ONLY MUSICALS AT DHT ’26-’27

Diamond Head Theatre’s 2026-27 season will be an all-musical affair, featuring four favorite classics and two Hawaii premieres of recent titles.

Thus, the shows will provide a spectrum of astonishing and satisfying theatrical experiences, which should pique the interest of the old and the young alike, beginning with the compelling soul-tugging “Fiddler on the Roof” and winding up with the outrageously funny “Hairspray.”

The season also will be a stellar opportunity for skilled singers and dancers to strut their stuff by auditioning for the varied roles.

The rundown:

  • “Fiddler on the Roof,”  Sept. 25 to Oct. 11 2026 – One of the most beloved classics of the Broadway repertoire, this is the treasured tale of Tevye, a poor milkman and his wife and five daughters, who reside in the Russian village of Anateva.  The opening number, “Tradition,” says and shows it all – a cornerstone of musical comedy theater, with book by Jerry Bock, music by Joseph Stein, and lyrics by Sheldon Harvey. Tevye and his wife, the sharp-tongued Golde, lead lives that are as precarious as the perch of a fiddler on a roof, which give the show its title. The score boasts a wealth of hit songs that reflect the love, faith and life challenges of the family: “Tradition,” “If I Were a Rich Man,” “Matchmaker, Matchmaker,” “To Life,” “Sunrise, Sunset,” and “Do You Love Me.”
  • “How the Grinch Stole Christmas: The Musical,” Nov. 20 to Dec. 6 2026 – This holiday classic, from the stories of Dr. Seuss, was a children’s book and animated movie before segueing into a stage favorite for the Christmas season. The mean and green Grinch is the keen figure in an outing for both children, teens and adult audiences, and features its celebratory hit song, “You’re a Mean One, Mr. Grinch,” and a world full of the Whos. The playwright is  Timothy Mason.
  • “Into the Woods,” Jan. 22 to Feb. 7 2027 – This Tony-winning musical, with storybook characters, is timeless and  tuneful, with wishes galore: Cinderella wishes to go to the ball, Prince Charming wishes to find the maiden who lost her shoe at the ball, the Baker and his Wife wish for a baby,  Little Red Riding Hood  wishes to visit her grandma, and  Jack of the beanstalk fame wishes to return home. The show was written by James Lapine with words and lyrics composed byStephen Sondheim. The audience might wish for one singular sensation of a song in the score, but there’s a bonanza of choices: “No One Is Alone,” “Stay With Me,” “Children Will Listen,” and “Last Midnight.” In the forested woods, however, happily ever after isn’t always so.
  • “Suffs,” March 12 to 28 2027 – “Suffs,” short for “suffragists,” is an award-winning show by Shaina Taub, who wrote the book, music and lyrics, and even starred in the original Broadway production. It Is a tale of the struggle for equality, the power of protest, and the relevance of the fight today. The original production featured an all-female cast, with women playing all roles, including the male characters, providing a unique and compelling perspective to the story; there’s no indication that DHT will go down this avenue. 
  • “Pirates! The Penzance Musical,” May 21 to June 6 2027 – This reimagining of Gilbert and Sullivan’s classic operetta,  was a 2025 hit on Broadway. The razzle-dazzle of G&S’s Penzance have been transported to New Orleans’s French Quarters, and the operetta flavor has been seasoned with Caribbean rhythms and jazz. The book and lyrics are by Rupert Holmes. The plot follows Frederic, who is mistakenly apprenticed to a band of tender-hearted pirates until his 21st birthday. But due to a leap year technicality, his apprenticeship is extended, complicating his love for Mabel. The Pirate King and the tongue-twisting Major-General are aboard ship, along with new young lovers, fleet-footed police, and footloose pirates.
  • “Hairspray,” July 23 to Aug. 8 2027 – First there was a movie by John Waters, then a Broadway show, and “Hairspray” thus became an iconic legend of 1960s Baltimore. Plus-size teenager Tracy Tumblad has one mission in life – to gain fame on the “Corny Collins Show,” the “American Bandstand”/Dick Clark sound-alike. Edna Tumblad, Tracy’s mom, is part of the legendary folks here – cuz she’s portrayed by a dude, who’ll become a notable sort in the process. The book is by Mark O’Donnell and Thomas McKeehan, based on the Waters film, with music byMarc Shaman and Scott Wittman. Themes include racial prejudice and integration, and size-hate and social change. The anthem, “You Can’t Stop the Beat” rules here, but other danceable and singable hits include “Good Morning Baltimore” and “I Can Hear the Bells.”

