KEVIN I.: LOVE VOICE FOR ALL SEASONS

The arrival this week of “My Continuum,”  a five-tune EP chockful of romantic ballads, reintroduces veteran singer Kevin I. to the world (and maybe Hawaii, too).

It probably should have been released  to coincide with Valentine’s, because it’s the traditional season for love songs. Feb. 14, after all, is when the world focuses on romance, and surely, Kevin’s new CD, will lure his international audience. FYI, Feb. 14 happens to be Kevin’s birthday.

The  availability prior to Halloween means listening treats, not tricks.

And with Christmas in December approaching, it’s not a bad idea to get the EP charted for holiday gift-buying.

Hmmm, so “My Continuum” should be a collection for all seasons, all-year round.

Let me tell you the whys:

Kevin had been one of Honolulu’s favored balladeers during the ‘70s through ‘90s;  he sang solo, in hotel club shows, as well as with a dance group as a featured singer. His recordings were heard on local radio, too.

Then he abandoned his entertainment career for the next forty years, becoming an esteemed pioneer of executive and business travel, as a speaker and  an author of business travel, marketing and events.

As fate would have it, Kevin retired from his biz endeavors and focused on sharing his vintage tunes with followers across the globe – the Spotify crowd – triggering a second career minus the live concerts but a new EP laden with what his global fans favored: love tunes.

Under guidance from new mentor-producer Lance Jyo, Kevin clearly curated a roster of new material: two that he co-wrote with Jyo, and three others that Jyo co-authored.  All songs should attract his legion of fans, and I confess, if these tunes were on a roulette spin, all will would have winning appeal.

I adore ballads, so “The Love You Give (To Me)” reflects the kind of powerful gift for a crooner – deliberate, enduring, satisfying delivery, plus soothing lyrics. The song is constructed with cadence and care, perfect for Kevin’s style.

“Shine” features multi-tracking of voices, sounding like a chorus without overdoing it. However, the 5:08 length – long, by radio standards – might limit air time.

“My Forever Love” – also with the spirit of commitment — is yet another resourceful introduction to those who’ve yet to know Kevin’s engaging style. Could become the biggie of the bunch.

 “Can’t Get Back the Time” lyrically explores the value off embracing time in life, since it is elusive and disappears, with gentle piano accompaniment.

“The Last Goodbye” is a sweet departure ballad, exploring another element of romance.

Finally, for all the years I’ve known Kevin and reviewed him in concerts and on LPs and CDs, he’s never sounded this contagious perfection and glowing with amour and assurance. “The Continuum” could jumpstart an appearance on one stage or two, notably in foreign markets waiting to discover Kevin I. in the flesh. P.S: He’d welcome earning more Polaris bookings for his United treks around the world.

Think about it…

And that’s Show Biz…

Also visit: http:kevin-i.com

IT’S TRUE: RUC OUTDOES HIMSELF

Hard to believe, but it’s true. The second day (Oct. 12) of “My Hawaiian Souvenirs” —  Robert Cazimero’s sentimental journey of mentoring and molding his fabled hula halau for 50 years — was even better than the first installment the night before.

The continuation, again at the Leeward Community College Theatre, was jammed with  folks – many returnees who saw the original segment.

Kumu hula Robert Uluwehi Cazimero, aka RUC, at second Leeward concert.

My theory? The conclusion had a few stronger structural elements, notably the  assembly of Na Pualei O Likolehua dancers, in reality the kinda-sister halau of Na Kamalei O Lililehua, whose seemingly impromptu appearance tapped new depths of historical exploration.

This precise moment brought tears to my eyes, packed with unexpected  heart- and soul-tugging. Overall, this was powerful and prolific story-sharing.

In retrospect, there were 10 take-aways:

Leinaala Kalama Heine’s Na Pualei O Likolehua made a powerful appearance,

1 – Cazimero, hereafter called RUC for Robert Uluwehi Cazimero, called for the lighting of the house, after which about 14 wahine from the late Leinaala Heine Kalama’s Na Pualei O Likolehua halau left their seats to take the stage. Then RUC started singing “Pua Hone,” and his Na Kamalei gents – known for vocalizing as well as hula-ing – chimed in, shaping Dennis Kamakane’s composition (meaning “Honey Flower,” and written for his girlfriend) with profound relevance. ‘Ala had been Robert  and Roland Cazimero’s regular hula soloist, and this was her signature number,  bar none.

2 – Roland’s popular  creation with Kelii Taua, “Ho‘onani la Hokule‘a,” provided ocean commotion in voice and dance; this has always been one of  Na Kamalei’s frequent numbers, and here  it’s a gentle tribute to Boze.

