FRIDGE ‘WHIRLY’ FINDS A NEW HOME

If you have had to replace a problematic and fading refrigerator in your kitchen, you must know that this is one of life’s most challenging inconveniences. Timing matters.

We did. With good timing.

Our trusty Kenmore conked out last Friday, with the freezer losing its chill. Two days later, the refrigerator also was silently on its last leg.

So, we had to quickly secure a replacement. But not before getting our largest cooler chest out, and  buying bags of ice, to protect and chill the salvageable items in both the freezer and the refrigerator. For backup, we also purchased a new Igloo chest from Costco.

We learned these tricks early on; you need backup when the icemaker stops making ice and then takes a chilly final breath to halt the freezer. The ice cream and frozen saimin had to be scrapped, but frozen salmon was among the items saved.

But what a task it is to find a fridge you like; ours was a 33-inch-wide model, and many are 36-inches. The height was not an issue – we had a few inches to spare at the top of the old model.

Anyway, Vi and I went to Iwilei to seek out  the obvious possibilities at both Home Depot and Lowe’s.

The initial visit was at Home Depot. We found the exact Whirlpool we wanted, a two-door floor model, which had the innards that were familiar to us: icemaker on the left, generous plastic shelves on the refrigerator side. Thinking we’d buy this appliance, we didn’t anticipate the hurdle: when the salesperson checked the inventory in store’s warehouse, there was, indeed, the model we sought. The catch: we’d have to wait till the end of October for delivery. He double-checked, and said the fridge would not be available till  December. Not good. Very bad, actually.

Then we tried Lowe’s, and the problem was similar. If they had it, the delivery date is the problem. When the fridge is on the fritz, you need to get a new one delivered in a day or two or three.

The sales guy at Home Depot told us to snap a photo of the Whirlpool item we were looking for, and inquire at Pacific Appliance, a new dealer in town, on King Street opposite Washington Middle School. On Sunday, we visited this store – which sells not just fridges but stoves and other kitchen appliances.

The saleslady saw the fridge photo and checked her inventory, and yippee, she had one in stock in their Waipahu warehouse. Because Pacific Appliance was a newbie in Honolulu and not part of a big-box chain store like Home Depot and Lowe’s, its price was a couple of hundred dollars more than the one being held hostage in a similar Waipahu warehouse. Delivery could be done in three days (this morning today, Wednesday), an agreeable timetable.

We should have tried Costco in Hawaii Kai, but we’re thrilled to do business with a fresh resource in Hawaii, whose delivery schedule is possibly the best in town.

In retrospect, timing was part of the solution. We had  called our warranty resource to arrange a Mr. Fixit to check out the dying appliance, and the visit (which we canceled) was to have been today (Wednesday), too. But realistically, it was time to get acquainted with a new fridge; we hope Whirly will have a smooth, long life of good service. So welcome, welcome, dear Whirly; hope you’re happy in your new home.

I’m sipping ice water as I write this piece; the ice is from the bags of ice Vi has been purchasing since Saturday. A small ice cooler, suitable for a picnic for two, was under our sink for ages, so I’ve been filling it with remnant ice and it’s been my ice water source all day. Whirly should be in full work mode overnight.

MVT’S ‘MAYAH:’ ‘SO ONO FOR YOU!’

Bettah late den nevah.

OK, I wen’ go see – finally – Lee Cataluna’s “Da Mayah” last night (Oct. 4) at Manoa Valley Theatre.

My season tickets back in September conflicted with another event, and this local-style, loco-storytelling hit show was so popular, it was impossible to score seats. Small theater, das why, but MVT wen’ add two more shows this weekend, so I booked front row seats but I’m  so sorry I no can advise you to go see this outrageous and hilarious tale about one dude named Lester Perez (Devon Nekoba) because the show closed with a matinee today (Oct. 5).

Deven Nekoba, as Lester

Lester was the first Hilo mayah elected, a conniving, even incompetent leader who is out-of-control and one buggah with hidden secrets. So yep, there are political darts, but lots more about life and lore of island life, like work skeds, plate lunches, and trust.