DHT advisories:

Season ticket sales are now underway and current subscribers must sign up by May 8. By phone: box office at (808) 733-0274. By mail: DHT, 520 Makapuu Ave., Honolulu HI 96826. Box office hours: 10 a.m. to 4 p.m. weekdays.

To change current subscriptions, call or visit the box office.

Important operational changes:

  • All Thursday performances will begin at 7 p.m.
  • All Sunday shows will start at 3 p.m.
  • A new Thursday subscription show will be added; thus, the first Thursday option will become a second Thursday choice, the second Thursday will become the third.
  • The current first Saturday matinee will become the second.
  • The current second Saturday matinee will become the third.
  • The Friday opening night will not be changed, so the planned new Thursday performance will precede the usual opening night.
  • Shows prior to the opening night week could be added; they constitute extensions before the openings. (This option already has happened; the current show, “West Side Story,” had been slated prior to its March 20 debut, though at least two shows last week had to be canceled due to last week’s Kona low storms).

‘Harry Potter’ spell rules on Broadway

“Harry Potter” continues to have box office magic on Broadway, grossing $2.5 million for the week ending March 15. Only one other show – “Hamilton”—is in the $2 million club.

The Top 10:

1—”Harry Potter and the Cursed Child,” $2.507 million

2—“Hamilton,” $2.117 million

3—“Wicked,” $1.723 million

4—“The Lion King,” $1.718 milion

5—“Just in Time,” $1.680 million

6—“Stranger Things: The First Shadow,” $1.430 million

7—“Chess,” $1.331 million

8—“The Outsiders,” $1.296 million

9—“MJ the Musical,” $1.180 million

10—“Every Brilliant Thing,” $1.107 million

The complete list, courtesy the Broadway League:

And that’s Show Biz…

IT’S ‘WET SIDE STORY’ AT DHT

“West Side Story,” which was to open Friday night (March 13) at Diamond Head Theatre, will not happen even it is an audience sell-out. Because of the lingering stormy weather, the governor has shut down all educational facilities.

Though DHT is not under  the governor’s jurisdiction, the Kapiolani Community College is and its parking lot across the theater will be shuttered, said DHT executive director Trevor Tamashiro. The theater patrons need KCC’s parking spaces, which will not be available.

Trevor Tamashiro

“We just got the notice earlier at 1 p.m., and we have crews trying to inform folks that the show on the 13 is not happening,” said Tamashiro.

Further, Saturday’s (March 14) show – also sold out — also likely will not happen, due to the weather.

A Sunday (March 15) matinee could be open, but it’s subject to the rain.

Curiously, these early March shows, were supposed to be pre-opening “extension” dates.

“The opening night still will be on March 20,” said Tamashiro.

“West Side Story,” often considered one of the world’s most powerful, poignant and enduing love story, has survived a storied past. Surely, it will weather the wet days and nights we’ve been having  earlier this week.

Based on William Shakespeare’s fabled “Romeo and Juliet,”  the DHT show is scheduled extended through April 9, which includes add-on playdates. But with the closures this week, make-up performances are expected to fulfill a five-week run.

The tale tracks the star-crossed young lovers, who are caught in the crossfires of two feuding “sides,” with nowhere to go but a tragic finale.

In the retelling on stage, “West Side Story” is set in the Upper West Side of New York of the 1950s, where street gang racial violence pit the white teens of New York against the Puerto Rican Sharks–

Like Romeo and Juliet, Tony and Maria are caught in the web and theme of trouble-seeking West Side youths provoking gang violence. The couple, from both side of the tracks,  innocently become victims in warfare not of their making.

The music is by Leonard Bernstein, with lyrics by Stephen Sondheim, whose melodies pump up the love and hatred and the original choreography and direction by Jerome Robbins propelled the show into a bona fide triumph of devastation, loss and unabashed tragedy. The book is by Arthur Laurents.

The original Broadway production had the eminent award-winning director Hal Prince as one of the producers overseeing the show.

Locally, Andrew Sakaguchi is directing and choreographing the DHT vehicle, with Jason Nomura as musical director.

