m., at the Palace Theatre, in downtown Hilo’s waterfront. Tickets: $45, priority seating, $35 general admission, in advance; $5 extra on day of performance. Doors open at 6 p.m.
Brother Noland, at Blue Note Hawaii. He’s Big Island bound in April.

Noland’s Island Incredibles, his powerhouse all-star group, will perform in both shows. The group features Noland on guitars and vocals, with Gaylord Holomalia on keyboards, David Garibaldi on drums, Kata Maduli on bass, Michael Ruff on keyboards, Tavana on guitars, Fred Schreuders on guitars, Olivia Ruff on vocals, and Lila Chris on vocals.

Noland is introducing three new singles – “Ride the Water”, “Walkabout”, and “Las Vegas” –in the shows, notable for the group’s alter-native rhythms and funky grooves, embracing dynamic vocals that take Noland beyond the reef with his socko sound…

Locals loved Chamberlain’s ‘Island Sons’

Actor Richard Chamberlain, who died Saturday (March 29) following a stroke in Waimanalo, would have been 91 today (March 31).

Richard Chamberlain

While he was considered the king of the mini-series, because of his vast successes with the likes of “Shogun” and “The Thorn Birds,” locals adored him for his Honolulu-based “Island Sons” TV series, which was filmed here 25 years after “Dr. Kildare,” was his first big success where he portrayed a physician.

 I remember some women here mentioned they’d love to be treated by Dr. Daniel Kulani, a doc Chamberlain portrayed at the fictional Kamehameha Medical Center, because of his kind demeanor.

He had a gentle manner, on and off screen, and a sweet singing voice, too, recording the theme song from “Dr. Kildare.” He earned three Golden Globes, for his performance in “Kildare,” “Shogun” and “Thorn Birds.”

The series ran for one season on CBS, during the1989-90 season.

Donations may be made  in his name to either NPR or the Hawaiiia Humane Society…

And that’s Show Biz…

KILOHANA HULA SHOW PAU MONDAY

The Kilohana Hula Show, which opened on Feb. 15, 2024, as a free Hawaiian music and hula attraction at the Tom Moffatt Waikiki Shell Amphitheater, will give its final performance at 9:30 a.m. Monday (March 31).

It was touted as a grand endeavor, with island musicians backing up a cast of hula dancers, sounding and looking like what Hawaii is all about.

The effort has dwindled down into an ensemble of five, still representing the aloha spirt in song and dance. But Kilohana will shut down at the end of the month, in a minimalist program at the Kuhio Beach Hula Mound, where it has been staged three days a week – on Mondays, Tuesdays and Wednesdays – since last fall.

Blow the conch shell: Monday’s show be the finale.

Kilohana had great intentions and enviable spirit, when it was launched in the amphitheater chock full of Waikiki visitors filling the seats, but no solid plan to keep the show afloat.

Karen Keawehawaii

One of the troupers from the opening weeks is veteran entertainer Karen Keawehawaii, who also has been a rotating cast member playing for tourists at the Kuhio  Beach Hula Mound.

“It’s been a little more than a year,” she said with a tone of sadness, about the finale she’ll be part of,  as singer and ukulele player, and a kupuna.

But like any production, payroll becomes a major issue  without paid admission.

Kilohana  had lofty intentions, envisioned as a replacement, or a new-generation hula spectacle, like the long-running Kodak Hula Show, in same location in the shadows of Diamond Head.  

But the Kodak original was sponsored by the camera and film company, the title sponsor of the original show, which ran from 1930 to 2002 without charging an entry fee. The end was somewhat logical; cameras and film were being replaced by telephones with built-in cameras.

Kilohana originators maintained the free-admission policy like its predecessor but clearly struggled with the overhead of a show in a zone defined as a Hawaiian park, forbidding admission charges. At one point, the operators wanted to do an early evening show with paid admission to subsidize the morning shows, which was nixed by the city.

Footnote: Google “Kilohana Hula Show,” and an online image appears with the show’s title, with a “Southwest Presents” credit. However, if the airline became a title presenter, the show has kept it a secret…

And that”s Show Biz…