OK, pau with trying to sound like Cataluna. “Da Mayah” was her first-ever play, concocted to fulfill a playwriting class assignment, and  was first produced by Kumu Kahua in 1998 and originally directed by R. Kevin Garcia Doyle. He also directed this MVT revival;  he either has little on his plate, but clearly,  he adores loves the cadence of Cataluna’s ability to make everyone smart in the local lingo, and the reunion is wonderful.

Elexis Draine, as Sandra,

The laughs are plentiful. The exaggerations are real. The actors must speak Cataluna-ese since the lines cascade out smoothly like Akala Falls.

The first person you see/meet is Jazzmin (Karen Kuioka Hironaga), who runs a washerette and a karaoke joint, and she’s quite savvy in recruiting audience members seeking their seats to sing.  She repeats her quest to sign up more karaoke singer at intermission, and yep, Jazzmin is a jewel in what she has to do. She even lured director Doyle to sing “Sweet Caroline,” a natural choice, since everyone knows when to chime in,“whoa whoa whoa.”

The true star of the show is Sandralene (Elexis Draine), the mayor’s assistant who writes his speeches, monitors his calendar and simply is his right-hand-man who is not properly rewarded or recognized for all the damage control she’s done.

Kalani (Sharon Garcia Doyle) and Kanani (Juvy Lucina) provide hilarious moments and they surely help the show to roll along; they often push the pair of rotating stages, created by set designer Kevin Keaveney, to change the four performing spaces, including the mayor’s office and Jazzmin’s dual launderette and karaoke bar.

Matthew Miller, as Stanton

Dukie (Stu Hirayama) and Stanton (Matthew Miller) are the quirky gents in the play. Dukie is the cousin of Sandralene, she learns that Derek Pang, an unseen rival of the mayor, lands an undeserved spot in the administration. Further, the mayor wants him eradicated.

Enter, Stanton, the hit man who has emotional baggage and  a long rap sheet, who is tasked to murder Derek;  Stanton also harbors a thing for Sandra. Whoa, whoa, whoa.

Further, there’s a sole tune, “So Ono for You” (words by Cataluna, music by Roslyn Catracchia), staged and sung late in the show.

On another note, it’s great that MVT has reinstated its playbill; now it’s a two-sheeter, folded to create eight pages, and guess what: the customary bios and mugshots of actors (sorry, techies, you are credited minus the bio-mugs) have been revived, presumably for the entire season. Been something I’ve advocated since the pandemic that it was the theater’s responsibility to provide brief notes and pics of the performers and even technicians, as a thank you for those on and off stage, and of course, the show patrons, too. Previously, the  data was fully shared only online, not in the handbills provided at the performances, so applause, please, for the comeback. Thanks, Jeff Portnoy and the MVT board…

‘Hamilton’ tops chart, lone $3 million play

For the week ending Sept. 28, “Hamilton” is the lone member of the Broaday $3 million club.

The Top 10:

1–“Hamilton,” $3.773 million

2–“Wicked,” $2,003 milion

3–“ART,” $1.648 million

4–“Mamma Mia,” $1.645 million

5–“The Lion King,” $1.586 million

6–“Waiting for Godot,” $1.618 million

7–“Oh, Mary!,” $1.328 million

8–“Just in Time,” $1.309 million

9–“Death Becomes Her,” $1.295 million

10–“Maybe Happy Ending,” $1.169 million

The complete gross list, courtesy the Broadway League:

And that’s Show Biz…

FOR FALK, ‘THE BUCK STOPS HERE’

Willy Falk, best known for creating the role of Chris in the hit musical, “Miss Saigon,” is going presidential in his next stage endeavor. He’ll portray Harry S. Truman in William Spatz’s “Truman vs. Israel: Abzug and the Undressing of Truman,” making its Off-Broadway world premiere at the Theater at St. Clements, with previews beginning Oct. 9 preceding the formal launch Oct. 16 in a limited run through Jan. 4, 2026.

Willy Falk, formerly of Honolulu, is cast as Harry Truman in “Truman vs. Israel” in New York.

“He  (Truman) was impressive in his no-nonsense approach to leadership and decision-making,” said Falk, recalling what was said in history books. “‘The Buck Stops Here!’ was his famous slogan. The only president without a college education, Truman took over the presidency from FDR very soon after being sworn-in as VP and during WWII.“

Pres. Harry S. Truman

Truman was the nation’s 33rd  and 34th president, serving from 1945 to 1953. As vice president to Franklin D. Roosevelt, he assumed the presidency in 1945 after FDR’s death.