Kanoe–one of the boys,

3—Kanoe Kaumeheiwa Miller, the woman dancer who once was officially part of the brotherhood of Na Kamalei, appeared in a couple of hula numbers. Not only was she allied with RUC as a dear colleague, she was widely known as the principal hula dancer at the fabled beachfront Halekulani Hotel shows. As a sistah, she did a sexy and scintillating hula in a glittering turquoise cellophane skirt and undoubtedly was a stupendous surprise and a belated acknowledgement of her link with Na Kamalei.

4—An unexpected “roll call” of sorts, midway through the show, had all halau members come to the mike, and give their names and year they became a member of Na Kamalei. Even a few makule dancers were able to keep up with the youthful gents from recent years. But clearly, the bond and dedication to RUC’s leadership were imminent. The “thens” and the “nows,” side by side, provided a unique picture of the halau’s history.

5—Bob’s Boys, the house band introduced in Part 1, returned for another serenade with the kumu and his dancer. Sorry, don’t know the last names of Richard and Keola, and Kaipo Hale, RUC’s best friend, comprised the Boys. And forget the vintage, they’ll always be Boys.

6—A segment themed “And then I wrote,” found RUC to sharing a few of his compositions that succeeded in demonstrating an earnest reflection of his life, like “House on the Corner” and “Home Pumehana.” House and home, indeed, reflected the spirit of connection and comfort.

The gents from the “now:” Halau Na Kamalei O Lililehua,

7— Remembering and respecting folks who’ve passed on provided moments of solitude. Like the earlier mention of ‘Ala and “Pua Hone,” there were other salutes to Gramps, a beloved soul from the past, via the reprise of “Hawaiian Souvenirs;” Wayne Chang, RUC’s fellow Kamehameha Schools influence and collaborator; and Maiki Aiu Lake, the legendary kumu hula who took Cazimero under her wings and nurtured his skills leading up to his  ‘uniki (graduation); the memorable “Pua Lililehua”  (composed by Kahauanu Lake and Mary Kawena Pukui for Maiki) was the proper selection to honor her.

Bully, in yellow shirt, is one of the long-time Na Kamalei dancers,

8—The Merrie Monarch Festival in Hilo, plus Na Kamalei’s win this year, have been a stressful highlight of RUC’s 50th anniversary as a kumu. The relaunch of kahiko selections like “Uwa e Ka Leo o Kohemalamalama,” “Kohe Malamalama” and “Ho‘i: Nu‘umealani,” exemplified the sweat and invention to get every note and every move right that helped them win the accolades this year. Preparation was the magic word.

9—Kumu watching among the field of Hawaiiana fans was relatively easy here. For several seasons now, Vicky Holt Takamine, kumu of Pua Ali‘I ‘Ilima, is always in the audience; she now is executive director of the PA‘I Foundation, endorsing and supporting RUC’s efforts as a fellow student of kumu Maiki. Like RUC, Takamine is an advocate of the preservation of Hawaiian Culture and Native Hawaiian traditions; her support, plus kokua from other kumu peers, demonstrate strength in collaboration and mutual respect.

Na Kamalei dancers earned Merrie Monarch laurels this year.

10—RUC’s rigorous production skills define the precision of a stunning concert. And watching the performers on stage, and spectators in the theater, you feel sense of brotherhood and loyalty emerging. Aloha is the spirit, as folks arrived at the theater on Hawaiian time, just as the lights are turned off and the show begins.  And  intermission was the time for hugs,  hoomalimali time and what-you-doing now queries, warm and joyful responses to singers and dancers. Hula, under RCU’s watch, has taken on a new flavor, like  a class reunion, where meet-and-greet sessions are plentiful. Like a school reunion, the attendees get all dolled up in finery, often with Hawaiian motifs, and give and wear lei. Gentle kisses reflect the friendship and the connectivity; this is not just a holo holo outing, it’s a destination to embrace cultural roots and share your involvement with fellow Hawaiiana fans. Further, it’s an op to get a selfie with the kumu…till the next such gathering to break bread…

And that’s Show Biz…

MEMORIES FLOW IN HALAU’S ‘SOUVENIRS’

Robert Cazimero delivered the first half of “My Hawaiian Souvenirs,” his 50-years-strong memory of hula and mele, last night (Oct. 11) at the Leeward Community College Theatre.

Laden with beaucoup recollections of his life as a student in hula, then a kumu hula, and finally an award-winning leader and mentor of hula of Halau Na Kamalei O Lililelehua,  the evening was not long enough to share his abundant artistry of hula. So, a second installment will be staged at 2 p.m. today (Oct. 12), with the troupes again assembling at Leeward, continuing with a focus and emphasis hula kahiko.

Robert in kumu garb.

In typical Cazimero fashion, part one – rendered in four quarters of style-sharing –was  visually minimalist, with only one visible prop element: an oversized hanging of windows which he symbolically “opened” to acknowledge the myriad of melodies and dances in his treasure chest of souvenirs.

