There’s joy and jubilation aplenty, in Disney’s live-action “Lilo & Stitch” summertime hit.
Islanders flocking back to the cinema, to enjoy a bona fide treasure and pleasure, will realize this isn’t a kiddie film. It’s a dramady with laughs, with a positive script and appealing cartoon characters coming to life.
Surely, you must know someone in the film – a relative, a neighbor down the street, a hula dancer you’ve seen –so there’s plenty to applaud. Further, “L&S” appear to be this year’s smash hit, so clap like crazy. With its opening weekend gross last week topping $183 million domestically, it’s almost certain that a Disney sequel will be in the works in the distant future.
For the record, Disney earlier pegged “Lilo & Stitch” as a streaming film via its Disney+. Luckily, somebody saw gold and plans swiftly changed. “L&S’s” performance – a live-action flick with cartoon roots — was No. 2 for the Mouse House for the first weekend — with “The Lion King” checking in at No. 1 with $171 million” in 2019 and “Beauty & the Beast” garnering $174 million in 2017.
Clearly, the blue alien from the cartoon original is back and steals the picture. Stitch was naughty, two decades again, and he’s still unabashedly eager to create havoc, and he’s the key non-human (also known as 626, in his earlier life) we still adore. The cutie who steals the film is newcomer Maia Kealoha, who brings Lilo to life, but she’s still searching for a friend, still loving Elvis Presley on vinyl, and is unafraid to shove her hula halau smartie off the stage. She needs a companion badly, and this turns out to be Stitch, who resembles a dog or a koala bear, who’s blue, with a lot of teeth, has special powers, and well, becomes a pet and a companion in escapades that put both in trouble. Lilo names him Stitch, and he arrives from the heavens and they become best buddies. Message here: you take the friend that crashes in your troubled life.
Her sister Nani (Sydney Agudon) still frets about holding a job, finding another one, caring for Lilo, and dodges the social worker Mrs. Kekoa (Tia Carrere) who wants to split the family. But yes, Lilo and Stitch both know – family means ‘ohana, and no one gets left behind.
‘Twas the mantra then, and it still works now. If you don’t abandon hope.
Kaipo Dudoit, appearing as David Kawena in his feature film debut, has a crush on Nani, and is a neighbor of Lilo and Nani. Off camera, he dances hula with Robert Cazimero’s Merrie Monarch-winning Halau Na Kamalei O Lililehua, occasionally sings with his father’s group Ho‘okena, plays the violin, and is a massage therapist. Reviewers are calling him a hunk! He boasts a fit body, and he’s got trendy, Hawaiian tattoos.
And how can you resist Tutu (Amy Hill), the caring surrogate grandmother to Lilo and Stitch and a neighborhood pal anyone would want and comes to your rescue. She voiced a fruit seller in the animated cartoon, but in the flesh, she’s precious. Looks the part, talks the part, and has the heart of a beloved tutu wahine.
Heard, but not seen – the enthusiastic and engaging Kamehameha Schools Children Chorus (directed by Lynette K. Bright – performing the charismatic “Hawaiian Roller Coaster Ride,” this time with American Idol winner Iam Tongi plus Mark Keali‘i Ho‘omalu joining in. That tune, plus “He Mele No Lilo,” are back for another serenade, with links to the first animated “Lilo & Stitch” film. They were good luck charms then, and lovely sounds of aloha now, like great friends reunited again.
There’s more off-camera camaraderie in the screenwriter role. Chris Kekaniokalani Bright co-wrote the movie with Mike Van Waes. Chris’s mom is Lynelle Bright, Kamehameha Schools Children Chorus, and as a child, Chris became friends with Dean Dubois and Chris Sanders, original screenplay writers of the first “L&S” cartoon feature, sharing cultural and island history then. Sanders directed the cartoon and voiced Stitch, and leaves everyone in stitches in the live-action update. However, the director here is Dean Fleischer Camp, known for his precious “Marcel the Shell with Shoes On,” who masterly nurtured the spirit of Hawaii and delivered the right touches and sentiments dealing with woman/female issues of life challenges. Lilo is a little princess, but this is not your customary princess adventure.
Locals also know that Chris’ father Clarke Bright is now bandmaster of the Royal Hawaiian Band, and conductor of the orchestra at all I’m a Bright Kid Foundation musicals, and his grandmother is Mo Bright and late grandfather was Ronald B. Bright, legendary director and drama teacher at Castle High School.
Clooney drama will air live before Tonys
George Clooney’s “Good Night and Good Luck” continues to sit atop Broadway’s weekly box office grosses, for the week ending May 25. The play has set records, now in the lofty $4 million club; it is vying for five Tony Awards, including Clooney’s Best Actor in a Drama nomination in the June 8 event. The show will air live in an unprecedented screening at 7 p.m. ET (1 p.m. Hawaii time) the day before, June 7.
The Top 10:
1—”Good Night, and Good Luck,” $4.238 million
2—”Othello,” $3.327 million
3—“Glengarry Glen Ross,” $2.750 million
4—”Wicked,“ $2.353 million
5—”The Lion King,” $2.055 million
6—“Hamilton,” $1.956 million
7—”Death Becomes Her,” $1.559 million
8—”Aladdin,” $1.349 million
9—”Moulin Rouge! The Musical,“ $1.277 million
10–“The Outsiders,” $1.268 million
The full list, courtesy the Broadway Guild:
And that’s Show Biz…
