BROTHER NOLAND, ROUND TWO

Brother Noland (Conjugacion), who marked his Waikiki comeback last month with a two-night gig at Blue Note Hawaii at the Outrigger Waikiki resort,  embarks on round two of his planned re-entry on the club scene.

His next pair of shows will be on the Big Island, as follows:

  • April 11, at 7 p.m., at the Kaleiopapa Convention Center, at the  Outrigger Kona Resort, at 78-128 Ehukai St., Kailua-Kona. Tickets: $45, general admission, at  www.brothernoland.com
  • April 12, at 7 p.m., at the Palace Theatre, in downtown Hilo’s waterfront. Tickets: $45, priority seating, $35 general admission, in advance; $5 extra on day of performance. Doors open at 6 p.m.
Brother Noland, at Blue Note Hawaii. He’s Big Island bound in April.

Noland’s Island Incredibles, his powerhouse all-star group, will perform in both shows. The group features Noland on guitars and vocals, with Gaylord Holomalia on keyboards, David Garibaldi on drums, Kata Maduli on bass, Michael Ruff on keyboards, Tavana on guitars, Fred Schreuders on guitars, Olivia Ruff on vocals, and Lila Chris on vocals.

Noland is introducing three new singles – “Ride the Water”, “Walkabout”, and “Las Vegas” –in the shows, notable for the group’s alter-native rhythms and funky grooves, embracing dynamic vocals that take Noland beyond the reef with his socko sound…

Locals loved Chamberlain’s ‘Island Sons’

Actor Richard Chamberlain, who died Saturday (March 29) following a stroke in Waimanalo, would have been 91 today (March 31).

Richard Chamberlain

While he was considered the king of the mini-series, because of his vast successes with the likes of “Shogun” and “The Thorn Birds,” locals adored him for his Honolulu-based “Island Sons” TV series, which was filmed here 25 years after “Dr. Kildare,” was his first big success where he portrayed a physician.

 I remember some women here mentioned they’d love to be treated by Dr. Daniel Kulani, a doc Chamberlain portrayed at the fictional Kamehameha Medical Center, because of his kind demeanor.

He had a gentle manner, on and off screen, and a sweet singing voice, too, recording the theme song from “Dr. Kildare.” He earned three Golden Globes, for his performance in “Kildare,” “Shogun” and “Thorn Birds.”

The series ran for one season on CBS, during the1989-90 season.

Donations may be made  in his name to either NPR or the Hawaiiia Humane Society…

And that’s Show Biz…

KILOHANA HULA SHOW PAU MONDAY

The Kilohana Hula Show, which opened on Feb. 15, 2024, as a free Hawaiian music and hula attraction at the Tom Moffatt Waikiki Shell Amphitheater, will give its final performance at 9:30 a.m. Monday (March 31).

It was touted as a grand endeavor, with island musicians backing up a cast of hula dancers, sounding and looking like what Hawaii is all about.

The effort has dwindled down into an ensemble of five, still representing the aloha spirt in song and dance. But Kilohana will shut down at the end of the month, in a minimalist program at the Kuhio Beach Hula Mound, where it has been staged three days a week – on Mondays, Tuesdays and Wednesdays – since last fall.

Blow the conch shell: Monday’s show be the finale.

Kilohana had great intentions and enviable spirit, when it was launched in the amphitheater chock full of Waikiki visitors filling the seats, but no solid plan to keep the show afloat.

Karen Keawehawaii

One of the troupers from the opening weeks is veteran entertainer Karen Keawehawaii, who also has been a rotating cast member playing for tourists at the Kuhio  Beach Hula Mound.

“It’s been a little more than a year,” she said with a tone of sadness, about the finale she’ll be part of,  as singer and ukulele player, and a kupuna.

But like any production, payroll becomes a major issue  without paid admission.

Kilohana  had lofty intentions, envisioned as a replacement, or a new-generation hula spectacle, like the long-running Kodak Hula Show, in same location in the shadows of Diamond Head.  

But the Kodak original was sponsored by the camera and film company, the title sponsor of the original show, which ran from 1930 to 2002 without charging an entry fee. The end was somewhat logical; cameras and film were being replaced by telephones with built-in cameras.

Kilohana originators maintained the free-admission policy like its predecessor but clearly struggled with the overhead of a show in a zone defined as a Hawaiian park, forbidding admission charges. At one point, the operators wanted to do an early evening show with paid admission to subsidize the morning shows, which was nixed by the city.

Footnote: Google “Kilohana Hula Show,” and an online image appears with the show’s title, with a “Southwest Presents” credit. However, if the airline became a title presenter, the show has kept it a secret…

And that”s Show Biz…

A SPIRITED BROTHER NOLAND RETURN

Brother Noland staged a spirited, luminous performance last night (March 6) — his first-ever concert at Blue Note Hawaii at the Outrigger Waikiki resort and a relaunch of his brand,

Noland, 68,  has been  somewhat nomadic in recent decades, mostly invisible to his fans; but he’s been a responsible, quiet,  viable and vigorous musician, storyteller and guitarist on the Hawaii scene. In the 1980s, he was deemed to be the Father of Jawaiian Music, with a rhythmic “Coconut Girl” signature hit.