The cast is comprised of Damian Chambers (Tony), Relle Revis (Maria), Jonah Guerrero (Action, Tony Alternate), Emi Sampson (Anita), Mike Braud (Riff), Dwayne Sakaguchi (Bernardo), Karsyn Wentzell (Big Deal), Alex Miller (Snow Boy), James Lauer (Diesel), Tai Malalis (A-Rab), Owen Gaillard (Baby John), Colton Cameros (Guitar), Chandler Converse (Anybodys), Salote Vahai (Graziella), Brittany Lewis (Velma), Anneliese Wirsching (Minnie), Justin Garde (Chino), Sammy Houghtailing (Anxious), Tino Nozaki (Indio), Saea Hikila (Pepe), Paul Garcia (Luis), Trent Yamagata (Toro), Kirra Baughn (Teresita), Caris Leong (Francisca), Pualalea Slover (Consuela), Rain Young (Estella), KC Ann Olivas (Rosalia), Ken Roberts (Shrank), Brandon Yim (Glad Hand), Ioani Camacho (Krupke), Joe Martyak (Doc), Kalani Hicks (Shrank Cover), and Jasmine Weldon (Swing).

The technical crew is headed by Deanne Kenndy (set designer), Stephen Clear (lighting designer), Emily Lane (costume designer), Michael Minor and La Fa’amausili-Siliato (sound designers), Kyle Conner (props designer), and Aiko Schick (hair and make-up designer).

If you have tickets for performances that have been canceled, call the box office at (808) 733-0274. Regular hours of operation are from 10 a.m. to 4 p.m. Monday through Friday and on weekends during production days…

And that’s Show Biz…

ONCE MORE FOR KEVIN’S ‘ONE’

OK, the cat’s out of the bag. So to speak.

Singer Kevin I. released today – Valentine’s Day, his birthday – a new studio version of his early, early yesteryear hit, “One in Love.”

The timing is essential here. Kevin earlier updated his beloved catalogue of music which had been on the shelf for four decades, and his “My Continuum” EP was released last February. It found a receptive audience that adored his romantic sound.

I wondered out loud to him: “Too bad you couldn’t release it on Valentine’s Day, to celebrate your birthday.”

Kevin I.

Interestingly, his recordings intersect with his life. No other singer I know jump-starts a career 40 years after turning off the mike; however, Kevin’s journey has had a marvelous turnaround. His vintage melodies caught the ears and hearts of Spotify fans, who discovered this retired vocalist who still had limited love songs in stock. Kevin always focused on romantic tunes, since he’s got the voice to deliver ‘em, and that’s what connects with his audience.

His newest update is “One in Love,” is a melody he performed at the Tokyo Music Festival years ago, earning the Grand Prize laurels. So something old is new again.

He’s chatted about this tune, I’ve written about it, so his fan base is no stranger to his work.

“This song has always been deeply special to me. It validated me professionally, solidified my reputation as a vocalist, and honestly changed the course of my life. Fast forward to today, and Lance Jyo stepped way outside his comfort zone by producing a song he didn’t compose.”

Kevin’s big on yesteryear tunes; his collection of ‘80s songs triggered a new life and fueled a base of loyalists who want more.

“One in Love” is the ideal Valentine’s Day tune, so its release today globally is timely marketing. It has a past, but certainly will enjoy a new future, too.

I commend Kevin’s decision to finally open up his well-oiled pipes – his voice, silly – and go into the studio to update “One in Love,” which has uncharted magic and potential to connect with those who’ve been streaming his music. To his current fan base, this is a new, fresh  commodity.

Kevin knows his way around a love song; he enhances lyrics, adding his own warmth and vibes. In this particular case, he’s caressing and embracing an old friend from the past. He’s wanted to give “One in Life” new life, so yep, he can finally check this one  off his bucket list.

He’s had a grand career in the business community, and is not likely to return to live singing. (I could be wrong! But he’s not likely to go live)…

And that’s Show Biz…

‘HI’IAKA’ LOOMS BIG; TRYOUTS SET

The legendary tale of Hi‘iaka, historically part of the Hawaiian oral tradition and notably passed on from generation to generation through song and dance, has been honed and developed as an eventual spectacle on Broadway. It’s been on the burner since 2019, and final auditions are ahead to cast the production.