In the play, Falk is featured with Helen Laser as Bella Abzug, an American lawyer, politician, social activist, and a leader in the feminist  movement. The cast also features Matt Caplan and Mark Lotito, with  Randy White directing.

The work centers on the little-known political clash behind the creation of the Jewish state during the Truman administration.

“He was put in a position of great importance and had some very weighty decisions to make within weeks of becoming President,” said Falk. “What I did not remember, and this play delves into quite a bit, was his role in being ‘The Father of Modern Israel.’ During his second term, he was the first world leader to recognize The State of Israel and its eventual formation, in partnership with the United Nations.”

Falk is widely known for musical roles; he was Tony-nominated for “Miss Saigon,”  but his theater credits include “Les Misérables,” “The Phantom of the Opera,” “Aida,” and “Marilyn.” Most recently, he appeared in “And Just Like That.”

A graduate of Punahou School, Falk was somewhat surprised to learn Truman played piano “quite well,” but “I did know that he worshipped his only child, Margaret, and was a big fan of her singing. Though critics were often not.”

Falk said he has been auditioning for singing and non-singing roles during this stage of my life. “By and large, more interesting roles are written for mature actors in plays and movies than in musicals,” he said. “Having said that, I am lucky enough to be concurrently workshopping a new musical that has a cantankerous older man as the lead, so who knows? 

“But, right now, I am excited about ‘Truman vs. Israel’ because I find this piece to be challenging, topical, and well-written.”

As a singer in theater, Falk admits that it’s easier to learn lyrics than memorize extensive text and spoken lines in s dramatic play.

“Learning songs is easier for me,” said Falk. “It might be because there’s a tune to remember the words, and there are rhyme schemes that help you to remember what line comes next.

“What helps me to get the lines (and I have over 75 pages to learn right now) is to have a clear idea of why your character is saying what they say.”

Part of his drill to absorb text? “Listening is part of acting, what you are hearing spurs what you answer. Having that knowledge helps to bring the words to life and, with any luck,  to mind. After that…it’s practice, practice, practice!”

Why did he seek this particular role/play?

“It is always a special gift to have a juicy role in front of a New York audience. Where it may lead is up to the ‘Theatre Gods!’”

Is the Broadway musical still a viable option, even if it’s a revival?

“Folks have been predicting the demise of the Broadway musical for many decades, and yet it survives,” said Falk.  “Certainly, it goes through changes and phases, but there will always be something magical about hundreds of people, sitting peacefully, side by side in the dark, watching a live performance. I have had people come up to me decades after seeing one of my Broadway shows and tell me that they still feel strongly about the memories of that. It is something very special.”

Rehearsals for “Truman” started Sept. 15 and the first preview will be Oct. 9.  “They didn’t tell me I had to be off-book, but there is just SO much that I could not start without most of it memorized.  Just the other day, I got some revisions…so I am already un-learning as well as learning.  All part of the process!”

He thanks his spouse for moral support, patience and understanding.

“My husband of 21 years, Andrew (Steiner) is always supportive of my career in every way,” said Falk.  “A funny story: He already bought tickets, in the front row, for opening night of ‘Truman vs. Israel.’ I said ‘Front row!! Andrew, that could be distracting!’” 

His answer: “No, it won’t bother me at all!!”

And that’s Show Biz…

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Tickets to “Truman vs. Israel” are available via OvationTix.

CAZIMERO NO LONGER NEEDS MOON

It’s no longer called a Full Moon Concert event, when singer-pianist Robert Cazimero serenades at Chef Chai’s.

It’s now the Monthly Aloha Concert, minus the lunar theme, but the format and spirit remain. Who needs the moon?

Cazimero is the ideal host, offering chatter, wisdom, and a menu of familiar favorites, in Hawaiian for the most part. His pair of dancers, Sky Perkins Gora and Keola “Bully” Makaiau, assemble for designated hula.

Sky Perkins Goya

Last night’s (Sept. 28) event was casual, conversational and carefree, even with an unexpected guest singer. You just never know who or what will appear. Like, during the show, a peculiar soul strolled in, seemingly in hospital wear; he briefly watched the musical action, and even tried to sit in a vacant seat, but was led out of the restaurant by a waiter. After the performance, an ambulance with flashing lights was tending to his needs on Kapiolani Boulevard.