Noland’s back!

So the unveiling of the Noland now  was awesome, nostalgic and a fascinating catch-up of his musical and cultural intersections he’s crossed over time. He fronted an incredibly powerful ensemble of eight, dubbed the Island Incredibles, sharing a few old tunes, a batch of new ones, and atmospheric acoustic revivals of pure Hawaiian mele, updating his profile of the 1980s or thereabouts, when Noland was a budding and prolific trendsetter.

… and in action

If you hadn’t seen Noland in eons, you might not have anticipated his snow white hair, his dark glasses motif, and his (and his band’s) flurry of colorful Jam’s World-print garb.

The revelation of “Las Vegas,”  an unexpected potion of pop tones, was his blast of cultural expression in the music bin, a goofy and giggly exploration of the exodus of beaucoup Hawaii folks relocating to the Ninth Island because of cost of living is way too expensive here.  Since families and clans of friends make frequent jaunts to Las Vegas and staying at California Hotel or Fremont, where they hope and pray to score a major jackpot on the slots, the tune has purpose. Finally, there is an anthem for the mad movement to a new ZIP code.

Noland’s voice is not the best in the industry, but he is skillful in channeling his tones to deliver any kind of music. His vintage Hawaiiana was as charming as they come, with a throaty voice articulating the spirit of the era, on “Ka Ipo Lei Manu,” a Queen Kapiolani mele written for her husband, King David Kalakaua, who had traveled to the mainland where he died. The lamentation is quite evident, in Noland’s moody delivery.

Brother Noland: Crisscrossing in multiple song styles.

In his Hawaiian sector, Noland also shared a “place song,” or “mele pana,” entitled “Mauna Kea,”  the mountain on the Big Island where he resides part of the year. The tune showcases the beauty and vista of the region, and living in the elevated heights means he enjoys the serenity and isolation of being “close to God.”

Thus, his musicianship reflects these life choices, crisscrossing in multiple song styles and residency experiences, like toiling in the Outback of Australia, represented in a tune he wrote called “Walkabout.”

He truly is a keiki o ka ‘aina, or child of the land, born in the Palama region, and perhaps that’s why he favors uncommon passions like authoring books via his Ho‘ea Initiative, experiencing and embracing the tropical jungles, sharks, and wilderness survival. This positioning has produced some revealing postures in his music, too, advocating the appreciation of life and culture. on “Are You Native,” “Harbor Town,” and “Signs.”

With this gig, recurring one more time tonight (March 7), Brother Noland (last name, Conjugacion), showcases a loud, proud band of buddies, featuring some of the town’s best instrumentalists and voices, pictured here, from left to right: Tavana on guitar, Gaylord Holomalia on keyboards, David Garibaldi on drums, Kata Maduli on bass, Michael Ruff on keyboards, Fred Schreuders on guitars, and Lila Chris and Olivia Ruff on vocals.

Noland also strums rock guitar and ki hoalu (slack key) and because he allows numerous solo riffs from all musicians on many numbers, the opening performance was an extended show running nearly two hours, cancelling the originally planned second show. That format will continue for tonight’s (March 7) gig – one lone show at 6:30 p.m.

Rumors surfaced that there would be another two-night stand at Blue Note next week, but that’s not true. Instead, Noland’s team is contemplating Neighbor Island concerts on Maui and the Big Island next week…

And that’s Show Biz…

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Brother Noland and the Island Incredibles

Who: Brother Noland  and the Island Incredibles, first time in Waikiki in eons

Where: Blue Note Hawaii at the Outrigger Waikiki resort 

When:  Opened last night (March 6); final show at 6:30 p.m. today (March 7); doors open at 5 p.m. for beverage and food service

Tickets: $35 and $45, available at www.bluenotehawaii.com and (808) 777-4890. …

A CAZIMERO BENEFIT, A LIFE EXHIBIT

Robert Cazimero’s 76th birthday on March 20 will become part of a celebratory birthday week-long event … and a fundraiser for his Halau Na Kamalei O Lililehua.

His special performances will be from March 19 to 23 at Chef Chai’s on Kapiolani Boulevard, with the usual mix of Hawaiian music, hula and fine dining.

Robert Cazimero: An extended halau benefit at Chai’s, a life exhibit at WCC..

Also in the works: an art exhibit at Gallery ‘Iolani, in the modest gallery next to Paliku Theatre at Windward Community College, which will salute and verify the kumu hula and entertainer’s life achievements and impact in local music and culture. As a recording artist, kumu hula, and nightlife entertainer in venues large and small, he has created – with his brother Roland, in The Brothers Cazimero –a personal and specific brand in island mele and hula. I’m told that there will be a piano on site, which possibly means if Cazimero’s present, he just might burst into a serenade. Watch for the gallery’s Caz viewing dates.