The spectacle is due to debut on Broadway this October, with details still forthcoming.

 The Hawaiian story has all the epic elements of high drama, based on the goddess Hi‘iaka – full name, Hi‘iakaikapoliopele – whose quest is to find her sister Pele’s dream lover, restore him to life, and deliver him safely to Pele, the volcano goddess at her crater home on the Big Island. With Pele among the characters, there should be some explosive eruptions of sorts.

Of course, it is not a simple journey filled with ordeals and dangers, but one very much alive with a  very human retelling of love and lust, with challenges of jealousy and justice,  with deities and chiefs, commoners and demons, and  a potential fall out of the two sisters.

Michael Jackowitz

Essentially, the story is about two goddesses, who happen to be sisters, and thus boasts grandeur as well as grace. It is storytelling with cultural impact, with collaborative input by the legendary stage and film visionary Stephen Schwartz (“Wicked,” “Godspell,” “Pippin,” “Children of Eden,” “The Prince of Egypt”), Broadway guidance by stage producer Michael Jackowitz {“How To Succeed in Business Without ReallyTrying,” “tick, tick, Booml”) and stalwart Hawaiians Roslyn Catracchio (music and lyrics) and Patrick Makuakane (choregraphy, music and lyrics). Keali’i Reichel (multi Na Hoku Hanahano Award winner, recording artist and kumu hula) was an advisor in preliminary development of the show, along with Schwartz).

The production, earlier utilzing the title “Hi’iaka,” now boasts a formal new name, “The Epic Tale of Hi‘iaka: A New Hawaiian Musical.” The operative word is “Hawaiian.” The story will be told – with a roster of vivid and atmospheric Hawaiian songs, dances, and chants – and performed by a cast of Hawaiian artists on both sides of the limelight.

Roslyn Catracchia

Once cast. “Hi’iaka” will loom as a mammoth cultural spectacle with pulsating and harmonizing vocals rendered in traditional Hawaiian, with choreography and costuming unlike anything ever seen and heard on the Great White Way.

Applicants should designate voice range and roles sought; audition documents and head shots must be submitted by Feb. 15, with call backs to follow. Email applications to  castinghiiaka@gmail.com

The creative team boasts remarkable star-studded notables:

  • Book, Music and Lyrics: Roslyn Catracchia and Patrick Makuakane.
  • Original Story: Ho’oulumahiehie.
  • Hawaiian Consultant: Puakea Nogelmeier.
  • Stage Director: Scott Schwartz.
  • Choreographer: Patrick Makuakane.
Patrick Makuakane
  • Scenic Designer: Kevin Depinet.
  • Costume Designer: Manaola.
  • Music Supervisor: Brad Haak.
  • Orchestrations and Instrumental Track Production:  David Kauahikaua.
  • Hawaiian Music Advisor: Shawn Pimental.
  • Musical Arrangements:  David Kauahikaua and Brad Haak.
  • Producers: Michael Jackowitz for WitzEnd Productions and Kuhio Lewis for Hawaiian Council.
  • Associate Director: Melanie Lockyer.
  • Associate Choreographer: Christine Yasunaga.
  • Costume Coordinator: Maile Speetjens.
  • Preliminary Artwork: Solomon Enos.
  • Keyart by Mance Creative for Rubicon Theatre Company.
  • State of Hawaii Tourism/Creative Industries Division Consultant: Georja Skinner.
  • Marketing:  NMG Networks.
  • PR Consultant: Adrian Kamali‘i.
  • Casting Director: Aubrey Lee Staley
  • Advisors During Development: Keali’i Reichel and Stephen Schwartz.

Footnotes:

Prolific author: Ho‘oulumāhiehie, credited as original story writer, was a prolific Hawaiian (The Epic Tale of Hi‘iakaikapoliopele), which ran in the newspaper Ka Na‘i Aupuni in 1905–1906. His 500-page narrative is renowned for containing 375 chants, and vivid portrayal of the goddess Pele and the scholar and author was best known for chronicling the epic saga Ka Mo‘olelo o Hi‘iakaikapoliopeler, sister Hi‘iaka.

Stephen Schwartz

Father and Son: Stephen Schwartz (“Wiz” icreaator) is the father of Scott Schwartz. 