Of course, a journey like this embodied tales and tunes of family in Kohala, embracing the remember-when theme with landmark songs including “Maika‘i Ka Makani O Kohala,” “Alohe E Kohala,” “Nani ‘A‘ala Wale, and “Ho ‘oi Hou Kanani Ia Mahikona.”  A particularly engaging tune was the non-Hawaiian “Only You,” with tapped personal remarks and admiration of his mama and papa.

Robert, opening windows,

Naturally, the gents of Na Kamalei – superb dancers and vocalists, some young, others elders  – provided the fabric and finesse in the reflections. Kumu Caz affectionally calls ‘em “Bob’s Boys,” and their syncopation and harmonics elevated appeal to such numbers as “Henehene Kou Aka,” “Nani Waimea,” “Pu‘u wa‘awa‘a”  and “Huapala Maka Onaona.”

After intermission, the second act began with an in-front-the-curtain chant featuring kumu hula Hinaleimoana Wong Kalu and a vigorous halau chant, a prelude to an expansive series of Na Kamalei “moments” with historic halau melodies attached to new hula classes (“Kalakaua He Inoa”). A stroll down memory lane —  oli  with the pahu  (drums) rendered by Carl Veto Baker and Manu Boyd – also dusted off titles like “Kaulilua,” “Mai Ta Pouli” and “Halau Hanalei.”

Babooze

The comebackers, a handful of dancers who returned from the past, included Gunnie on “Ke Pi‘ina” and Babooze on “Pohuehue,”  which raised the nostalgia level quite a bit.

Every Na Kamalei event showcases stylish hula garb; in this outing, the primary gear included modern orange/red aloha shirt. The traditional ti leaf skirts were eye-filling as they swished and swayed during the hula, especially the ones with layers of dark green ti.

Hefty ti-leaf skirts highlight one kahiko number.

And on a  hula kahiko number, with a few dancers, one outfit  featured a sexy modern costume with see-through fabric. Indeed, there’s always been a yesterday, a today, and a tomorrow in a Na Kamalei show. Let’s see what today’s will offer.

And that’s Show Biz…

PERPETUATING THE KAMAE LEGACY

Myrna Kamae, widow of the prolific and legendary Hawaiian music singer-composer Eddie Kamae, will oversee a mahalo celebration to close one chapter and launch another to propel and perpetuate the legacy of Eddie and his role in the Sons of Hawaii.

An invitational event will be staged from 5:30 to 8:30 p.m. Saturday (Oct. 11) at the Waikiki Yacht Club, to mark the progress and importance of documenting Eddie’s music with his Sons of Hawaii, and herald the partnership of the couple’s Hawaiian Legacy Foundation with the University of Hawaii’s West Oahu campus.

Eddie Kamae, singer-musician-filmmaker.

There will be food and beverage, plus music by the Sons of Hawaii.

“Our work is already being curated and digitalized at UH West Oahu,” Myrna said in a statement. “Much of it (resources) is now available online at ‘Ulu‘ulu: The Henry Guigni Moving Image Archive,’ and will soon be available at the Campbell Library as well.

“Eddie’s goal was always to ensure that the music lives on, and that our kupuna are honored.”

Myrna Kamae.

The Kamaes – Eddie was the principal singer-composer and filmmaker with the Sons of Hawaii, Myrna is a composer in her own right – were inspired to support the wisdom of their elders, following the advice of Eddie’s mentor, Pilahi Paki, who once told him ‘Do it now, for soon there will be no more,” referring to the mission of maintaining cultural identity and integrity,

Between 1988 and 2011, the Kamaes created and produced 10 award-winning documentary films on notable Hawaiian voices, and since Eddie’s death at age 89 on Jan. 7, 2017, the Kamae foundation completed a free online songbook of 34 of Eddie’s favorite melodies.

 In the years to come, Myrna and her team anticipate that the Kamae films will be available for free on YouTube, with more highlights already posted on Facebook, Instagram and TikToc. Viewership already has reached four million.

Myrna is hopeful that the Kamae Endowment will continue to grow to ensure support and finances for student internships, scholarships and faculty grants to encourage scholars, musicians and educators will build bridges and embrace the projects…

Busy-ness parody has risks

Comedian Frank DeLima continues to be creative from Las Vegas, his home since his retirement last January. It’s great, but there can be risks.

Frank DeLima

No, not active in the performance realm, but in doing musical parodies about crisis or funny elements in life in paradise.

His latest, to the tune of “I Feel Pretty” from “West Side Story,” is an homage to the popularity of Michael W. Perry and the Posse of KSSK Radio. Why not? The station is almost always first to air each parody and regularly welcomed its studios or live broadcasts for anything new in DeLima’s comedic life.

The problem with his newest is obvious: DeLima won’t get much airplay or endorsement from any other broadcast media. Thus, it’s the least effective of his efforts.