But back to the Chai’s event: Normally, Cazimero would stage a Full Moon Concert once a month, but for his birthday, once is not enough. Hence, the weeklong party. And yes, the champagne will be flowing.

Dinner service is at 5:30 p.m. Chef Chai Chaowasaree’s signature dishes are always featured, comprising an array of appetizers, sumptuous entrees, and savory desserts.

The show begins at 6:30 p.m. and tends to expand beyond the hour-long performance. Usually, Cazimero enlists Sky Perkins Gora and Bully Keola Makaiau to render specific hula. Typically, Cazimero marks his birthday throughout the month of March; since his calendar is chockful of b-day gatherings.

Because the Chai evenings will benefit Cazimero’s halau of singers-dancers, you can expect various gents appearing and joining kumu on the different nights.  The fund-raiser will support, among other things, Na Kamalei’s participation in this year’s Merrie Monarch Festival from April 20 to 26  in Hilo.

Tickets: $159 a person, available at chefchai@outlook.com or (808) 585-0011…

And that’s Show Biz…

‘WHITE CHRISTMAS’ HELD OVER

Diamond Head Theatre’s holiday musical, Irving Berlin’s “White Christmas,” has been extended to Dec. 21.

Best seats available are on these dates: 7:30 p.m. Dec. 5, 7 p.m. Dec.12, 3 p.m. Dec.  21 and 7:30 p.m. Dec. 21.

Tickets: $41 to $68, at www.diamondheadtheatre.com or (808) 773-0274…

Henry Kapono puts his spin  on Christmas

Henry Kapono, Na Hoku Hanohano Award-winner and Grammy nominee, will  put his Hawaiian spin on Christmas, at 6:30 and 9 p.m. Dec. 6 at Blue Note Hawaii, Outrigger Wakiki Hotel.

The theme is “Merry Christmas to You,” his annual holiday song

Henry Kapono

Alx Kawakami also will be featured.

Doors open at 5 and 8:30 p.m. for beverage and meal service.

Tickets: $35 and $45, on sale at www.bluenotehawaii.com  and (808) 777-4890…

Kimié Miner presenting ‘Christmas in Hawaii’

“Christmas in Hawaii with Kimié Miner” will be presented at 6:30 and 9 p.m. Dec. 21 at Blue Note Hawaii at the Outrigger Waikiki Hotel.

Kimie Miner

Doors open at 5 and 8:30 p.m. for beverage and meal service.

Miner is known for her holiday hit, “Christmas in Hawaii,” which annually is on local radio’s play list.

Miner, a mother of three, is a Na Hoku Hanohano Award winner and a Grammy nominee.

Tickets are $35 and $45, available at www.bluenotehawaii.com or (808) 777-4890.

Ukulele strummers in kanikapila-jam

“Ukulele All-Stars Christmas,” a gathering of ukulele talent, is set for 7 p.m. Dec. 18 at Blue Note Hawaii, Outrigger Waikiki Hotel.

Participating strummers are Cynthia Lin, Brittni Paiva, Kalei Gamiao and Abe Lagrimas Jr.

 The event is touted as a fun and cozy kanikapila-jam, with the four-string instrument featured in a round of interpretations of songs of the holiday season Doors open at 5 p.m. for food and beverage service.

Tickets: $35 and $25, at www.bluenotehawaii.com or (808) 777-4990…

Kuana Torres Kahele sets ‘Christmas in Tahiti’

Kuana Torres Kahele

Kuana Torres Kahele, legendary Hawaii singer and kumu, will showcase

“Christmas In Tahiti,” at 6:30 and 9 p.m. Dec. 15 at Blue Note Hawaii at the Outrigger Waikiki Hotel.

 Special guest dancers will be Theresa and Iokia Ramento, providing the rhythms and music of Tahiti and the South Seas.

Doors open at 5 and 8:30 p.m. for beverage and meal service.

Tickets: $35 and $45, available at www.bluenotehawaii.com or (808) 777-4890…

Broadway grosses, for week ending Dec. 1

“Elf, the Musical,”  that yuletide musical comedy at the Marquis Theatre, has made a splash in the Broadway landscape, landing at No. 4 on the Top 10 compilation. Also making its first appearance this week: “Gypsy,” starring  Audra McDonald, at No. 10. Consequently, a Tony winner last summer, “Hell’s Kitchen,” has been bumped off the Top 10.

The Top 10:

1—”Wicked,” $2.930 million

2—”The Lion King,” $2.883 million

3—”Hamilton,” $2.579 million

4-“Elf,” $1.947 million

5–“The Outsiders,” $1.840 million

6–“Aladdin,” $1.823 million

7—”Sunset Blvd.,” $1.821million

8—”MJ The Musical,” $1.711 million

9—“The Great Gatsby,” $1.656 million

10—“Gypsy,” $1.622 million

The complete list, courtesy the Broadway Guild:

And that’s Show Biz…