Principal roles:

  • Hi’iaka, the youngest of the sisters and the favorite of Pele.
  • Pele, the volcano goddess.
  • Lohiau, chief of Kauai and Pele’s lover.Hopoe, Hi ‘iaka’s best friend.
  • Wahine: Hi ‘ika’s most trusted ally and traveling companion.
  • Kane: God of procreation…

‘Chicago’ returns to Broadway’s Top 10

“Chicago,” one of the longest-running Broadway hits, surged its way to No. 7 this week – a remarkable return to the charts.

“Harry Potter and the Cursed Child” continues to be Broadway’s top-grossing play, earning $2.339 million for the week ending Feb. 8.

 “Chicago” landied at No 7.

The Top 10:

1—”Harry Potter and the Cursed Child,” $2.339 million

2—”Hamilton,” $1.848 million

3—”Wicked,” $1.596 million

4—”The Lion King,” $1.514 million

5—”Stranger Things: The First Shadow,” $1.400 million

6—”Chess,” $1.379 million

7—”Chicago,” $1.316 million

8—”Just in Time,” $1.314 million

9—”Oedipus,” $1.212 million

10—“Ragtime,” $1.090 million

The complete list, courtesy the Broadway Guild:

And that’s Show Biz…

‘OUTHOUSE’ BOOK-SIGNING TODAY

Frances Kakugawa, the prolific poet and author known for her literary mouse Wordsworth, concludes her brief island visit today (Feb. 1).

Kakugawa is originally from Kapoho on the Big Island, who was a long-time Honolulan while toiling for the Department Education here before retiring bin Sacramento. She will autograph her latest tome, “The Outhouse Poet,” at 2 p.m. today at Barnes & Nobles at Ala Moana Center.

Frances Kakugawa

“Outhouse” (Watermark Publishing) is her 19th book – but not her last, since her 20thpublication is in the works. Surely, her current volume is a keeper, with its cover shot of an outhouse, and likely the most ingenious book jacket of any season.

Those of a certain vintage, who were raised in the islands amid a rustic landscape minus running water and a flushing toilet, will remember with mixed thoughts the closet-like wooden structure commonly erected somewhere on the property of a country home.  Yes, the outhouse was out there, outside of the home, perhaps with a wee window or none at all, with a key feature: a hole in the ground and likely a copy of the Sears Roebuck catalogue which served the purpose of what now would be Charmin toilet paper.

“The Outhouse Poet” has a subtitle, “Reflections of a Writer,” indicative of the think-tank moments back in the day, when Kakugawa would perhaps nurture a poem, or a thought, that would someday be fodder for a book. There are poems, her specialty, along a chapter on banned books.

Kakugawa will sign copies of her book, and perhaps reflect on Those Days in isolation. While here, she spoke at an Altheimer’s  event at the Elks Club and signed copies of her book at Hilo’s Basically Books where her former first graders from Laupahoehoe School on the Big Island showed up to support their former teacher.

On Saturday (Jan.31) we met up with her at Heavenly at the Koko Marina Center, for a sumptuous  breakfast, which just may wind up as a future destination for more meals and  reflections together…

Santos and Kimokea at The Lounge

Jerry Santos and Kamuela Kimokea will team up for a splendid show from 5 to 7:30 p.m. and from 8 to 10:30 p.m. Feb. 21 at Kapono’s on The Lounge at the Hawaii Kai Shopping Center. The first show was a quick sell-out but eats remain for the nightcap.

Kimokea and Santos: Together again at Kapono’s at The Lounge.

Reservations are $110 for two seats; VIP seats are also available.

I’ve not been in this venue since it became an active night spot. Santos teamed up with Kimokea recently for an evening at the Kahala Resort, and the show included a buffet meal but viewing accommodations were problematic. Best moment at any Santos show: “E Kuu Home O Kahaluu.” And their interplay and harmonies are first-stage.
The Plumeria Beach House is not a proper fit for live music, though it’s also a plus to sit through a Santos show anytime, even if you can’t see him. I went for the music but wound up “reviewing” the buffet — great misoyaki butterfish, too salty choi sum; wonderful salmon-poke salad, bland chicken long rice; yummy haupia dessert, and so on.

Consequently, The Lounge site — tailor-made for live acts — should be a bonanza that simply couldn’t churn up the vibes at the Kahala.

And that’s Show Biz…

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