It’s also becoming quite a challenge to view the happenings. Where you’re sitting determines how much you’ll witness. I understand Chai Chaowasaree  is in Thailand, so a new restaurant manager is in charge. His absence is noticeable. I shoot iPhone photos, to share in this space, but the task is getting harder. Inventive cropping still can’t erase dark shadows of diners.

The dancers do their numbers in darkness, without overhead lighting; the diners/viewers make it a challenge to photograph from your assigned perch. Thus, it takes creativity to try to snap a performer or two.

Cazimero, left, called up guest crooner Kalal’ i Stern

Cazimero, of course, is tucked behind his grand piano in one corner of the restaurant. His guest crooner, Kala‘I Stern, joined him on the platform where the piano sits; his birthday-mom was thrilled, as he’s quite the trouper with an engaging voice.

Cazimero at the mike.

Cazimero provided a sentimental journey with a cluster of tunes includindg “Beyond the Reef,” “Home in the Islands,” “Drinking Champagne,” and “Aloha No.”  Surely, many memories accompany these tunes.

The champagne number comes with a sip of his favorite bubbly, provided by a supporter and delivered to his piano, assuring guaranteed joy, sip by sip.

He almost always sings “Wahine Ilikea,” which gives Goya the op to share her hula moves, with lovely hula hands telling the romantic theme.

On this evening, Cazimero also selected a which-is-your-favorite island motif, singing “Honolulu” and then visiting the other islands, from the Big Island (where his ‘ohana originated) and Kauai, enabling him of dust off  “Hanalei Moon.”

Of course, every song has its own story and beauty, and floral themes were notably fragrant, tapping pikake and tubarose.

John Rhoades with Cazimero,

A nice way to celebrate aloha, minus the moon. Got a thumbs-up from our grandnephew, Sgt. John Rhoades, now working at Schofield Barracks. He’s always a guest when we go see his Uncle Robert. “That kid has an amazing smile,” said Cazimero. They’ve become a mutual admiration society…

And that’s Show Biz…

SHARI, MARY IN A YULE DELIGHT

Songstress buddies Shari Lynn and Mary Gutzi will co-star in a Christmas one-nighter Dec. 13 at The Actors Group (TAG).

The damsels,  who normally deliver ditties from Broadway and The Great American Songbook, will focus on holiday melodies, with a probability of a jazz title or two thrown in as a holiday gift.

Shar Lynn

The performance is dubbed “It’s Delightful, It’s DeLovely, It’s December.”

Showtimes will be at 4 and 7 p.m., at the Brad Powell Theatre, so you can’t  rightfully call this a one-nighter, since one show is a matinee, the finale is in the evening.

The notion of Shari and Mary doing something, someday, and some place together resulted in the forthcoming performances at TAG. Definitely, a debonair, dashing and dear deliverance.

Mary Gutzi

The reliable and responsible Jim Howard will provide the music on his keyboards.

A sell-out – or two sell-outs — is likely, though ticket sales have not yet begun. The Iwilei theater has 54 seats, so early reservations are suggested.

Tickets: $50; includes complimentary wine bar and snacks in the adjacent mall.

Information: TAG at (808) 722-6941…

‘Godot’  debuts at 3rd place

A revival of “Waiting for Godot,” co-starring Hawaii native Keanu Reeves and real-life friend Alex Winter, made its debut at third place in its first week at the Hudson Theatre on Broadway. “Clearly, celebrities mean great ticket sales. Not surprisingly, “Hamilton” held onto No. 1 for the week ending Sept. 21.

Keanu Reeves and Alex Winter, in “Waiting for Godot.”

The Top 10:

1—”Hamilton,” $3.598 million

2—”Wicked,” $2.005 million

3—” Waiting for Godot,” $1.820 million

4—”The Lion King, $1.777 million

5—”Mamma Mia!,” $1.608 million

6–“Death Becomes Her,” $1.387 million

7—”Just In Time,” $1.331 million

8—” Oh, Mary!,” $1.3000 million

9—“MJ the Musical,” $1.282 million

10—“Maybe Happy Ending,” $1.228  million

The full list of Broadway grosses, courtesy the Broadway League:

And that’s Show Biz