The premise is busy-ness of one and all from the Perry team, from sidekick Jimmy Da Geek to news anchor Mandy Suganuma to project honcho Sweetie Pacarro.

The lyrics lack LOL humor, too. About Perry, DeLima opines, he’s “such a busy voice, busy brain, busy heart”  and everyone is “busier than the busiest bee.”  Hmmmm.

Because he’s no longer physically part of the Honolulu/Hawaii community,  it’s a stretch to find humor or engage hot buttons here. Clearly, he’s itching to share his laughs and usual lunacy. Sorry, Frank – nice try but you can’t fake it.

“Ya gotta know the territory.”  It’s a truism  from the stage musical, “The Music Man.”

FYI: the formatting of this column does not allow music videos. For a listen, visit my Facebook page at https://www.facebook.com/wayne.harada.5

Broadway returns to a normal pace

A sense of normalcy has been the tone of the Broadway scene.

“Hamilton” again is the week’s winner, but “Wicked” is steady at Nol. 2, followed by “The Lion King” returning to No. 3.

The Top 10:

1—”Hamilton,” $3.743 million

2—”Wicked,” $2.054 million

3–“The Lion King,” $1.930 million

4—”Waiting for Godot,” $1.865 million

5—”Mamma Mia!,” $1.613 million

6—”ART,” $1.492 million

7—”Just in Time,” $1.338 million

8—”Death Becomes Her,” $1,311 million

9—”MJ the Musical,” $1.254 million

10—”Maybe Happy Ending,” $1.181 million

The complete list, courtesy the Broadway League:

And that’s Show Biz…

FRIDGE ‘WHIRLY’ FINDS A NEW HOME

If you have had to replace a problematic and fading refrigerator in your kitchen, you must know that this is one of life’s most challenging inconveniences. Timing matters.

We did. With good timing.

Our trusty Kenmore conked out last Friday, with the freezer losing its chill. Two days later, the refrigerator also was silently on its last leg.

So, we had to quickly secure a replacement. But not before getting our largest cooler chest out, and  buying bags of ice, to protect and chill the salvageable items in both the freezer and the refrigerator. For backup, we also purchased a new Igloo chest from Costco.

We learned these tricks early on; you need backup when the icemaker stops making ice and then takes a chilly final breath to halt the freezer. The ice cream and frozen saimin had to be scrapped, but frozen salmon was among the items saved.

But what a task it is to find a fridge you like; ours was a 33-inch-wide model, and many are 36-inches. The height was not an issue – we had a few inches to spare at the top of the old model.

Anyway, Vi and I went to Iwilei to seek out  the obvious possibilities at both Home Depot and Lowe’s.

The initial visit was at Home Depot. We found the exact Whirlpool we wanted, a two-door floor model, which had the innards that were familiar to us: icemaker on the left, generous plastic shelves on the refrigerator side. Thinking we’d buy this appliance, we didn’t anticipate the hurdle: when the salesperson checked the inventory in store’s warehouse, there was, indeed, the model we sought. The catch: we’d have to wait till the end of October for delivery. He double-checked, and said the fridge would not be available till  December. Not good. Very bad, actually.

Then we tried Lowe’s, and the problem was similar. If they had it, the delivery date is the problem. When the fridge is on the fritz, you need to get a new one delivered in a day or two or three.

The sales guy at Home Depot told us to snap a photo of the Whirlpool item we were looking for, and inquire at Pacific Appliance, a new dealer in town, on King Street opposite Washington Middle School. On Sunday, we visited this store – which sells not just fridges but stoves and other kitchen appliances.

The saleslady saw the fridge photo and checked her inventory, and yippee, she had one in stock in their Waipahu warehouse. Because Pacific Appliance was a newbie in Honolulu and not part of a big-box chain store like Home Depot and Lowe’s, its price was a couple of hundred dollars more than the one being held hostage in a similar Waipahu warehouse. Delivery could be done in three days (this morning today, Wednesday), an agreeable timetable.

We should have tried Costco in Hawaii Kai, but we’re thrilled to do business with a fresh resource in Hawaii, whose delivery schedule is possibly the best in town.

In retrospect, timing was part of the solution. We had  called our warranty resource to arrange a Mr. Fixit to check out the dying appliance, and the visit (which we canceled) was to have been today (Wednesday), too. But realistically, it was time to get acquainted with a new fridge; we hope Whirly will have a smooth, long life of good service. So welcome, welcome, dear Whirly; hope you’re happy in your new home.

I’m sipping ice water as I write this piece; the ice is from the bags of ice Vi has been purchasing since Saturday. A small ice cooler, suitable for a picnic for two, was under our sink for ages, so I’ve been filling it with remnant ice and it’s been my ice water source all day. Whirly should be in full work mode overnight.